Since I lean toward the synthesizer slash software side of things the best music gear “fair” in the world is Germany’s Musikmesse. Each spring or “Frülings” as the German’s say, gear geeks, music software wizards and pro-audio companies from the States to Japan all meet in Frankfurt. This year’s shibang is from April 1-4 which if you’re reading this post today means it’s on now. Will any new product convince you it will improve your songs? Nothing I’ve seen so far is making my head explode but there are some nice new toys on the show floor.
One of my favorite instruments, the Persephone, has been upgraded to “Mark II” status. It’s big new feature is the addition of a second oscillator. To love a Persephone is to play one. It’s a nice feeling high end instrument. The best way I can describe it is something in between a Theramin and slide guitar. Doepfer steps away from the Lego – build your own mindset and released the Dark Energy. The Dark Energy is a mini 100% analog synth with a built-in USB/Midi interface. At 400 EUR what’s not to like? Tascam seems to have noticed Mackie’s troubles (their Chinese factory went out of business) and released a new line of inexpensive analog mixers including the M-164, M-164FX with built-in digital effects and the M-164UF with built-in USB.
SSL released a new version of it’s Duende which has an improved audio engine and includes a new reverb called X-Verb. Novation hit us with there new versions of their popular controllers, the Zero and SL now at MKIII status. I have some friends who were disappointed by earlier versions of these. Most of the complaints were in the “faders are too cheap” category. Nevertheless, Novation added more pink lights on the new babies so I can’t help staring. Akai seems to be on a mission the past few trade shows and Messe09 is no different. They have a new basic Pad box, the MPD18 and a new 88key weighted controller the MPK88. What really has my mouth ready to scream “Reactivate!” is the new Miniak synth with built-in vocoder. I always thought Akai made the best software vocoder (D.C. Vocoder) but alas it never went OS-X. If the Miniak sounds as good I’ll grab one for sure. Presonus released a DAW called Studio One. Are they crazy? Why isn’t everyone using Ableton at this point? Oh yeah, in case you didn’t hear Live 8 is out of beta and ready to buy.
Update. So a few more niceties have crossed my radar. Jomox has updated it’s popular analog kick drum module the MBase now called MBase II. I believe the compressor is the new add on in this highly recommended box. I love mine: video. Rob Papen has a new software bass synth called SubBoomBass. I doubt SubBoomBass will break much ground sound wise but I constantly go to other Papen synths when Im doing certain styles of music and want to troll a zillion presets. MFB must be reading my mind because the only thing I love more than drum machines are semi-modular drum synthesizers and that’s exactly what they just announced. They call it Schlagzwerg and I’ll be buying that (680 EURO) before you can say Berlin!
photo credit: joaquinenriquezbeltran
This entry was written by hardware, plug-ins, synthesizer and tagged Dark Energy, Doepfer, Duende, Jomox, Mbase II, MFB, Musikmesse, Persephone, Rob Papen, Schlagzwerg, SubBoomBass, Tascam. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Cihan Kaan is a Brooklyn native who in the early ninety’s made a ton of underground electronic music under the name 8Bit. In fact as he will tell you he’s the original 8bit. Last week I was chatting with Cihan and he mentioned he recently performed live in the online game Second Life. When he told me he made money I knew I had to interview him for Wire to the Ear.
You grew up in Brooklyn saw the rise of techno take place just blocks away from your house with Frankie Bones, Groove Records and the Storm Raves. Tell us in brief your interaction with the “scene” as it was called! Who were some of your friends and what were you guys all doing?
