One of the greatest acid tracks ever by Tyree Cooper. Recorded in 1987. Two TB-303s in actions here. He’s from Chicago and now lives in Berlin.
“A fan of both house music and hiphop back in the 80s, the young producer sought to combine elements from both genres into the genre that soon went on to become known as Hiphouse. It eventually lead to the release of the now legendary ‘Turn Up The Bass’ in 1989, a track that –along with Fast Eddie’s ‘Yo Yo Get Funky amongst others’ is widely considered to be an all-time (hip-)house classic.” – beatsandbeyond.com
Acidlab who already make great Roland TR-808 (Miami) and TB-303 (Bassline) clones is recreating those products in beautiful Eurorack modular form. As far as pro-audio gearlust these things rate high on the wow I want to touch them scale. You can read an interview I did with Klaus Suessmuth here. Klaus posted these photos and information over at the Muffwiggler forum (link).
“The newest products are FRAME with 84TE space, a 5-ch Mixer and the POW-Modul. 3HE Case is at 75 Euro; the Powermodul with powersupply is at 65 Euro. POW-modules’ performance is +12V/700mA und -12V/700mA. Another new products will follow in the near future: 6HE Case, 303VCO & M303 (303-module); the 808-Drumodule will need more time. -a V/Octave to V/Hz Converter (for Korg-CV & Metasonix) will follow, too!” – Klaus Suessmuth
Rhythm Studio from Pulsecode Inc. is going to draw comparisons with Propellerhead’s Re-Birth. However, if you check out the video above I bet you may still be interested. It looks pretty nice to me. What do you think? This app is not available yet.
“Rhythm Studio balances advanced features by using an easy to understand interface resembling real instruments. This means that one button does one thing just like it would with real hardware. Knobs turn, switches slide, and buttons press. You won’t get lost in abstract interfaces or design. Rhythm Studio is the next best thing to having the real hardware. Rhythm Studio includes a full 808 drum machine, 303 synthesizer, sample based synthesizer, XY style control pad, and mixer with FX.” – pulsecodeinc.com/rhythm-studio/
Someone posted one of my first releases on my Facebook wall so I thought I’d share it here and tell you how it was created. Amazingly this was produced in 1992 (18 years ago!). Back then you could have actually owned all the techno releases available. Disintegrator was a partnership between myself and John Selway. We both owned Roland TB-303s and you hear them both on this track. You also hear my Roland TR-909 being distorted through a small 10 channel boss mixer. The mixer was brown and plastic. I wish I could remember the model number. It looked like the mixer you found on Tascam 4 Tracks of the time albeit without the cassette. The sample “Lock on Target” was from a large silver toy guy I purchased at Toys R Us and hacked and line-out into it. We used to bring the gun live (and all the 303′s etc…!). The only other sound you hear is a little bass pattern from a Roland Juno-106. I think what makes this song still work today is the arrangement. We played live as much as we could and to this day that’s a large part of what it takes to make good music.
The video below is the B-Side called “Dark Black Ominous Clouds”. It also uses two TB-303s and Roland Juno-106. However, the rest of the sounds are samples coming out of an Akai S-950. The vocals are from a black and white movie about schizophrenia. Everything was mixed on a Mackie 1604 with some added delay from a Korg SDD-2000. There are some great photos and an article on the SDD-200 here: dancetech.com/sdd2000. Both songs were recorded at SUNY Purchase where I lived down the hall from Selway.
“The SDD-2000 Sampling Delay was one of those great early digital fx processors all the Japanese music corps churned out in the 80′s using the newly arived affordable chips the 80′s ushered in. The SDD-2000 is most famous for being used extensively by The Edge from U2 on every album from The Unforgettable Fire onward. It is still in his rack today, 20+ years later.” – dancetech.com
I first heard Acid House at club Mars in the late 80s. I believe the first Acid record I bought was from Fast Eddie called Acid Thunder. I bought my first Roland TB-303 from Rogue Music in New York City for $300. I later bought another one and used them live. They eventually were stolen and since then I used various soft versions such as the Audiorealism ABL.
