So I’ve had my iPad for about a week and I can say it actually is a very different experience than the iPhone. Case in point the are drum machine Apps above. Funkbox on the iPhone is ok but I never really used it past a novelty show off item. On the iPad I can sit comfortably and knock out loops with pleasure. The iElectribe really knocks you out. It feels like hardware. Fanboyism aside if you have not had a chance to play with these and you make electronic music go do so.
I know just another iPad synth demo. But this one is uber Liquid Skyesque therefore it gets a post. Every Wednesday in the middle of hardcore Left Brain thinking it’s good to get a shot of the weird. There’s no reason to be all spreadsheet for five days!
Check out these modified Korg Kaoss Pad’s featured on the circuit bending blog GetLoFi. I don’t know if it’s a requirement to use vintage tv/film images but I like the effect! Here’s the two articles that tell you more about the mods and people behind them:
Modifying Kaossilator Touch Pad Area: click here
Kaoss Pad Pitch Modification w/Internal Controls: click here
Well that didn’t take long! Here’s the first hot music App for the iPad: Korg iElectribe (iTunes link). A fully featured Electribe-R drum machine for $9.99. I’ve found that recording audio from my iPhone into Ableton has a different “out of the box” feel to the sounds when compared to VSTs. This is going to be fun!
“Korg’s ELECTRIBE·R has been coveted by dance musicians for ten years running. Today, this indispensable instrument has been reborn as a dedicated iPad app – the KORG iELECTRIBE virtual analog beatbox! Simply choose a part (or sound) and touch the 16-step sequencer to quickly build a groove. This easy-to-use interface combines forces with the iPad’s 9.7” multi touch display to offer an intuitive “hardware” feel, sure to inspire and captivate the imagination of any user. The iELECTRIBE faithfully recreates the historic ELECTRIBE·R’s entire sound engine and sequencer capabilities. In addition, it provides advanced Motion Sequencing, eight supercharged effect types, plus 64 new preset patterns that instantly allow the user to create music in a wide variety of dance and electronic music styles.” – Korg.com
Novamusik shows off the Korg Kaossilator Pro. I’ve seen a few DJs really work with these things as extensions of their arms. I’ve never owned one but do thing they are fun. They are going for $399. Anyone love these? Hate them?
“As a trailblazer among the “instrumental gadgets” that allowed anyone to easily create melodies and phrases, the KAOSSILATOR gained a strong and dedicated user base, even among those without any performing experience. Today, the KAOSSILATOR continues to be enormously popular. Retaining these revolutionary features – while adding a wide variety of new ones as well – is the new KAOSSILATOR PRO. With 200 sound programs, a new Electribe-inspired gate arpeggiator, and four loop recording banks that can even record external audio sources, the KAOSSILATOR PRO is packed with features that make it ideal for both live performance and premium productions. In addition, USB connectivity with your computer and SD card memory storage allow the KAOSSILATOR PRO to be used not just for improvised performances, but also as a superbly intuitive, track-making music production tool.” – korg.com
I’ve said many times the Roland TR-808 is the king of all drum machines. It has the sharpest deepest kick with the most attack, snares and hats that sound like lighting and a sequencer that makes any beat sound incredible. I love this machine so much I think I subconsciously liked songs because they had an 808 on them (all before I even knew what a Roland TR-808 was!). I love this video above where a bunch of classics with 808 drums were recreated on an Korg Electribe SX. I own everyone one of these songs on 12″.
“Recreations, again by ear, of some classic early 80s beats that were originally made on a Roland TR-808 drummachine. This became the signature sound for freestyle music and later for house. Mantronix – 808 Beats, Shannon – Let the Music Play, Freeez – IOU, Man Parrish – Hip Hop Bebop, GLOBE & Whiz Kid -. Play that Beat Mr. DJ, Nineteen – Paul Hardcastle (iTunes link), C.O.D. – In the Bottle, Marvin Gaye – Sexual Healing” – Harlem Nights Music
I’ve owned a few hardware Samplers. When I was in high school my father bought me a Roland S-50. Later, I had an Akai S950 and further down the road a S3000XL. I’ve always thought sampled sounds cut through a mix in a strong interesting way. The best part of a sampler is that if you actually use it to Sample sounds you have audio that’s unique all to you. Make a song out of your kitchen pots and pans rattling? No problem.
I’m thrilled to see Korg is going to release a new hardware Sampler keyboard. The microSampler is the right size, has some effects, mic input, software control and it can apparently attach to an iPhone. I have no idea if all this will add up to yum but milk, sugar, eggs and chocolate usually equals awesome.
For the first few posts about the microSAMPLER on Matrixsynth: click here
Long before the hipster Microkorg hit Williamsburg there was the Korg 700s Minikorg. It was one of Korg’s first synths and to this day it’s one of my favorites. Every time I hear one of its raspy detuned aggressive sounds it makes my brain jump to it’s evil side. Daniel Miller used a 700 to create one of my all time favorite records TVOD/Warm Letherette by The Normal (iTunes link). Daniel soon went on to found Mute Records and sign Depeche Mode.
“It has three ring modulators for some strange sounds and noises. Sometimes a decent bass sound for techno music can be achieved using the MiniKorg’s hi-pass and low-pass filters. The two oscillators can be de-tuned and they offer triangle, sawtooth and square waveforms. There are some strange analog effects built-in as well such as portamento, a rudimentary repeat-delay, auto-bend (bender), vibrato and Chorus and Noise waveforms.” – vintagesynth.org
You can find the Korg 700s MiniKorg on eBay from time to time for a decent price. It’s on my wishlist!