Propellerhead’s Figure for iOS has been released on the App Store (link). For less than a dollar you get some of the Reason sound engine in a pocket touch interface. When you first load it up you can a modern looking interface with a mini 808/303/Melody combo. Within a minute you can “figure” out the interface easily changing patterns and manipulating the sound. I’ve been playing with the App and yes it’s very fun as advertised.
“World-class synths? Sure. Beast of a drum machine? Totally. But here’s what matters most: Figure is fun.” – propellerheads.se
For more info: propellerheads.se/products/figure
This entry was written by iPhone, Propellerhead Reason and tagged Figure, iOS, iPhone, Propellerhead. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Rhythm Studio from Pulsecode Inc. is going to draw comparisons with Propellerhead’s Re-Birth. However, if you check out the video above I bet you may still be interested. It looks pretty nice to me. What do you think? This app is not available yet.
“Rhythm Studio balances advanced features by using an easy to understand interface resembling real instruments. This means that one button does one thing just like it would with real hardware. Knobs turn, switches slide, and buttons press. You won’t get lost in abstract interfaces or design. Rhythm Studio is the next best thing to having the real hardware. Rhythm Studio includes a full 808 drum machine, 303 synthesizer, sample based synthesizer, XY style control pad, and mixer with FX.” – pulsecodeinc.com/rhythm-studio/
For more info: pulsecodeinc.com/rhythm-studio/
via Palm Sounds
This entry was written by drum machine, iPad, iPhone and tagged iOS, iPad, iPhone, Propellerhead, Re-Birth, Rhythm Studio, Roland TB-303, Roland TR-808. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Propellerheads will be releasing Reason 6 in September. In an interesting twist and what seems like an admission Record is now gone and fully integrated into Reason. I think it’s a great idea. The best thing about Reason is it’s a tight individual package. New effects: Pulveriser, a compressor, filter and distortion. The Echo, an analog tape echo emulation. Lastly, Alligator which is a pattern based gate. Overall I think it’s a solid and smart upgrade.
“With version 6 Reason reclaims the spotlight. Combining all the features from Record, version 6 adds audio recording and editing into Reason, along with Propellerhead’s acclaimed mixing console with masterfully modeled EQ and dynamics on every channel, multiple parallel racks, all the effects you know and love plus new ones to fall in love with, and much more of what you’ve always wanted in Reason.” – propellerheads.se
For more info: propellerheads.se/reason6/
This entry was written by Propellerhead Reason and tagged Propellerhead, Reason, Reason 6. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
James from Propellerheads shows us another workhorse tip in his latest 52 Reason / Record Tips. These prefab clips with automation data are great time savers.
“Whenever I’m working on music, one thing that I’ve had in my personal bag of tricks is an “automation clip toolbox.” Basically, it’s a palette of controller data curves and waveforms which can be applied to automation lanes like level, pan, filter cutoff, etc. Thanks to the new “stretch clip to tempo” function (Option+Drag for Mac or Control+Drag for Windows) I can resize these automation clips to whatever speed I want. This week I’m giving this toolbox away and showing you how to use it. These clips will breathe new life into an otherwise static pad or provide the creative spark for a new idea entirely. Enjoy!” – James Bernard
File download: http://www.propellerheads.se/stuff/JB34.zip
For more info: propellerheads.se
This entry was written by Propellerhead Reason and tagged automation, James Bernard, Propellerhead, song writing. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I will be speaking on a panel with Peter Kirn (Create Digital Music), Micah Frank aka Kamoni (Sound Designer & Founder of Puremagnetik), and Julie Covello aka DJ Shakey (DJ, Creator & Promoter of the Warper Party, Music Collector) on Saturday, September 25 at the SAE, 1293 Broadway, 9th Floor, New York NY 10001.
The IMSTA FESTA is free and should be good fun and of great interest to anyone who reads this blog. It’s a pro-audio manufacturer get together and panel series. It’s from 11:00AM – 7:00PM. Some of the exhibitors include Ableton, Arturia, Bias, SSL, Celemony, IK Multimedia, Image Line, Native Instruments, Pianoteq, Propellerhead, Rob Papen, Steinberg and Waves.
UPDATE: Over 1,000 people are registered. Come on down!
