Germany’s Musikmesse 2009.

Musikmesse

Since I lean toward the synthesizer slash software side of things the best music gear “fair” in the world is Germany’s Musikmesse. Each spring or “Frülings” as the German’s say, gear geeks, music software wizards and pro-audio companies from the States to Japan all meet in Frankfurt. This year’s shibang is from April 1-4 which if you’re reading this post today means it’s on now. Will any new product convince you it will improve your songs? Nothing I’ve seen so far is making my head explode but there are some nice new toys on the show floor.

Doepfer and Akai

One of my favorite instruments, the Persephone, has been upgraded to “Mark II” status. It’s big new feature is the addition of a second oscillator. To love a Persephone is to play one. It’s a nice feeling high end instrument. The best way I can describe it is something in between a Theramin and slide guitar. Doepfer steps away from the Lego – build your own mindset and released the Dark Energy. The Dark Energy is a mini 100% analog synth with a built-in USB/Midi interface. At 400 EUR what’s not to like? Tascam seems to have noticed Mackie’s troubles (their Chinese factory went out of business) and released a new line of inexpensive analog mixers including the M-164, M-164FX with built-in digital effects and the M-164UF with built-in USB.

ssl_and_peresphone

SSL released a new version of it’s Duende which has an improved audio engine and includes a new reverb called X-Verb. Novation hit us with there new versions of their popular controllers, the Zero and SL now at MKIII status. I have some friends who were disappointed by earlier versions of these. Most of the complaints were in the “faders are too cheap” category. Nevertheless, Novation added more pink lights on the new babies so I can’t help staring. Akai seems to be on a mission the past few trade shows and Messe09 is no different. They have a new basic Pad box, the MPD18 and a new 88key weighted controller the MPK88. What really has my mouth ready to scream “Reactivate!” is the new Miniak synth with built-in vocoder. I always thought Akai made the best software vocoder (D.C. Vocoder) but alas it never went OS-X. If the Miniak sounds as good I’ll grab one for sure. Presonus released a DAW called Studio One. Are they crazy? Why isn’t everyone using Ableton at this point? Oh yeah, in case you didn’t hear Live 8 is out of beta and ready to buy.

mfb-schlagzwerkg-mbaseii2

Update. So a few more niceties have crossed my radar. Jomox has updated it’s popular analog kick drum module the MBase now called MBase II. I believe the compressor is the new add on in this highly recommended box. I love mine: video. Rob Papen has a new software bass synth called SubBoomBass. I doubt SubBoomBass will break much ground sound wise but I constantly go to other Papen synths when Im doing certain styles of music and want to troll a zillion presets. MFB must be reading my mind because the only thing I love more than drum machines are semi-modular drum synthesizers and that’s exactly what they just announced. They call it Schlagzwerg and I’ll be buying that (680 EURO) before you can say Berlin!

More Musikmesse 2009 round-ups here: SonicState Create Digital Music Synthtopia

photo credit: joaquinenriquezbeltran

This entry was written by Oliver Chesler, posted on April 3, 2009 at 8:22 am, filed under hardware, plug-ins, synthesizer and tagged , , , , , , , , , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.



Scanned postcards and ads from Schneiders Buero!

MFB-Synth II

Last week I took a walk to my favorite store in the world Schneiders Buero. Herr Schneider is a really cool Geschaftsfuher (store owner). When you enter his palace of new analog synthesizers for sale a Theramin greets you by sounding off as you enter the door. Scattered around the shop there are postcards and adverts from some of our favorite gear. I grabbed some of them and scanned them for you. Remember when viewing images in flickr you can click “all sizes” to see larger versions of the scans.

To view the full set: click here

www.flickr.com

This entry was written by Oliver Chesler, posted on February 10, 2008 at 8:04 am, filed under hardware, synthesizer and tagged , , , , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.



The Doepfer R2M Midi Ribbon Controller.

Deopfer R2M

A few weeks ago I walked out of my apartment in Berlin and down Schönhauser Allee to Alexanderplatz. At Alexadnerplatz sits one of the coolest analog synthesizer stores in the world called Schnieders Buero. It’s full of amazing toys and Herr Schneider loves to show them all to you.

Deopfer R2M Control BoxAt Schnieder’s I got focused on the Doepfer R2M Midi Ribbon Controller. It consists of a control box and the Ribbon Controller itself. The Ribbon Controller is fantastic. It’s rests nicely inside a sculpted metal bar. The “position sensor” as Doepfer calls is a substantial 50cm long. The sensor is also pressure sensitive. The control box allows you to hook the Ribbon up to any Midi sound source such as a hardware synth, software synth, or effect plug-in. Being that this is a Doepfer product it also allows the Ribbon to control things via CV hence any real analog synth with such inputs.

You may have seen the R2M in a magazine review or on the Doepfer website but oh baby to touch it is to understand. This thing is really fun. It feels great and the pressure sensitivity works as you would want it to. It turns any decent sound source into a nice playable “instrument”. The control aspect and concept reminded me a little of the Perséphoné by EOWave which was also sitting in Schneider’s office.

Perséphoné by EOWave

I began to realize the R2m could breathe new life into my workflow. It can see myself arming a long track in Ableton Live’s arrangement view and rocking out an extended solo part. The control unit allows you to set up different modes such as Trautonium.

“Trautonium” mode: in this special mode only a single note on message is generated when the position sensor is touched. After that only pitch bend messages are generated until the finger is lifted off.”

You can also adjust the Ribbon’s scaling, Pitch Bend resolution, Pitch Bend width, quantization and Gate parameters. Are you getting some ideas yet?

More and more desk and laptop musicians are looking for new fresh ways to interact with there music. I highly recommend trying the R2M out.

This entry was written by Oliver Chesler, posted on December 6, 2007 at 11:23 am, filed under live performance, song writing, synthesizer and tagged , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.