Cubase 7.5 TrackVersions

Even though I use Ableton as my main DAW for over a decade I was in love with Cubase. I went to the Steinberg user group in NYC and wrote many of my great songs using Cubase. Steinberg has always been one of the most innovative music software companies and lately they are shining again. Cubasis for iPad is amazing and with the power of the iPad Air it’s actually a viable way to make full on tracks. Steinberg also showed off a little recently by adding Leap Motion tech to Cubase allowing you to wave your hands in the air Minority Report style to control your DAW. They just released Cubase 7.5 and one feature I really think is stellar called TrackVersions. TrackVersions allows you to create different versions of parts in a neat manner. One “trick” I use when making music is to always try out 4-5 things per transition or part. I love the idea of being able to keep this different options labeled and inside the track. With Ableton I end up with a very long page full of muted ideas.

“Create, rename and manage parallel versions of the same track or tracks and use them to compare takes or create alternative versions of your recordings while keeping all track settings. Interfacing perfectly with existing track handling features like lanes, the flexible new TrackVersions feature will significantly speed up your workflow when working not only with audio but also MIDI, instrument, chord, tempo and signature tracks.” – steinberg.net

For more info: steinberg.net

This entry was written by Oliver Chesler, posted on December 4, 2013 at 5:13 am, filed under song writing and tagged , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.



Cubasis

I’ve yet to see a full fledged sequencer for iOS that I really want to use. Today the grandfather of sequencers Steinberg bring us Cubasis. Good or not it uses what we musicians know as the traditional sequencer metaphor. I’m really looking forward to try this out but at $49 it’s more than an impulse buy. If it runs smoothly and it’s fun to record and create full songs with this will be very welcome!

“Cubasis is Steinberg’s streamlined, multitouch sequencer for the iPad. Specially designed for quick and easy operation, Cubasis makes recording, editing and mixing a breeze. You can also open your Cubasis projects in Cubase under Windows and OS X! Cubasis places touch-intuitive production tools in your hands, opening up a new world of possibilities for your creativity.” – steinberg.net

For more info: steinberg.net/en/products/ios_apps/cubasis

This entry was written by Oliver Chesler, posted on December 17, 2012 at 5:59 am, filed under iPad and tagged , , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.



Steinberg Neon Relives!

A couple of months ago Steinberg re-released one of his classic synths the Model-E. Today they re-released Neon and Karlette. Neon was the first soft synth I ever used. What a trip down memory lane! I’m very tempted to make a track using only Neon instances. Are we going to get a 2012 version of the Koblo Vibra9000 next?

“Throughout the long history of Steinberg, many products have come and gone, many have been superseded by new variants and others have been dropped completely. Once in a while, however, some of our developers like to dig up one of these long forgotten gems and polish it ready for current operating systems.” – Steinberg.net

Download Neon and Karlette free: steinberg.net/neon-and-karlette…

via Synthtopia

This entry was written by Oliver Chesler, posted on January 9, 2012 at 11:12 am, filed under plug-ins and tagged , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.



Steinberg Model-E Returns

I really didn’t see Steinberg re-releasing some of the very first widely used VST plug-ins Model-E and VB-1. Cubase VST was one of the biggest innovations in music production. To be able to have software instruments, effects, audio recording and a MIDI sequencer all natively running was quite amazing in the mid 1990s. The first computer I owned that was capable of running the software was a Power Computing Powercenter Pro210 Mac clone. The Pro210 had a 210MHZ processor, 16MB of RAM and a 2GB hard drive. I was able to run Model-E a Moog type clone and maybe one reverb plug-in. You can hear Model-E in my remix of for David Tarrida the “Horrormone” remix. It’s the main detuned synth. The new version of Model-E is unsupported but free. Now where is my 2012 version of Neon?

“Holy crap there’s a 64 bit version of Model E (Diva faces stiff competition)” – aMUSEd

For more info: steinberg.net/discontinued-products-revived

This entry was written by Oliver Chesler, posted on November 29, 2011 at 4:58 am, filed under music, plug-ins and tagged , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.