“IMSTA FESTA, a celebration of music software is coming to the heart of New York City. The First IMSTA FESTA started in Japan where it was highly successful for technology companies, producers and hobbyists alike. IMSTA FESTA brings a collection of the top audio technology companies together in an environment where they can interact with music makers face-to-face. If you use music software you will benefit from this event in a number of ways.” – http://www.imsta.org
For more info: http://www.imsta.org
This entry was written by interviews and tagged ableton, Arturia, Bias, Celemony, IK Multimedia, Image Line, IMSTA, IMSTA FESTA, native instruments, Oliver Chesler, Peter Kirn, Pianoteq, Propellerhead, Puremagnetik, Rob Papen, SAE, SSL, Steinberg, Waves. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
As I say often Reason is my Ableton’s good looking girlfriend. My start-up template always has Reason ready to go to pretty things up. The Swede’s are moving faster with updates than they used to and here we have Reason 5 and Record 1.5. There’s some good new features: sampling (direct into Re-Drum!), Neptune vocal tuning, sequencer “blocks”, Dr. Octo Rex, the new Kong groovebox and more.
“Sampling in Reason is simple and straightforward. Hit the sample button and Reason starts sampling. Reason will detect the sample start automatically. You can sample when Reason is running too if you like – no need to stop the music.” – propellerheads.se
For more info: propellerheads.se
This entry was written by Propellerhead Reason and tagged Neptune, Propellerhead, Propellerhead Reason, Reason, record. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Here’s an evolution in music software I like: Dr. Octo Rex. The .rex format is an old format which allows you to auto splice a sample and therefore make it easy to rearrange the pieces. It also allowed some slowing down speeding up of the clip long before Ableton was born. Sampled sounds have a certain punch to them. I think they are number two in the pecking order for chest thumb behind pure analog and leaps and bounds over virtual instruments. I can sit and play for hours with the Rex loop player in Reason. I wasn’t ever expecting it to be updated but here it is.
“The upgraded Dr. Octo Rex loop player loads eight REX loops into one player and lets you switch between them on the fly. This makes arranging a breeze – load the drum loops into one player, the guitars into another and use the sequencer to select what loop to play in a pattern-like fashion. With eight loops to switch between, the new rex also comes ready for the experimental minded. Set the player to retrig the loops on the beat, on the bar or on the 16th note. Or program the loops manually like in the original rex player.” – propellerheads.se
For more info: propellerheads.se
This entry was written by Propellerhead Reason and tagged Propellerhead, Propellerhead Reason, Rex. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Surprise! The software that made Propellerhead famous has returned: ReBirth for the iPhone. Who wasn’t amazed to have Roland TB-303s, 808s and 909s on their 1990′s computers? Now we can have it on our phones. It’s $6.99 and you can download it now: click here
“ReBirth is back…In your iPhone! Propellerhead Software’s legendary Techno Micro Composer has been reincarnated. This time around, ReBirth takes the form of a seriously block rocking iPhone music app. Released in 1997 and discontinued in 2005, Propellerhead ReBirth was the first music software to reproduce the sound and behavior of those three classic Roland devices that defined the sound of early Techno and Acid House: the TB-303 Bassline Synth and the TR-808 and TR-909 Rhythm Composers.” – rebirthapp.com
For more info: rebirthapp.com
This entry was written by iPhone, Propellerhead Reason and tagged iPhone, Propellerhead, ReBirth. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Well this is a strange way to show off Reason. I’ve never seen the mirror in the dark technique.
For more info: http://en.wikipedia.org/wiki/Insanity
This entry was written by Propellerhead Reason and tagged Akai, crazy, demo, Propellerhead, Propellerhead Reason, Reason. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Call me strange but sometimes I enjoy relaxed first looks at software. You know, the ones where the person doesn’t really know whats going on yet. Christopher O’Riley A.K.A Wassaname takes his first stab at Propellerhead Record. He doesn’t produce the kind of music I’m really into but for some reason I found this video interesting. I never heard anyone call something “giant sweet” before.
If you want the opposite effect check out the official commercial:
Even though I spend 99% of my time in Ableton live it’s good to jump completely out of that environment for a song or two. If you make music for a living and need an alternate universe to record in nothing beats the Propellerhead world.
Related post: Propellerhead Patch Chart from Oliver Chesler.