PSP Audioware are one of my favorite plug-in makers. From Poland they create my all time favorite plug-in PSP N2O which used to be called Nitro. They have just released a spring reverb emulation called SpringBox. I have an Ekdahl Moisterizer but I still have my eye on finally getting a spring in plug-in form. Let me know if you tried this and if you think it sounds like hardware. $49 until May 1 then it goes to $69.
“PSP SpringBox is an emulation of a hardware spring reverberator (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX). It recreates several features typical of a spring reverb, such as a convincing “boing” on transients and a repeatable resonating musical character with an adjustable presence. A selection of configurations from two to six springs total is provided, as well as the ability to set stereo spread and pan/balance configured to suit various mix setups – from a typical guitar reverb to a creative uses as a send reverb in the mix. Thanks to PSP SpringBox’s two channel A and B settings setup and range of presets operation is fast and easy.” – pspaudioware.com
For more info: pspaudioware.com/plugins/reverbs/psp_springbox1
This entry was written by plug-ins and tagged plug-in, PSP, PSP Audioware, reverb, spring reverb, SpringBox. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Two awesome things! A custom built spring reverb and a Vermona DRM-1. I own a DRM-1 and I recommend it highly to everyone. Just listen to how great these sound together.
“Finally, my custom built spring reverb is ready. (thanks much to Csaba Füle, the best)
Basically it is an RFT spring tank driven by a Doepfer A-199 module. Much bigger space, much wider spectrum, much better than Accutronics imho. Audio: It’s a basic sequence with the Vermona DRM-1 put on multi channels sent to the Spring Reverb. Changing Emphasis and Feedback here and there on the Doepfer A-199 module, changing the filter on the snare at the solo, and finally, slapping the rack hard in the end. :) It’s just wonderful. Everyone should forget vst reverbs – for a while at least. This thing sounds so unpredictable, so different every time, so alive… I have done some phased and hi-lowpassed feedback and send-return business too, really shouldn’t waste words trying to describe those sounds…” – Hargitai András
For more info: wiretotheear.com/vermona-drm1-mkiii-audio-video-review
This entry was written by drum machine, effects, hardware and tagged Germany, reverb, spring reverb, Vermona DRM1. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I really love convolution reverbs. I don’t really use them with traditional space IRs (like a famous opera house). I have a collection of classic 80s hardware reverb IRs. Of course nothing is like having an actual Lexicon 480L or EMT plate but Altiverb gets you close enough. Altiverb 7 adds a very nice searchable IR photo browser, synthetic brightness add on (if wanted), drag & drop IR creation, chaos modulation and more. I can see using the drag & drop IR creation quite a lot. I would say 90% of my vocals are recorded with a convolution reverb on a send panned to the right a bit. $595 USD.
“Altiverb 7 is the industry standard convolution reverb plug-in. It uses top quality samples of real spaces to create reverb, ranging from Sydney Opera House to the cockpit of a Jumbo Jet. Altiverb 7 is efficient on the cpu, offers many parameters to tweak reverb, is total recall automatable, and has 64 bit support. Every month Altiverb 7 users receive new impulse responses for free.” audioease.com
For more info: audioease.com
This entry was written by plug-ins and tagged Altiverb, Audioease, convolution reverb, reverb. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
A few months ago when Eventide announced their new hardware box called Space the music tech crowd was buzzing. I admit I didn’t totally get why. Like many producers I know I’ve returned to using a lot of hardware but reverbs wasn’t a box I needed to go back to. Yesterday I saw the above demo video from Richard Devine on my Facebook feed (thanks Daniel Meyer) and this morning again on Synthtopia. Needless to say I have to have one of these. It’s the sound. I wonder if these will become as common as the Boss-SE50 did? Probably not and that’s a good thing for those who are in the know. The Space is $500.
“Never before has there been a more dazzling collection of reverb algorithms combined with delays, pitch shifting, tremolo, modulation, and spatial effects in such a compact and affordable package.” – eventide.com
For more info: eventide.com/stompBoxes/eventide_space
This entry was written by hardware and tagged Eventide, hardware, pedal, reverb, Richard Devine, Space, stompbox. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I love vintage hardware reverbs. My sole use of Altiverb is to load it up with old Lexicon Impulse Responses. There’s a lot of hype going around about a new plug-in from Relab called the LX480. It’s a obvious recreation of one of the all time best hardware reverbs the Lexicon 480.