Yea, everyone lived within a two mile radius of each other, Sheepshead Bay/Canarsie/Marine Park/Avenue U. Lenny Dee of Industrial Strength Records had barbeques at his mom’s place (now a russian health insurance fraud clinic) with all the acts on his label so I was there as much as I could be without being invited, hehehe. Frankie and Adam were over on the west end of Avenue U and I had street beef with the west end Avenue U Boys (AUB) so I couldn’t really stretch over there too much without threat of escalating my beef (in a nutshell, my best friends brother was Avenue U East Side crew leader who was missing so ppl thought I had some connection to that). Heather Heart was making the Under One Sky zine and lived the closest to me and on any day you would see her wandering Neck Road with a tb-303, hunched over walking home. Thats a clear image for me because I was a drugstore delivery boy and I would see Heather all the time walking around with some vintage acid toy. Most of my crew was the “younger” lot of rave kids, so although I was one of the first promoters of Storm Rave I was primarily converting skaters and punks to the new rave scene of the time. There was never a full acceptance into the older generation of techno ppl, most of the kids I brought in were still wide-eyed about techno and there was a sense that this optimism made you less of a hardcore head. I don’t think that was true. After the Storm we all became NASA elite and I remember Moby performing every week. One night me and Moby talked about my new demo I was pimping around on Cassette (the OHMZ cassete) and he wanted to meet after his show, but that night my bag of tapes got stolen so the transfer never happened. Later in the night I was depressed in the chillout room and Ernie (a kid who ran around with an Ernie doll on his neck) found the bag, but it was too late. Around that time I hooked up with Super Mario who was starting a hardcore label with Joey Jupiter of Atomic Babies and put out my first 8Bit record Tweeked, which he took privilege to completely cut apart to make DJ Friendly. That record actually is mostly all that red box you gave me along with the Oberheim you also gave me. The 707 I bought from the buy-n-sell for $50, and the Amiga I used for samples obviously was left over from before the scene. After Tweeked came out (it was a white 7″), Curious George and Deitrich Shoenemann from Prototype 909, hooked me up with job at Moby’s old label Instinct and I packed his records in boxes all summer. I hope that answers your question, I’m really flying over lots of details and probably forgetting lots of people along the way.
Tell us a few of the most memorable events (dare I say Raves?) or nightclubs from back then.
The Storm Rave in ’93 the warehouse in Shaolin was like the Thunderdome scene in Mad Max; burning cars, people dancing on rusty metal barrels. It’s a root memory I have I always mine from when I’m making a track. Frankie screaming into the mic that we were future. Never seen party like that since. Also, remember we had no style back than, so for the most part it was a diverse set of kids (not yet called ravers) all gathered listening to this new future music. It wasn’t a poseur thing at all — in all these academic papers on the rave scene I read about, people seem to forget that techno really emerged as a movement, not a style. It was Dinkins’ New York when you were still allowed to break in to places and bring in Speakers and equipment. Storm raves were always great parties but other events that stood out were the outlaw parties thrown around the neighborhood, the Gerritsen Beach swamp parties were nuts, not only could i ride my bike to the party, but everyone would be there and the music was insane, all in a swamp marsh. I tried to recreate that in the scene in “Refuse to Fight” when the crew is staring into the fire, the video I directed for Frankie. Seems like parties were all over back than, under the highway, under the bridge, whereever we had access to a dark spot with concrete around.
Darker memories come later when I was too hopped up on psycedelics particularly at NASA, one night I lost my mind and the beats sounded like machinations from Hell and I thought the dancefloor was a shark infested pool. I actually leapt into my boy Evan’s chest trying to get some of his positive “E” vibes. Of course that didnt work and I quickly fell into a fear and loathing type of head and pulled a blade out on the guards who were trying to quell me (I was trying to jump into Dante’s chest, Scotto’s chest, etc). They threw me out and all i remember from there is walking around in the winter on the west side of manhattan with my clothes ripped off.
Since this interview is for a music tech blog let’s talk gear. Compare how you made music in 1994 to 2007. What was your computer set up then vs. now? (more…)
This entry was written by interviews, live performance and tagged , 8bit, Amiga, Frankie Bones, guitar center, interview, MPC, Rogue Music, Second Life, Tascam, techno. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.