My friend Marc Acardipane (German techno producer) has a Neumann microphone. I recorded some vocals with it and was fairly blown away. I’m not sure which model he had. Possibly it was a TLM 103. The way I would describe it is the opposite of the helium effect. You know how if you suck the helium from a balloon your voice sounds high pitched or kid like? Well the Neumann made me sound more manly. I know there are thousands of boutique microphones and even more Chinese knockoffs but let’s face it: Neumann is the top name.
“Georg Neumann GmbH (Neumann), founded in 1928 and based in Berlin, Germany, is a prominent manufacturer of professional recording microphones. Their best-known products are condenser microphones for broadcast, live and music production purposes. For several decades Neumann was also a leading manufacturer of cutting lathes for phonograph disks, and even ventured into the field of mixing desks for a while.” – WIkipedia.org
Not so long ago computers for producing music were all seriously underpowered. I remember on my old Mac clone, a Power Computer PowerCenter Pro210 I could only open 2-3 plug-ins before the computer would click and glitch to a halt. However, today we live in an amazing time as far as music technology. I can load up my Macbook Pro all day long with plug-ins and it seems my CPU never jumps past 50%. It actually took me a few months to get used to piling on plug-ins without freezing or bouncing tracks. I realized I was wasting time bouncing everything by watching younger kids demo their Ableton and Cubase tracks on YouTube. My keen eye caught mountains of plug-ins placed frivolously over twenty plus channels. I realized I better “un-old fogey” myself and start painting with thick strokes of live effects or be left behind.
So today’s quick tip is to start a song with plenty of effects placed on assorted channels before you ever even place a sound producing synth, sample or voice anywhere. What do I mean? Well how about putting Altiverb with a Neuman Mic IR (Impulse Response) on the Master Channel? Why not also put a nice compressor there too? Now as your build your song and mix as you go building into those plug-ins. In effect it’s almost like you bought a new sounding mixer.
There’s no reason to be subtle either. Try creating a sub-mixer of 6+ channels and on the Group’s master fader and have a flanger set to 100% wet. Next place all your synths in your new flanger group and adjust the oscillators and filters toward the flanger not the other way around. The key is to start off fully loaded with effects on so everything you hear isn’t the same ole, same ole…
Berlin is the undisputed center of electronic music. A few times a month friends and blog readers come to visit. I’ve decided to make a Google Map with the locations of many of the great record stores, labels, synthesizer manufacturers, audio software companies and nightclubs you can check out upon arrival.
Ableton, Tresor, Hard Wax, Native Intruments, Schneider’s Buero, Neumann, MFB, Gigolo Records, Berghain, JoMoX, Sugar Bytes, BPitch Control, SoundCloud… what more do you want?
If you do come to visit don’t forget you will be in a gorgeous city full of historic places and green parks. Don’t spend all your time dancing. See it all!
Remember Google Maps is feature rich. You can get point to point directions, zoom way in, see satellite views and create your own map of places in Berlin you want to see (click a pin and select “save to my map”).
To view the map full screen and also see the complete list of great places: click here