Here’s a comparison between the original and the new softy:
A long Gearslutz thread discussion about the Relab LX480:
For more info: plugindiscounts.com/LX480LITE
Years ago I owned a Lexicon MPX1. I was amazed to see they still sell the unit! Today I use Lexicon reverb impulse responses inside Altiverb. It gets me a good retro 80s reverb sound I like. I didn’t try the new native LXP bundle so I can’t tell you if it has that Lexicon sound. Honestly I doubt it but if anyone has tried these and they are “it” let me know. The main obstacle here as will be the $750 price. Many of the old hardware units are still around and operating. Will this software still be up and running in 15 years?
“Lexicon’s LXP Native Reverb Bundle provides your music with an engaging aura that brings it to life by placing it in the perfect resonant space.” – lexiconpro.com
For more info: lexiconpro.com
I like these type of online music tech shows so I hope The DSP Project gains many episodes. I use this reverse reverb effect quite often. Sometimes I add a distortion unit after the reverb to really make the effect scream. Definitely check out my post: The Kick Boom, Thunderverb song writing element.
“In this episode I will show you how to create the reverse reverb effect in Ableton live (but technique can be used in any DAW) and put it into context by using it in a real project.” – Rupert Brown
Ever use this technique in your own productions?
This entry was written by Ableton Live, song writing, sounds and tagged ableton, reverb, reverse reverb, Rupert Brown, sequencer, The DSP Project. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Dubspot is school in New York City that trains DJ’s and electronic musicians. I’ve been to the facility for a few Ableton meetings and it was always interesting. Mike Hatsis gives us a run through on using Ableton reverbs and such in a Minimal track. I like how he says, “I like to think of it as the sound’s shadow.”.
“Dubspot Instructor, Michael Hatsis, shows how to add Space and Dimension to Minimal Techno style drums. Topics covered include using Drum Rack’s Send and Return tracks, as well as Creating and using a Plate and a Room style reverb in Ableton Live.” – dubspot.com
For more info: dubspot.com
This entry was written by Ableton Live and tagged ableton, Ableton Live, Dubspot, reverb, tutorial. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I love the sound of spring reverbs. The Ekdahl Moisturizer is a pre-amp (with 100 x gain), spring reverb with wet/dry slider and a filter. There are two absolutely brilliant things about this unit. First, the springs are exposed for you to smash. Second, the Ekdahl Moisterizer is only $300. Needless to say I put my order in for one.
“Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb – this makes for happy-fun-time finger-modulation of the reverb on whatever audio that’s going through it. On top of this there’s an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can – for instance – cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that’s internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit. ” – sdiy.org
The “E.M’s” designer Karl says he’s a bit backlogged so I’ll have to wait until September for my unit so if you want one you better get on the list. Be sure to also check out “Bob’s atomic experiment” on their website for some old USA style industrial music. For more videos and audio samples of the Ekdahl Moisterizer: http://www.sdiy.org
This entry was written by hardware and tagged Ekdahl Moisturizer, filter, hardware, LFO, reverb, spring reverb. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
A friend of mine Marc Acardipane is working on a new album. He is moving from dance music into full on pop. To make the move he went on a serious shopping spree. Recently during a phone conversation he went on for an hour about a new Reverb unit he bought.
Most people would be fine with the built in software reverb that comes with your DAW. I often use Ableton Live’s built in Reverb. A quick tip for the Ableton Reverb is to click the “Quality” drop down menu and pick “High”. Most of the people I know also spend some cash and grab a Convolution Reverb plug-in like Altiverb. I have my Altiverb loaded with vintage hardware reverb Impulse Responses.
But what if you want the absolute best reverb? Lexicon possibly? Nah! Bricasti! According to my friend Marc he just sat there for hours listening to vocals through the Bricasti Model 7 in total awe. I trust Marc as he owns every software and hardware Reverb there is. The specs are basic but this unit is all about sound quality:
An optional remote control is coming soon. It’s $3700 USD. Are you game?
This entry was written by hardware and tagged Ableton Live, Altiverb, Bricasti, reverb. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.