Wet Dry Distortion

I love plug-ins with Wet/Dry Mix knobs. It’s fantastic when you put a carefully selected effect on the Master bus and zoom in an effect for a half of a measure. I’ve noticed my friends use this trick often but rarely with distortion. My tip of the day is that Ohm Force’s Ohmicide distortion has a Wet/Dry Mix knob and it’s pretty tasty when used properly. Is it rare that Distortion plug-ins have Wet/Dry mix knobs?

“Ohmicide:Melohman can work with up to 4 frequency bands, all four bands having their own independent knobs for Noise Gate, Dynamics, Distortion, Feedback Generator and all mixing abilities, in addition of a twist of pre- and post-processing (distortion input, high shelf output and more).” – ohmforce.com

For more info: ohmforce.com

This entry was written by Oliver Chesler, posted on October 11, 2010 at 3:51 pm, filed under plug-ins and tagged , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.



The Kick Boom, Thunderverb song writing element.

Thunder - photo

Here’s a technique I use on almost every song I record. This step gives me a helping hand in making transitions in the arrangement work. It also can add drama at the end of an important verse. I have a few names for this tactic including the Kickverb, Kickboom and the awesome Thunderverb!

Altiverb - screenshotTake the kick drum you are using throughout the track and isolate one hit. Make a new audio track and place the single kick drum on it. Don’t forget to render your kick first if you had some effects on it like compression or EQ. Once on its own channel insert a reverb. I usually go for Alitverb convolution reverb or the Korg MDE-X multi-effect which comes with the Korg Legacy collection. Both those reverbs have colors to them. Next, I render a single kick going through a wash of reverb. Do several bounces with different kinds of reverbs. You end up with Kickverb1, Kickverb2 and so forth. If your song calls for it insert a distortion plug-in after the reverb. This gives you a dirty decaying sound. My favorite distortion plug-ins are Izotope’s Trash and Ohm Force’s Ohmicide. Another thing to try is pitching your rendered kickverb down.

Izotope Trash - screenshotI usually create my Kickverbs after the general arrangement is finished. Then, I place them strategically throughout the timeline. Two places they fit include at the beggining of the chorus and in the verse after you say something shocking or important. You can also start and finish the song with them.

Some other things that maybe obvious that you can do is reverse the Kickverb. Place that “Reverse Kickverb” before the chorus comes in to build up tension. Of course you don’t have to stick to the Kickverb at all because real thunder and explosion samples will also work.

photo credit: caddymob

This entry was written by Oliver Chesler, posted on November 23, 2007 at 12:58 pm, filed under plug-ins, song writing, sounds and tagged , , , , , . Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.