If you listen to the last clip in the above Soundcloud embed you can hear my latest remix. It’s for Al Ferox’s latest huge release. He has 15 producers to remix his classics including Workerpoor, Johnathan Cast, Anthony Lynn, Phantazma, Roman Carrot, Ethan Fawkes, Lado, Dave Tarrida and many more!. I chose “Effet Hypnotique”. I used a Kawai R100, QU-Bit Nebulae, Waldorf Rocket, Arturia Beatstep, Ableton Live and some Vallaha Vintage-Verb on it. I also recently completed remixes for German based Florian Punzel and the Rotterdam club’s Herr Zimmerman (Fraulein Z). Next I have a cover I am completing for a huge Sucide project and more, more, more for my next album!
“Al Ferox, also named Alessandro F., is an italian musician and producer, founder of the labels Kobayashi Recordings, Dancefloor Killers and Scream Recordings. He ran away from Italy to France at the age of 17, all that kept him going was his love for music. He got his first inspiration from his brothers vast record collection from 70’s listening bands as Black Sabbath, Led Zeppelin, Zappa, early Genesis stuff, then being profoundly inspired by the 80’s punk industrial metal, and new wave scene.” – discogs.com
For more info: facebook.com/alferox
I am working on my next album. I have equipment lying all over the place in several totally different locations. In one corner of my apartment I have “little” Eurorack set up and for the sample of the track above Im using a Korg SuperDrums DDM110 for beats and sync. Your also hearing a Noise Engineering Basimilus Iteritas through a Synthesis Technology E440 which has it’s filter controlled by a Make Noise Pressure Points and transpose controlled by a Flame Tame Machine. Now to do some vocals…
“Where does all this leave the DDM110? Not realistic enough to satisfy people who want a drum machine to act as a convenient substitute for a real drummer, not considered ‘classic’ enough to command the extortionate prices paid by retro enthusiasts for just about anything 15 years old with a Roland badge and no MIDI port. This ‘half-way’ status, coupled with its more eccentric qualities, is enough to place the DDM110 in the ‘love it or hate it’ oddity category. I personally gravitate towards the former opinion.” – Sound on Sound
For more info: soundonsound.com/sos/jan01/articles/korgddm110
I’m a lucky man. For more than 10 years I’ve been booked to perform in Malta. It’s three small islands below Italy and above Africa. It’s paradise. It has ancient cities with Roman ruins and a blue lagoon you can’t believe. The hotel I stayed in (Le Meridien) had a pool on the roof, an indoor pool with water that changed colors and the view from my balcony looked out onto the Mediterranean Sea. I performed at the Dome which itself had three swimming pools. It gets it’s name from the main concert area which is well in a dome. I enjoyed performing! After 10 years coming back to a country you build up fans and friends. I performed some new songs I am testing out and also played the song I recently did with Haujobb. For those who were there and know what I am talking about a special thanks to “Super Mario”! I did plenty of sight seeing including visiting the ancient city of Mdina and the capital city (which is also dam old) Valletta. I took a wonderful boat ride to Camino to it’s blue lagoon and caves. I snorkeled, ate some nice Maltese food and hiked. I owe a great debt to Andrew Grech and his crew for continuing to bring me to their island. It’s always a terrific time. New York is a fast paced stressful place. To go to a place like Malta brings me a well needed alternate reality!
“Oliver Chesler better known as The Horrorist will return to our shores on the 21st of June at The Dome, Limits of San Gwann. Get ready for one Mental night!” – Shift
For more info: facebook.com/events/1393560704199821
I recently became online friends with a guy named Nivek Tek. He’s from LA and has a music promotion company. He also does a radio show on WKFU called Dark Sanctuary Radio. On his latest episode he played my song Modern and my collaboration project (with DJ Andi) Schadenfreude’s Blood.
“This weekly exclusive podcast will feature the best in DARK music from EBM, Industrial, Gothic, New Wave, Synthpop and Alternative.. We will also feature the TOP 10 Best Global DARK Singles & Albums, Plus exclusives, rare tracks, awesome classics, special guests and MUCH more! 3 hours of darkness! From 80’s new wave, dark wave, cold wave, alternative, synthpop, goth, industrial, EBM.” – Nivek
For more info: facebook.com/DarkSanctuaryPromo
My remix for 77tm’s song She Likes to Watch You from the Spam EP as been released on Limited Edition Vinyl and Digitally. I met Aga and Christian Gjelstrup at one of my live shows in Berlin and we have remained friends. For this remix I used mostly my Eurorack modular. Your hearing Tiptop Audio drums, Ataraxic Translatron, Toppobrillo Multifilter and a Make Noise Phonogene. Available now!
