Im Rhythmus Bleiben

There’s a classic Front 242 track called Im Rhythmus Bleiben in which the Belgian EBM group scream for you to stay on the rhythm. To do so properly I highly suggest an analog sequencer. Therefore check out the photo of the upcoming (late 2010) Doepfer Dark Time. Doepfer has loaded it up with features and it will run about 450 EURO. This is very high on my acquisition list.

“Dark Time is an analog sequencer that is planned in the first place as an add-on for the Dark Energy. But it may be used even in combination with other Midi, USB or CV/Gate equipment too.” – doepfer.de

For more info: doepfer.de

Analogue Solutions to 1984

Every time I see an Analogue Solutions Europa Sequencer demo I know I have to get one soon. It’s a good time machine especially here set up with Depeche Mode’s People are People drum kit. By the way if you haven’t heard the B-Side “In Your Memory” and your a DM fan go find it… it’s good.

“The beat was created using Europa’s Internal mode (not synced to MIDI clock or using outside sequencers). An Ensoniq ASR-10 was providing the drum samples in this case. The Europa was also used to sequence the AS Telemark synthesizer at the end of the video and uses the Europa’s velocity controls (per step key) to control the Telemark’s filter (velocity to filter). At the end of the vid, Europa is put into External clock mode and synced to MIDI clock (DAW sequencer). At this point, Europa will start/stop when the computer sequencer starts/stops. Europa also is sending sync to the AS Oberkorn MK3 sequencer, which is controlling the SE ObieRack.” – rezfilter

photo credit: Affendaddy

via Synthtopia

Seaquence

Seaquence Demo from Daniel Massey on Vimeo.

Bored at work today? Head over to seaquence.org and add a few sperm like creatures into a virtual sea. Each life form can be one of five sounds including a drum module. You can click and drag the waveform and turn notes on/off in the grid ala Tenori-on. When you have your sea full of creatures makings sounds click Share to pass along your creation.

“Seaquence is an experimental musical petri-dish. Adopting a biological metaphor, Seaquence allows you to create and combine musical lifeforms into unique, dynamic compositions.” – seaquence.org

For more info: seaquence.org

Doepfer A-100 EBM Sequences

Nothing was better than the underground 80s. Music was way out there lyrically and humans were taming electronic synths and drums in unique ways. I always thought and still feel EBM (Electronic Body Music) was a great genre. The bassline below in these videos are clearly EBM even though they are simply 16th note patterns. It’s the notes and feeling that classifies them.

“This thing can really make some nice EBM basslines!” – sampleandhold

photo credit: free-secret-life

via Matrixsynth

Franz Keller’s Radarhead

Multimedia designer Franz Keller has created an iPad app called Radarhead. It’s a rotary sequencer in which you can control the speed, direction and center point. The sounds are represented by colorful 8-bit alien images. It’s fun and well worth the .99 price: click here The video of the band using it below inspires me. This app reminds me of those 80’s puffy stickers mixed with a bit of synthpunk attitude.

“Kinduv a rotary beat sequencer. Looks weird (but cool) at first, but not hard to make interesting stuff if you play around with it for a bit. My fav thing to do is make several constellations of aliens and move the radar guy between them. You can also reverse or speed up the beams by dragging the arrows–don’t just tap on it!” – Milo Cantos (iTunes Review)

What do you think?

For more info: franzkeller.com

Audanika SoundPrism

A few years ago when desktop computers became fast enough there was a golden era of audio plug-ins being released. Every week there was a new software synthesizer or effect that was beautiful and had functionality or sound quality not yet previously available in software. We are clearly entering the touch golden era. Apps like SoundPrism just have me smiling ear to ear. Wonderfully futuristic. It’s not quite out yet so follow Audanika on Twitter or Facebook for updates.

“What is SoundPrism? An intuitive and fun way to express yourself. An incredibly easy way to compose great music. A tool to create emotions with. A musical landscape for you to explore. What can I do with it? Impress my crush with some lovely handmade tunes. Relax during a stressful day. Build loops graphically. Dream.” – audanika.com

For more info: audanika.com

Audiodamage Axon

Chris Randall and Co. have released there new plug-in Axon. I’m going to buy it this week for sure. Let me know if you get it what do you think. $59 all formats.

“Our goal was to come up with a new style of percussion sequencer/synth that wasn’t linear and x0xy, and we succeeded beyond our wildest expectations… We’ll be the first to admit that Axon is an experimental tool, and isn’t for everybody, but if your interests lie in the abstract realm, and you want to take your rhythm and melody programming to strange new worlds, this might be just the thing.” – audiodamage.com

For more info: audiodamage.com

Ableton Live in 60 Seconds

Ableton Live in 60 seconds from tono.com.ua on Vimeo.

That’s the reason Ableton Live is the best production tool: different modes. I can use Live in Arrangement View and work like I did years back in Cubase and Pro-Tools. I can use Live in Session View and have a play/scratch area to let ideas explode or just build the parts Im going to use in Arrangement View. I can use Live when I’m on stage triggering video and controllers. I’ve almost never had Live crash in the studio and never once on stage. Yep this is an advert except I didn’t get paid for it. Just saying thanks for something I use a lot. We tend to worship the tools that make us sound good (and make us money!). To people who aren’t convinced there is a fully functioning free trial of Live (no saving).

“Ableton Live is about making music; for composition, songwriting, recording, production, remixing and live performance. Live’s nonlinear, intuitive flow, alongside powerful real-time editing and flexible performance options, make it a unique studio tool and a favorite with live performers. If you’d rather be “making music” than just “using music software,” Ableton Live is for you.” – ableton.com

For more info: ableton.com

Ohm Studio

There have been stabs at server side sequencers for collaborative music creation but none have really been nice enough that I would want to use them. I love the French based Ohm Force plug-ins so maybe the newly announced Ohm Studio will be the one to make this needed concept work. Beyond creation there is a online community aspect. Certainly the video above was done right!

Ohm Studio is a standalone real-time collaborative music making application (DAW/sequencer) in addition to a web based collaboration platform and a music driven online cohmunity. Ohm Studio is a real sequencer. A standalone application for Windows or Mac OS X. Midi editing, envelopes, piano roll, audio effects and virtual instruments: exactly what you’re already used to. But now using all that tools with your friends, online. – ohmstudio.com

No word on pricing. A pure guess is there will be a monthly fee. So do you like? Seem interesting?

For more info: ohmstudio.com

How to use the iPad as an Ableton Live controller.

I’m sure there will be plenty of iPad to Ableton Apps however here’s a way to get going today. Check out more info on Ryan Noise here: ryannoise.com

“How to use APPLE IPAD to control Ableton Live wireless using “OSC, OSCulator, Touchosc and Python script.” – dripatlanta

A natural connection or will you wait for an iPad sequencer up to the task?