A couple of summers ago I performed in Sweden at the Klubb Kalabalik Festival. At that festival I saw the band Kontravoid perform and met the man behind the music Cam Findlay. At one point Cam was also a member of the band Crystal Castles. Both bands are incredible so when Cam asked me to remix his new project VOTIIV I didn’t hesitate in saying YES! For VOTIIV Cam has teamed up with Kat Duma on vocals. I selected the song Bad Memory to remix.
My method of remixing music is a little different than the way most producers go about things. I like to start from scratch using my own sounds and that’s what I did here. I replaced the drums with an old Korg KR-55 drum machine. To make them pop I layered the kick and snare with some Vengeance samples. For the main arpeggiating synth I used an Arturia Microbrute. The Microbrute, it’s brother and the Analogue Solutions synths are probably the only new synths you can buy that sounds truly vintage. There are two synth pad sounds both coming from a Roland JV-2080. Additional sounds come from a HISS and Roar sample pack. Additional processing came from my API Lunchbox and Eurorack Modular. I can’t wait to hear this in a club. By the way the track is set to FREE download. Enjoy!
“He comes to me in dreams. He tells me how I feel.” – VOTIIV
Today just a sample of a few channels of pure Roland SH3 and Korg KR-55 drum machine. Both are vintage analog and wonderful.
“The SH-3A is a monophonic analog synthesizer that was manufactured by Roland from 1974 to 1981. It is unique in that it is capable of both subtractive synthesis and additive synthesis. Two LFOs and a unique sample-and-hold section provided capabilities not found in competing self-contained synthesizers of the time. The SH-3A was Roland’s first non-preset based synth. It was unique for its time in that it offered mixable waveforms at different footages. The predecessor, the Roland SH-1000 could also do this but didn’t offer as much control as on the SH-3A. The rhythmic pulsing in the Blondie song “Heart of Glass” is an example of its sound. The initial version “SH-3″ infringed radder-filter patent of Robert Moog, and Roland revised their copy circuit after warned by Moog Music. NOTABLE SH-3A USERS: The Human League, Vangelis, Blondie, Chris Carter” – WIkipedia.org
I just won an eBay auction for a mint Korg KR-55 Rhythm Machine! I got it for $280 and I am pleased. Even though it’s a preset machine it has a good amount of variation, swing and intros/fills. Watch the video above to see how versatile it can be. As far as DAW recording goes each instrument has it’s own volume knob so it’s easy to record each drum on a different channel if so desired. The real reason to like this machine is the sound. It’s pure analog with silver highs and a punchy tight kick. It was used on pretty much on every song on Depeche Mode’s first album Speak N Spell (iTunes link). Expect to hear it on my own future recordings. If one wanted they can mod a KR-55 and add MIDI using an Analogue Solutions kit: www.users.globalnet.co.uk/~concuss/mods/kr55.htm
“The KR55 was, for its time (1979), an advanced preset rhythm drum machine with up to 96 preset rhythm patterns! These patterns cover the whole gamut of presets (Waltz, Samba, Rhumba, Bossa Nova, Tango, Slow Rock, Swing, Rock, etc.). The KR55 also featured a “swing beat” control to add a variation to the groove. Each drum sound’s level can be individually adjusted for each pattern. It can also be externally controlled via footswitch jack for the Start/Stop and Intro/Fill switches.” – vintagesynth.com