Back from Milan

I’m back from Milan with about 300 photos to sort through. Since I spent an extra day there and it’s Tuesday my other job is demanding immediate attention. Therefore a more complete Milan post will follow tomorrow. I did have a good time, ate good food and make new friends. You know… the important stuff. The photo above taken with Richter was shot backstage at the venue called “Carlito’s Way”. It’s a room full of metal band’s graffiti.

“With 60.6 million inhabitants, Italy is the fifth most populous country in Europe, and the 23rd most populous in the world.” – Wikipedia

For more into: thehorrorist.com

This entry was written by Oliver Chesler, posted on April 10, 2012 at 5:34 am, filed under live performance and tagged , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.



I Like Dancing So Much

It’s a Friday in February, early in the morning dark and dreary. It seems appropriate to tell you another behind the music look from Joyless Pleasure. We are on song number four. This song has the same title as the album so consciously I’ve highlighted it in yellow for you. If you look closely at the album you will notice this song is not the original mix. I’ve had help on this one so now I’ve underlined the song too.

This song is about being in love with sadness. The song is about feeding addiction, depression and danger. It’s about the search for pain and keeping your head up after you found it. I once lived in Chelsea for about a decade. The years I was there a notorious homosexual community was locked in crystal meth addiction. I met some very troubled soles screaming, crashing and melting into each other. There was incredible pleasure. All of it incredibly joyless.

Although I didn’t think of it at the time when I hear the song now and hear the chorus it reminds me of the lyric “Keep your head up (moving on)” in the Eurythmics Sweet Dreams. Not the vocal style or melody but the message. I loved the song Sweet Dreams when I was a teenager. It makes me a bit sad today that I now now what she really means in the song. We have all had times where the only way forward was to just walk, keeping walking and forget. Funny how we preemptively connect with things.

The vocals took about a full month to get right. I would do a verse here and there because sometimes inspiration trickles instead of flows. When I have the lyrics perfect I have to re-sing the entire song because each previously recorded verse was a different take and don’t sound right (different mics, times of day). That usually causes another issue: when I have everything done and want to record the final full vocal all at once I’ve heard the song so many times that instead of singing it with inspiration I sort of parody myself. This is why many times I have to shelve the song for a long enough time so I forget about it, come back to it hit record and hope the first new take after 4-5 weeks is an insprired one. So yes that was the original mix… its just drums, one synth and vocals. I sent it to my most trusted musical friend Gabri Negro (Richter) to hear. He always asks to remix/reedit my work and in this case I was so exhausted by the track I said please do. I didn’t expect what he returned with. Usually I have enough confidence and bravado to think I can always make a better song than anyone else. In this case the original or anything I was going to do wouldn’t be better so I asked him if I could use his version on the album. I should note here he never asks for any money or anything in return. If your looking for a version that can be played on the dancefloor check out Frank Kvitta’s remix (link) on the Joyless Pleasure Remixed album.

Listen to and read more stories from the album here: Modern, We Will Get Wicked and Darkling Lullaby

“I like dancing do much it makes me really crazy. I like you so much come come kill me.”

Buy the song: iTunes, Amazon and Beatport

This entry was written by Oliver Chesler, posted on February 10, 2012 at 7:02 am, filed under music, promotion and tagged , , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.



The Horrorist Immortalized

I’ve been creating some music with Tom Carpenter. He’s the man behind the wonderful Analogue Solutions synths and modules. He did an unexpected “nice” for me and printed my alias The Horrorist on his upcoming Spring Reverb modules. So I guess I broke some new here… yeah AS has a new Spring Reverb module coming up. If you follow Tom on Facebook you can also see his new very nice looking Telemark Keyboard. The first song we recorded is called “Forever for You” although we could change it to Cold Wave.. what do you think Tom? My friend Gabri is also doing a mix and there will be some other tracks. Samples coming soon…

“Your name is imortalised on the new spring reverb circuit board. hopefully it will be released in a few months!” – Tom Carpenter

For more info: thehorrorist.com and analoguesolutions.org.uk/v2/

This entry was written by Oliver Chesler, posted on January 27, 2012 at 12:41 pm, filed under hardware, music and tagged , , , , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.



Hairy Man Promotion

A friend of mine Emrie Sherwood decided she needed to promote her album Richter Feat Eden. She didn’t think the label was doing enough so she hired her co-worker to do what you see above. Is the the best $5 or worst $5 ever spent? God help us she apparently has more on the way…

“I hired 5 more of these kinds of guys.” – Emrie Sherwood

UPDATE: Interesting (and kinda wow) this isn’t one of her co-workers! She used this website to hire the guy: fiverr.com. That actually is a pretty cool idea.

Hear the original song: iTunes or Beatport

This entry was written by Oliver Chesler, posted on July 19, 2011 at 8:32 am, filed under business, promotion and tagged , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.