LoopMash, Mike, SuperAnalog808

Here’s a trio for Tuesday. Three new interesting pro-audio related products. Number one we have Steinberg LoopMash. LoopMash mangles four loops. It’s an iPhone App. I grabbed it and it has a pretty cool faux 3D swipe to different screen effect worth checking out. Years after abandoning Cubase I’m using a Steinberg product again. Number two is Mike. It’s a microphone from Apogee that goes directing into your iOS device. It’s from Apogee so it deserves mention. Convenience and AD/DA conversion wise it should be a winner however I’m all about high end mic pres and Mike can’t use one. Number three we have SuperAnalog808 a Roland TR-808 sample pack from Goldbaby designed for Loopmasters. If you don’t own a real 808 or Acidlab Miami then samples are your friend. Goldbaby does them right and there’s a million suble differences between 808s and ways to record them so another sample set is always welcome.

For more info: LoopMash, Mike, SuperAnalog808

This entry was written by Oliver Chesler, posted on March 15, 2011 at 2:35 am, filed under drum machine, hardware, iPad, iPhone, sounds and tagged , , , , , , , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.



IMSTA FESTA

I will be speaking on a panel with Peter Kirn (Create Digital Music), Micah Frank aka Kamoni (Sound Designer & Founder of Puremagnetik), and Julie Covello aka DJ Shakey (DJ, Creator & Promoter of the Warper Party, Music Collector) on Saturday, September 25 at the SAE, 1293 Broadway, 9th Floor, New York NY 10001.

The IMSTA FESTA is free and should be good fun and of great interest to anyone who reads this blog. It’s a pro-audio manufacturer get together and panel series. It’s from 11:00AM – 7:00PM. Some of the exhibitors include Ableton, Arturia, Bias, SSL, Celemony, IK Multimedia, Image Line, Native Instruments, Pianoteq, Propellerhead, Rob Papen, Steinberg and Waves.

UPDATE: Over 1,000 people are registered. Come on down!

“IMSTA FESTA, a celebration of music software is coming to the heart of New York City. The First IMSTA FESTA started in Japan where it was highly successful for technology companies, producers and hobbyists alike. IMSTA FESTA brings a collection of the top audio technology companies together in an environment where they can interact with music makers face-to-face. If you use music software you will benefit from this event in a number of ways.” – http://www.imsta.org

For more info: http://www.imsta.org

This entry was written by Oliver Chesler, posted on September 9, 2010 at 4:12 am, filed under interviews and tagged , , , , , , , , , , , , , , , , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.



Steinberg Museum

If you read this blog you would believe I’m a Ableton Live fanatic. That is true however I once loved another. After my early days with Dr. T’s KCS on Ataris and Amigas I went Mac and Cubase VST. Cubase VST was the biggest revolution in music tech that mattered to me personally. It enabled me to start recording vocals direct to hard drive. It’s the reason in 1996 I start my own record label Things to Come Records. With VST (Virtual Studio Technology) I was able to create what I thought was fairly new and unique at the time: techno electronic mixed with 80s style New Wave and EBM.

Enter the 00s and Cubase became too buggy for me to use. It got to the point I was hitting save after each change I made. I was also rendering “safety” versions of songs in case project files would stop loading. Once Ableton Live came out it was over for my friend from Hamburg. That all said, I have friends that use Cubase today and they tell me it’s more stable. I also give credit where do and Steinberg brought so many innovations to the space it’s really amazing. Most importantly I wrote mountains of music using Cubase.

Steinberg has put up an interesting website called Steinberg Museum where you can see the history of the company. There are some tasty flashbacks in the building. Screenshots, interviews and old adverts are all fun for sequencer geeks like me. Check it out now: http://museum.steinberg.net

“Come in and tour this virtual museum which documents the story of Steinberg from its beginnings in the early 1980s.” – museum.steinberg.net

Are you or were you ever a Cubase user?

This entry was written by Oliver Chesler, posted on February 7, 2010 at 6:16 am, filed under interviews, political and tagged , , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.