Put this video on at about 6:14 in and it sounds like Front 242 during their Front by Front era. It reminds me of the basslines in Until Death or Welcome to Paradise. Sounds so wicked as he pitches the Make Noise DPO sequence using the Flame Tame Machine.
“The DPO is a voltage controlled oscillator designed for generating complex waveforms and implementing FM synthesis within the analog domain. Expanding on the classic arrangement of Primary and Modulator Oscillators, the DPO has both of the VCOs operable as complex signal sources. It is in essence a Dual Primary Oscillator.” – ctrl-mod.com
This entry was written by modular, synthesizer and tagged DPO, Eurorack, Flame Tame Machine, Front 242, Make Noise, modular, Rene. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
The next installment of Raul Pena’s Math’s Minute series shows how to use the Make Noise Maths as an Envelope Follower. This is a great way to add layers of sound to a song in a way that fits rhythmically.
“MATHS builds on the tradition set into motion in the 1960′s when Don Buchla adapted circuits found within analog computers for musical purposes. Buchla’s Algebraic Processor, Model 257 and 281 changed the way music synthesizers utilize control voltages. MATHS continues this great tradition of sculpting the control signals we use to sculpt our sound signals.” – makenoisemusic.com
For more info: makenoisemusic.com/maths
This entry was written by modular, synthesizer and tagged envelope follower, Eurorack, Make Noise, Maths, modular. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I am very pleased to let you know Wire to the Ear is featured in this months Engadget Distro! Distro is thier super slick and free iPad magazine. In the interview I discuss Make Noise, TRS-80s, Ableton, Buchla and more. Be sure to download the March 8, 2013 issue and check it out!
“What are you favorite gadget names? There is a modular synthesizer module called…”
Download now: itunes.apple.com/us/app/engadget-distro
This entry was written by promotion and tagged ableton, apple, Distro, Engadget, interview, Make Noise, TRS-80. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I stopped by Control in Williamsburg yesterday. Jonas put together a patch consisting of a Synth Tech E560 Deflector Shield, Make Noise Optomix, Function, Pressure Points and Brains. We were discussing how great the Synth Tech modules were and how the Vactrols in the Make Noise stuff makes things sound rubbery in a good way. Vactrols use LEDs inside the modules to control parameters.
“A Vactrol is an optoelectronic device consisting of a source and detector of light, which are optically coupled and electrically isolated from each other. The light source is usually a light-emitting diode (LED), a miniature incandescent lamp, or sometimes a neon lamp, whereas the detector is a semiconductor-based photoresistor made of cadmium selenide (CdSe) or cadmium sulfide (CdS). The source and detector are coupled through a transparent glue or through the air.” – Wikipedia
For more info: ctrl-mod.com
This entry was written by modular, synthesizer and tagged Control, Eurorack, Make Noise, Synthesis Technology, Vactrol, Williamsburg. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Tony Orlando’s Make Noise Eurorack modules are usually noted as the best or in the top few on people’s lists. The 6 channel RXMX which comes out this summer will surely be awesome for some wild panning, pinging and much more. Thanks to Nick and his team at Sonic State for the video.
“The RXMS is a concept we are working on with Grant Richter. It stands for Richter’s Exquisite Mixer. The concept behind is a to apply the surrealist techniques of the exquisite corps game to patching.” – Tony Orlando (Make Noise)
This entry was written by modular, synthesizer and tagged Eurorack, Grant Richter, Make Noise, mixer, NAMM, Namm 2013, RXMX, Tony Orlando. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Metrono.me has interviewed Anthony T. Rolando of Make Noise. Tony’s eurorack modules are considered to be some of if not the best and most interesting. There is some interesting stuff in the interview including news of a Make Noise Reverb module. Read the full interview here: metrono.me/makenoise.html
“The only thing I am seeking at the moment is a unique reverb algorithm to design a Make Noise reverberation module around. Tom Erbe and I are currently chatting about that one.” – Metrono.me
For more info: makenoisemusic.com
This entry was written by interviews, modular, synthesizer and tagged Anthony T. Rolando, Eurorack, interview, Make Noise, synthesizer, Tony Rolando. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Waveform City is an interview podcast that was started in January of this year (2012). Some of the people interviewed so far include Tom Erbe, Make Noise, WMD, Richard Divine, 4MS, Mark Verbos and The Harvestman. If you have a Eurorack addiction you may as well subscribe!
