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	<title>wire to the ear &#187; Ionic Vision</title>
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		<title>The Horrorist &#8211; Blow the Kiss</title>
		<link>http://www.wiretotheear.com/2009/10/03/the-horrorist-blow-the-kiss/</link>
		<comments>http://www.wiretotheear.com/2009/10/03/the-horrorist-blow-the-kiss/#comments</comments>
		<pubDate>Sat, 03 Oct 2009 12:03:17 +0000</pubDate>
		<dc:creator>Oliver Chesler</dc:creator>
				<category><![CDATA[music]]></category>
		<category><![CDATA[EBM]]></category>
		<category><![CDATA[Ionic Vision]]></category>
		<category><![CDATA[The Horrorist]]></category>
		<category><![CDATA[Things to Come Records]]></category>

		<guid isPermaLink="false">http://www.wiretotheear.com/?p=3795</guid>
		<description><![CDATA[Here is the final version of a song I recorded for Andy De Decker. Andy is part of the Belgian band Ionic Vision. He put together a compilation to be released later this year all about sex. From a production standpoint one thing interesting about this song is many of the sounds were recorded into [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/amodiovalerioverde/249257309/"><img src="http://www.wiretotheear.com/wp-content/uploads/2009/10/kiss.jpg" alt="kiss" title="kiss" width="600" height="600" class="alignnone size-full wp-image-3796" /></a></p>
<p>Here is the final version of a song I recorded for Andy De Decker. Andy is part of the Belgian band <a href="http://www.dsbp.cx/ionic/">Ionic Vision</a>. He put together a compilation to be released later this year all about sex. From a production standpoint one thing interesting about this song is many of the sounds were recorded into <a href="http://www.ableton.com/">Ableton Live</a> live from my iPhone. </p>
<p><object height="81" width="100%"><param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fthingstocome%2Fblow-the-kiss-the-horrorist&amp;show_comments=true&amp;auto_play=false&amp;color=d50a00"></param><param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fthingstocome%2Fblow-the-kiss-the-horrorist&amp;show_comments=true&amp;auto_play=false&amp;color=d50a00" type="application/x-shockwave-flash" width="100%"></embed></object>  <span><a href="http://soundcloud.com/thingstocome/blow-the-kiss-the-horrorist">Blow the Kiss &#8211; The Horrorist</a>  by  <a href="http://soundcloud.com/thingstocome">thingstocome</a></span> </p>
<blockquote><p>&#8220;Cut the wrist. Blow the kiss. Blood bubbles. Trouble trouble. Trouble trouble!&#8221; &#8211; <a href="http://www.myspace.com/oliverchesler">The Horrorist</a></p></blockquote>
<p>For more info: <a href="http://www.dsbp.cx/ionic/">www.dsbp.cx/ionic/</a></p>
<p>Photo credit: <a href="http://www.flickr.com/photos/amodiovalerioverde/">Amodiovalerio Verde</a></p>
<div id="crp_related"><h3>Related Posts:</h3><ul><li><a href="http://www.wiretotheear.com/2009/09/29/easy-ableton-live-send-fx-fills/" rel="bookmark" class="crp_title">Easy Ableton Live Send FX Fills</a></li><li><a href="http://www.wiretotheear.com/2010/12/19/blow-up-man/" rel="bookmark" class="crp_title">Blow Up Man</a></li><li><a href="http://www.wiretotheear.com/2011/11/30/sticker-fetish/" rel="bookmark" class="crp_title">Sticker Fetish</a></li></ul></div>]]></content:encoded>
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		<slash:comments>6</slash:comments>
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		<title>An interview with Ionic Vision.</title>
		<link>http://www.wiretotheear.com/2008/07/28/an-interview-with-ionic-vision/</link>
		<comments>http://www.wiretotheear.com/2008/07/28/an-interview-with-ionic-vision/#comments</comments>
		<pubDate>Mon, 28 Jul 2008 10:10:51 +0000</pubDate>
		<dc:creator>Oliver Chesler</dc:creator>
				<category><![CDATA[interviews]]></category>
		<category><![CDATA[live performance]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[Alfa Matrix]]></category>
		<category><![CDATA[Andy de Decker]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Club Isolation]]></category>
		<category><![CDATA[Club Maria]]></category>
		<category><![CDATA[Crossing the Parallel]]></category>
		<category><![CDATA[EBM]]></category>
		<category><![CDATA[electronic body music]]></category>
		<category><![CDATA[electronic music]]></category>
		<category><![CDATA[Front 242]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Ionic Vision]]></category>
		<category><![CDATA[Maria am Ostbahnhof]]></category>
		<category><![CDATA[My Cell]]></category>
		<category><![CDATA[Nitzer Ebb]]></category>
		<category><![CDATA[Oberheim]]></category>
		<category><![CDATA[Orange Sector]]></category>
		<category><![CDATA[Propellerheads Reason]]></category>
		<category><![CDATA[Scapa Flow]]></category>
		<category><![CDATA[Sven Lauwers]]></category>
		<category><![CDATA[Terrence Fixmer]]></category>
		<category><![CDATA[The Hacker]]></category>
		<category><![CDATA[The Horrorist]]></category>