“The exclusive track “She Likes To Watch You” remixed by The Horrorist, taken from the B-Side of their forthcoming release “SPAM” – out on Mecanica Records” – 77tm
For more info: bigcartel.com/77tm-12-ep and bandcamp.com/spam
I am in Berlin this weekend. Friday and Sunday I will be in Berlin hanging with some good friends including Miro Pajic and Petra Flurr. On Saturday I take the train to Magdeburg which is about an hour away. I will be performing at the huge Junimond Festival! It’s a club convention where venue owners from around Europe come to talk about taxes, lighting, sound systems and more. Most importantly they throw a huge event. This year there are 19 areas and 61 DJs/Live Acts! I will be performing some new tracks including my recent collaboration with Haujobb The Dancer (link).
“Das Line up wird wieder super bunt und interessant, die Clubs und Showcases auch mal ausgefallen und in jedem Fall hör- und tanzbar. Nach jetzigem Stand werden sich die Clubs auf 15 Floors vorstellen.” – Junimond Festival
For more info: junimond.net and facebook.com/junimond.festival
I received clearance to repost the DJ Set I did for DI.FM Digitally Imported and Freitag Unlimited on Mixcloud (link) with my other sets. If you don’t already know Freitag is a great label London based record label. I recently remixed a track by Dead Sound for them and it was released on Vinyl. If you don’t know DI.FM just go there now and you can listen to a large selection of electronic music streaming 24/7. It’s very popular in the USA. Since this set wasn’t played live specifically for a crowd I was able to play some more obscure and unique items. Enjoy!
“Standing in the dark watching you glow. Lifting a receiver nobody I know.” – John Foxx
For more info: thehorrorist.com
The extended interview I (The Horrorist) did at the Rockerill Festival in Belgium is now online (link) at Reflections of Darkness. I talk candidly about pretty much everything including EBM, New Beat, the 80s, performing live, love, drugs, New York and much more.
“she said: “Let me hear your music” and she did an amazing thing. When she heard my early music, which was all about “I hate this” and “I’m gonna kill you”, she said: “Oliver, this is all about yourself! You were singing about yourself. You hate yourself and you’re singing about it!”
Read the full interview: reflectionsofdarkness.com/horrorist-the-may-2014
I’ve been going through a lot in my personal life lately. Luckily for musicians change and life happening makes for great music. I’ve never been so exciting about recording as I am now. My day job has let me build a time machine our of music gear. I did an extensive interview at the Rockerill Festival last month which will end up in a few different languages and countries. They recorded my answers in audio and transcribed them so it’s an interview in which you can hear my real voice unlike many in the past. It was right after the show so I was pretty excited and talk candidly about a lot of things. When I was in Leipzig I was invited to record with the band Haujobb. I did vocals for a song now called The Dancer. It’s coming soon and the other side features Jean Luc Demeyer of Front 242. When you leave someone with your vocals that can make you sound pretty lame or like a master. They made me a master on this one for sure. I truly am thrilled with what they did. New album recording starts now. Your going to love this one. Time for the next round. The Things to Come.
“For certain things you want the real thing, like for bassline sequencing that’s gonna sound authentic, you want analog. You can do anything in digital but you have to work harder. Yo have to play with EQ, with effects etc. When you work with analog machine, you just play with the level and it sounds good. You don’t have to finesse it so much.” – Interview Excerpt (Oliver Chesler)
For more info: thehorrorist.com
This weekend I performed at the infamous Rockerill Festival in Charleroi, Belgium. Charleroi is about 40 minutes from Brussels. People from Belgium call it their version of Detroit. It is a very industrial looking city with huge factories and crumbling buildings. I was lucky to be picked up from the airport by two of the artists that were performing: Elzo Durt & Singularity (Raul Borges). To my great joy Front 242 was playing on the car ride. Being in Belgium that was exactly the right start to what would be an incredible weekend.
Rockerfill takes place in massive abandoned factory complex. It’s several super sized rooms with very high ceilings made of concrete and steel. When I arrived DjPute-Acier was playing. He did an incredible EBM/Techno set. The link to that set is below. Be sure to take a listen to it and I noticed that Download is enabled to grab it while you can. The sound system was sharp and clear and was slightly echoing off the massive room’s walls. I had some good friends show up including Ethan Fawkes and Lady Lupa. Downstairs metal bands performed in a packed room with balconies surrounding it. I could barely squeeze over the edge to see down at the madness. I was pretty shocked when I was told that was the stage I would be playing on!
I took the stage and soon after mind stopped thinking about my day job, love life, Tiffy, NYC, the spring flowers. Those images disappeared and off I went screaming in the night. At one point I stepped into the crowd and a was lifted into the air. For about five minutes I was tossed around dropped, picked up again and somehow ended up back on stage mic and light in hand wholly unbruised. The night went long into the next day. At 44 years old I crowd surfed for the first time and yet that probably wasn’t even the close to the most interesting thing I did that weekend. Until next time Belgium!
“The Horrorist & Minimum Syndicat ont tout déchiré, c’est comme si j’y étais encore!” – Frédéric Dem
For more info: rockerill.com