AfroDJMac has released his latest Ableton Live pack (link). This time it’s for the Roland Juno 106. An old friend of mine Jay Serken let me use his 106 in my studio for years. It was eventually stolen. I used save a row of patches each just slightly different than each other. Next I would have Cubase (then on an Atari ST) send patch changes every to the Juno every 16th note. This would emulate an analog sequencer changing CV filter. You can hear the 106 going though various guitar pedals and my Electrocomp-101 on most of my early records.
“Ableton Live Pack of 22 instruments created with the Roland Juno 106 Polyphonic Analog Synthesizer. Each instrument was sampled from a custom patch on the Juno 106 and contains 8 macro knobs with its own unique effects to further twist and manipulate this diverse collection of sounds.” – afrodjmac.spinshop.com
Here’s some proof I have been making music a long time. I’m the one in black of course next to Peter Lopez and Jay Serken. I don’t know that exact year but it’s somewhere in the late 80s. The photo was taken at Suny Purchase in one of the music building’s practice rooms. Imagine sequencing on an IBM PC? You don’t know how good you have it these days. The Roland Juno-106 in the photo was later stolen. This photo is also proof that extreme hair styles dont make you go bald (I still have a full head of hair). Before you ask… no I never smiled back then.
“Suny Purchase offers a unique education that combines programs in the liberal arts with conservatory programs in the arts in ways that emphasize inquiry, mastery of skills, and creativity. It is dedicated to creating opportunities for transformative learning and training in a community where disciplines connect, intersect, and enhance one another. Purchase College is included in the Princeton Review’s Best 371 Colleges (2010)” – Wikipedia
Someone posted one of my first releases on my Facebook wall so I thought I’d share it here and tell you how it was created. Amazingly this was produced in 1992 (18 years ago!). Back then you could have actually owned all the techno releases available. Disintegrator was a partnership between myself and John Selway. We both owned Roland TB-303s and you hear them both on this track. You also hear my Roland TR-909 being distorted through a small 10 channel boss mixer. The mixer was brown and plastic. I wish I could remember the model number. It looked like the mixer you found on Tascam 4 Tracks of the time albeit without the cassette. The sample “Lock on Target” was from a large silver toy guy I purchased at Toys R Us and hacked and line-out into it. We used to bring the gun live (and all the 303’s etc…!). The only other sound you hear is a little bass pattern from a Roland Juno-106. I think what makes this song still work today is the arrangement. We played live as much as we could and to this day that’s a large part of what it takes to make good music.
The video below is the B-Side called “Dark Black Ominous Clouds”. It also uses two TB-303s and Roland Juno-106. However, the rest of the sounds are samples coming out of an Akai S-950. The vocals are from a black and white movie about schizophrenia. Everything was mixed on a Mackie 1604 with some added delay from a Korg SDD-2000. There are some great photos and an article on the SDD-200 here: dancetech.com/sdd2000. Both songs were recorded at SUNY Purchase where I lived down the hall from Selway.
“The SDD-2000 Sampling Delay was one of those great early digital fx processors all the Japanese music corps churned out in the 80’s using the newly arived affordable chips the 80’s ushered in. The SDD-2000 is most famous for being used extensively by The Edge from U2 on every album from The Unforgettable Fire onward. It is still in his rack today, 20+ years later.” – dancetech.com