“If you’re interested in the early history of ROLAND, the Japanese manufacturer of electronic musical instruments and the TB-303 Bassline, you’ll enjoy this 20-minute video. The TB-303 and its design are described in depth, and many examples of popular music made with the machine are presented. Director: Nate Harrison” – Jack Time
I really like all of AudioRealism’s plug-ins. They sound really good and have features like randomize which I covet. I gave an artist endorsement to the original ABL and I am happy to see they have updated this excellent Roland TB-303 clone. If your doing any kind of modern music the swing parameter is really import (ex. minimal techno). I recently did a post about swing you can check out here: Global Groove and Swing parameters in Ableton Live. So what else did that add? Take a look:
Since 2003 ABL has established its sound as the industry standard. In 2007 ABL2 achieves important improvements in several key areas. Amongst new features the most important thing is the sound: The bass is improved for less muddiness. The filter has been improved to incorporate subtile nonlinear effects for additional squelch. The distortion unit has been improved with less aliasing. The controls have been calibrated to better match the response of the original. Moreover several new features are present: The new pattern analyzer which can be used to edit patterns and will even detect patterns from audio files. – audiorealism.se
It’s 95 Euro, Upgrade your old one for 25 Euro. VST 2.4 for PC, Audio Units and VST for Mac OS X.
Just a few years ago if you wanted to play with two Roland TB-303′s a TR-909 and seven Boss Pedals you would have needed about $4000, a bunch of batteries, electric outlets and a mixer. Today all you need to do is click here: http://www.hobnox.com/index.1056.en.html
It wont be long before our professional music software applications are all completely online. Maybe we will rent each use out or pay yearly. You will always have the latest version. You can save and access your songs anywhere there is internet access (which will be everywhere!). You can have your friends log-in and work on music with you. You can pay Trent Reznor $10,000 to fix the mix in your song ($20,000 to add a vocal verse). Export options include: MP3, WAV and Direct to MySpace. Bring it on!
In 1994 I performed my first live show in Europe at a huge event called “Hellraiser Immorality”. It took place in Amsterdam and there was well over 30,000 people going crazy. I was with John Selway and we were performing under the name Disintegrator. I remember being pretty shocked how large the event was. I remember there was an ecstacy testing booth (to make sure your pills were “safe”) and a place to get your head shaved! As far as my memory serves me Robert Hood was also playing that night and several people from the classic techno label R&S. I remember Hood had some issues because he didn’t play hard enough for the Dutch crowd. I remember R&S because of certain things I saw backstage (I was innocent back then!).
There was a Dutch act called Haarlem Hardcore Source also performing that night. It turned out they were fans of our music and I noticed a strange red box in their live set up. When I asked what it was they told me, “A home brew TB-303!”. Then to my amazement they offered it to me… for free! You simply don’t turn down offers like that. It didn’t have the interesting sequencer of a real 303 but the basic sound was extremely close. With careful Midi programming (back then on Atari Cubase) you could fake the slides and accents that made the 303 so wicked.
I stayed friends with the HHS crew for some years. I went out to Haarlem and recorded a 12″ with them called “Future Fuckers United“. The title made sense back then for some reason. HHS doesn’t exist anymore but one of the group members William Jordens is a well known DJ in Holland known under the name The Rapist! William also works with Multigroove which throws huge events and has his own event business called Your Dance Company. He books me several times a year. How’s that for a friend? The red clone now lives with a friend of mine in NY who records under the name 8-bit. Over the years I also owned two real TB-303s but they were stolen in the 90s. These days when I am looking for the acid sound I open Audiorealism’s Bassline 2. Using the software let’s me have as many 303s as I like. I challenge you to be able to pick a real one vs the software especially inside a mix.