“This podcast will hopefully illuminate the world of synthesizers and the people who use them along with the people who build them and repair them.” – Waveform City
For more info: waveformcity.blogspot.com
This entry was written by interviews, modular, synthesizer and tagged 4MS, Eurorack, interview, Make Noise, modular, podcast, Richard Devine, The Harvestman, Waveform City, WMD. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I decided to stay home this weekend. I stopped by Control in Williamsburg and picked up a new module for my Eurorack system. I bought a Toppobrillo Multifilter. You can hear it in the above videos filtering a Wiard Oscillator, Make Noise Echophon and a iPad Police Scanner. The clock and drums are from a Korg Rhythm 55. An Analog Solutions Telemark is providing some LFO modulated white noise snares and a Korg Monotribe is joining in with some resonant rides and a synth line. Both the Telemark and Monotribe are being pinged by an Intellijel uStep. There’s also an Intellijel uVCA and Pittsburgh Modular ASDR doing some utility work. There’s won’t end up as songs as sometimes it good to just play around.
“The so-called state-variable filter has a long history in electronic music- traditionally the most versatile voltage-controlled filter at any analog synthesist’s disposal. there were several classic design examples and variants produced throughout the heyday of analog synthesis, such as those implemented in the Oberheim SEM, the EDP Wasp, and the fabled,albeit lesser known filters such as the famous Serge filters and Arp 1047; the classic SVF configuration is simple and versatile- with several different filter responses available simultaneously ‘for free’ by nature of it’s design with no elaborate mixing schemes. traditionally there have been some considerations when designing a wide-range filter with variable Q using this topology, for instance, relative instability/ generally poor sound and behaviour at very high Q, many designs get around this by limiting the maximum Q available, among other things. those that are designed to allow for self-oscillation will often become unstable at the threshold and have inconsistencies initiating or mantaining oscillation across the entire audio range. The Toppobrillo Multifilter is a new/ traditional state-variable design based on a great modern quad VCA chip, the SSM2164. this, in part, helps make the Multiflter what it is, a clean, quiet, stable and very controllable filter at it’s core, without limiting its palette, well suited for processing anything you can run through it.” – toppobrillo.com
This entry was written by iPad, modular, synthesizer and tagged Analog Solutions, Echophon, Eurorack, intellijel, Korg, Make Noise, modular, Monotribe, Pittsburgh Modular, Telemark, Toppobrillo. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Make Noise is probably my favorite Eurorack module company. I’m in love with my Echophon and a DPO, Photogene and redesigned Maths surely are going to enter my studio. If you have an older Make Noise module and want to put their newer knobs on your module check out the video above. I love the soundtrack to this.
“Make sure the potentiomenter does not suffer horizontal force.” – makenoisemusic.com
For more info: makenoisemusic.com
This entry was written by modular, synthesizer and tagged Eurorack, knobs, Make Noise, Maths. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Today I thought I would give you a quick look at some of my workflow. Here’s how I often start creating an EBM (Electronic Body Music) style track. I’ve started a Eurorack modular system and you can see my first two pieces in action here. I have recorded a 5V Pulse into Ableton from the Korg SyncKontrol iOS app. I loaded the click into Simpler and use MIDI to create a pattern. In this example it’s a straight 16th note. I use Ableton Live to route the 5V click out of my Motu 828 MKIII into a Doepfer Dark Time analog sequencer. The Dark Time is not in sync with my Ableton MIDI set up. The Dark Time controls an Analog Solutions Telemark (SEM clone). 8 steps of CV variation and CV filter variation loop the bassline. I also have the Dark Time send a clock out to a Korg Monotribe. On the Monotribe I have muted the drums and just have it playing some lazer zap type sounds typically where you would find a snare drum. Using MIDI I have a Vermona DRM1 MKIII playing a kick and snare. The Monotribe’s clock out goes into an Intellijel uStep which sends a 16th note clock to a Make Noise Echophone. I have a MFB-522 drum machine in sync with Ableton via MIDI playing a clap. This clap is sent into the Echophon where it’s delay shimmers in 16 synced steps because of the uStep control. I can play with the Echophon’s pitch knob for a wicked nice analog clap delay effect. Is it worth all this effort? In my opinion yes. You can’t really get a sound like this without going analog. This part would make a good verse. Because I can pitch the bassline on a MIDI keyboard the next step is to make a Chorus, maybe change the Dark Time sequence length or patter slightly, add some pads from an Ensoniq ESQ-1 and add vocals. I hope you enjoyed the peek into a world where control is everything.
“CV/Gate (an abbreviation of Control Voltage/Gate) is an analog method of controlling synthesizers, drum machines and other similar equipment with external sequencers. The Control Voltage typically controls pitch and the Gate signal controls note on/off. This method was widely used in the epoch of analog modular synthesizers, beginning in the 1960s and up to the early 1980s. It was mostly superseded by the MIDI protocol, which is more feature-rich, easier to configure reliably, and more easily supports polyphony.” – wikipedia.org/wiki/Control_voltage
For more info: thehorrorist.com
This entry was written by effects, modular, synthesizer and tagged ableton, Ableton Live, Analog Solutions, Dark Time, Doepfer, drum machine, Echophone, Korg, Make Noise, MFB, Monotribe, synthesizer, Telemark, The Horrorist, Things to Come Records. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.