		<category><![CDATA[Things to Come Records]]></category>

		<guid isPermaLink="false">http://www.wiretotheear.com/?p=832</guid>
		<description><![CDATA[An Interview with Ionic Vision. from thingstocome on Vimeo. One of the best ways to promote a band on your record label is to create a video interview with them. It really doesn&#8217;t take much skill, time or money. In fact, the video above was shot using the video mode on a single point and [...]]]></description>
			<content:encoded><![CDATA[<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="500" height="377" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.vimeo.com/moogaloop.swf?clip_id=1418055&amp;server=www.vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=1A88D9&amp;fullscreen=1" /><embed type="application/x-shockwave-flash" width="500" height="377" src="http://www.vimeo.com/moogaloop.swf?clip_id=1418055&amp;server=www.vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=1A88D9&amp;fullscreen=1" allowscriptaccess="always" allowfullscreen="true"></embed></object><br />
<a href="http://www.vimeo.com/1418055?pg=embed&amp;sec=1418055">An Interview with Ionic Vision.</a> from <a href="http://www.vimeo.com/user440260?pg=embed&amp;sec=1418055">thingstocome</a> on <a href="http://vimeo.com?pg=embed&amp;sec=1418055">Vimeo</a>.</p>
<p>One of the best ways to promote a band on your record label is to create a video interview with them. It really doesn&#8217;t take much skill, time or money. In fact, the video above was shot using the video mode on a single point and shoot cheapo camera. I used iMovie08 which uses <a title="http://en.wikipedia.org/wiki/Core_Video" href="http://en.wikipedia.org/wiki/Core_Video">Core Video</a> so any image adjustments, transitions and titles all happen in real time, no rendering! This makes the entire process actually a lot of fun. Sure the video would be better if I was using a better camera, external mic and some lights but you <a href="http://thingstocome.com/1-2-3-music-store/process.php?pname=ShopfrontProcess-Start"><img class="alignnone size-full wp-image-833 alignright" style="float: right;" title="Ionic Vision - Club Isolation" src="http://www.wiretotheear.com/wp-content/uploads/2008/07/ttc-015.gif" alt="" width="214" height="214" /></a>know what? If I had to lug all that stuff to the club I probably would not have bothered. Showing up and creating something is the most important thing. I actually own quite a lot of video equipment including Final Cut Pro but workflow always wins in my book so I went for the fastest way to the finish line. I mentioned before <a href="http://www.wiretotheear.com/2007/12/13/put-a-creative-commons-licence-to-your-music/">on this blog</a> I love Creative Commons and here&#8217;s why: See the images I cut during the interview? They are all CC licensed so I&#8217;m not stealing anyone&#8217;s art to create my own.</p>
<blockquote><p>The style was characterized by hard and often sparse danceable electronic beats, clear undistorted vocals, shouts or growls with reverberation and echo effects, and repetitive sequencer lines. At this time important synthesizers were Korg MS-20, Emulator II, Oberheim Matrix or the Yamaha DX7. Typical EBM rhythms are based on 4/4 beats, mainly with some minor syncopation to suggest a rock music rhythm structure. &#8211; <a href="http://en.wikipedia.org/wiki/Electronic_body_music">wikipedia.org/wiki/Electronic_body_music</a></p></blockquote>
<p>Sven Lauwers and Andy de Decker are great live which is extremely important for an EBM band. Be sure to check out Ionic Vision&#8217;s release on Things to Come Records: <a title="https://www.beatport.com/en-US/html/content/release/detail/109593/club_isolation" href="https://www.beatport.com/en-US/html/content/release/detail/109593/club_isolation">Beatport</a>, <a title="http://www.junodownload.com/ppps/products/1316655-02.htm" href="http://www.junodownload.com/ppps/products/1316655-02.htm">Junodownload</a>, <a title="http://thingstocome.com/1-2-3-music-store/process.php?pname=ShopfrontProcess-Start" href="http://thingstocome.com/1-2-3-music-store/process.php?pname=ShopfrontProcess-Start">Things to Come Records</a></p>
<p>For more info about the event they played:<br />
<a href="http://www.myspace.com/crossingtheparallel">www.myspace.com/crossingtheparallel</a></p>
<div id="crp_related"><h3>Related Posts:</h3><ul><li><a href="http://www.wiretotheear.com/2008/09/10/anatomy-of-an-endorsement-deal/" rel="bookmark" class="crp_title">Anatomy of an endorsement deal.</a></li><li><a href="http://www.wiretotheear.com/2009/10/03/the-horrorist-blow-the-kiss/" rel="bookmark" class="crp_title">The Horrorist &#8211; Blow the Kiss</a></li><li><a href="http://www.wiretotheear.com/2008/04/19/make-a-promo-video-for-your-new-music-release/" rel="bookmark" class="crp_title">Make a promo video for your new music release.</a></li></ul></div>]]></content:encoded>
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