I will be speaking on a panel with Peter Kirn (Create Digital Music), Micah Frank aka Kamoni (Sound Designer & Founder of Puremagnetik), and Julie Covello aka DJ Shakey (DJ, Creator & Promoter of the Warper Party, Music Collector) on Saturday, September 25 at the SAE, 1293 Broadway, 9th Floor, New York NY 10001.
The IMSTA FESTA is free and should be good fun and of great interest to anyone who reads this blog. It’s a pro-audio manufacturer get together and panel series. It’s from 11:00AM – 7:00PM. Some of the exhibitors include Ableton, Arturia, Bias, SSL, Celemony, IK Multimedia, Image Line, Native Instruments, Pianoteq, Propellerhead, Rob Papen, Steinberg and Waves.
UPDATE: Over 1,000 people are registered. Come on down!
“IMSTA FESTA, a celebration of music software is coming to the heart of New York City. The First IMSTA FESTA started in Japan where it was highly successful for technology companies, producers and hobbyists alike. IMSTA FESTA brings a collection of the top audio technology companies together in an environment where they can interact with music makers face-to-face. If you use music software you will benefit from this event in a number of ways.” – http://www.imsta.org
For more info: http://www.imsta.org
This entry was written by interviews and tagged ableton, Arturia, Bias, Celemony, IK Multimedia, Image Line, IMSTA, IMSTA FESTA, native instruments, Oliver Chesler, Peter Kirn, Pianoteq, Propellerhead, Puremagnetik, Rob Papen, SAE, SSL, Steinberg, Waves. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Someone posted one of my first releases on my Facebook wall so I thought I’d share it here and tell you how it was created. Amazingly this was produced in 1992 (18 years ago!). Back then you could have actually owned all the techno releases available. Disintegrator was a partnership between myself and John Selway. We both owned Roland TB-303s and you hear them both on this track. You also hear my Roland TR-909 being distorted through a small 10 channel boss mixer. The mixer was brown and plastic. I wish I could remember the model number. It looked like the mixer you found on Tascam 4 Tracks of the time albeit without the cassette. The sample “Lock on Target” was from a large silver toy guy I purchased at Toys R Us and hacked and line-out into it. We used to bring the gun live (and all the 303′s etc…!). The only other sound you hear is a little bass pattern from a Roland Juno-106. I think what makes this song still work today is the arrangement. We played live as much as we could and to this day that’s a large part of what it takes to make good music.
The video below is the B-Side called “Dark Black Ominous Clouds”. It also uses two TB-303s and Roland Juno-106. However, the rest of the sounds are samples coming out of an Akai S-950. The vocals are from a black and white movie about schizophrenia. Everything was mixed on a Mackie 1604 with some added delay from a Korg SDD-2000. There are some great photos and an article on the SDD-200 here: dancetech.com/sdd2000. Both songs were recorded at SUNY Purchase where I lived down the hall from Selway.
“The SDD-2000 Sampling Delay was one of those great early digital fx processors all the Japanese music corps churned out in the 80′s using the newly arived affordable chips the 80′s ushered in. The SDD-2000 is most famous for being used extensively by The Edge from U2 on every album from The Unforgettable Fire onward. It is still in his rack today, 20+ years later.” – dancetech.com
For more info visit Lenny Dee’s: industrialstrengthrecords.com
This entry was written by music and tagged Akai S950, Disintegrator, Industrial Strength, John Selway, Korg SDD-2000, Lenny Dee, Mackie 1604, Oliver Chesler, Roland Juno-106, Roland TB-303. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Today is my birthday but today I have a gift for you. It’s one of my new songs that will appear on my next album. Feel free to copy and share it. In fact, I hope you help me spread it around. The song is called “Born this Way”. Here’s the official stuff:
Written & Produced by Oliver Chesler. Published by Things to Come Records/Basart Music Publishing B.V./Strengholt Music Group. Out of Line Music, www.outofline.de, Masterhit Recordings, www.masterhit.com, Things to Come Records, www.thingstocome.com
Photography: Silent-View, www.silent-view.com, Hair: René Hilbert, Graphic Design: Maurice Roy. Location: Tresor, Berlin. www.tresorberlin.de Special thanks to Peter Entjes.
The song was recorded in Berlin, Germany. Sequenced using Ableton Live. Synthesizers: Electrocomp-101, Roland SH3, Yamaha CS5 and many software synthesizers. Vocals: Shure KSM-32, TC Electronic Voice Modeler and many software effects.
This entry was written by music, promotion, song writing and tagged electronic music, gothic, Oliver Chesler, The Horrorist, Things to Come Records. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
There are thousands of ways to mangle audio in weird and wild sound. Here’s a screencast of a trick I sometimes put to work. Here is the end result (4 samples are loaded in this player):
Here is the original sample I used:
The technique uses multiple Ableton Simplers in a Device Group. If your an Ableton wizard you will know this stuff but if your not a regular user of Simpler and Macros you will learn something.
Sample credit: Incarnadine
This entry was written by Ableton Live, plug-ins, sounds, video and tagged ableton, automation, Freesound.org, Incarnadine, Oliver Chesler, sampler, sampling, Screenflow, sequencer, Simpler, tutorial, Wire to the Ear, wiretotheear. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.