I’ve been going through a lot in my personal life lately. Luckily for musicians change and life happening makes for great music. I’ve never been so exciting about recording as I am now. My day job has let me build a time machine our of music gear. I did an extensive interview at the Rockerill Festival last month which will end up in a few different languages and countries. They recorded my answers in audio and transcribed them so it’s an interview in which you can hear my real voice unlike many in the past. It was right after the show so I was pretty excited and talk candidly about a lot of things. When I was in Leipzig I was invited to record with the band Haujobb. I did vocals for a song now called The Dancer. It’s coming soon and the other side features Jean Luc Demeyer of Front 242. When you leave someone with your vocals that can make you sound pretty lame or like a master. They made me a master on this one for sure. I truly am thrilled with what they did. New album recording starts now. Your going to love this one. Time for the next round. The Things to Come.
“For certain things you want the real thing, like for bassline sequencing that’s gonna sound authentic, you want analog. You can do anything in digital but you have to work harder. Yo have to play with EQ, with effects etc. When you work with analog machine, you just play with the level and it sounds good. You don’t have to finesse it so much.” – Interview Excerpt (Oliver Chesler)
For more info: thehorrorist.com
This entry was written by political and tagged Haujobb, interview, The Horrorist, Thing to Come Records. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Here’s a new piece of patent leather synth music to pre-order. My friend Daniel Myer of Haujobb let me know about DSX. This is a side project of Dejan Samardzic. My favorite on this is “Don’t Resist” which has a proper EBM feel to it. The pacing of the song’s arrangement is really good. The vocals come in and out in a nicely psychotic manner. I also really like “Information War” which reminds me a lot of David Carretta’s darker stuff. Expect to see that one many a future DJ mixes. It will also be available on Vinyl. Listen now and grab it December 14th.
“The first song ‘Demonic feat Emily Steigerwald’ reminds me of just enough Dive (Welcome to Hell) mixed with Gitane Demone’s (Incendiary Lover) eery singing style…. but better. ‘Don’t Resist’ is a relentless bass-driven track with a detuned synth-lead reminding me to The Normal’s (Warm Leatherette)… but harder.” – peek-a-boo-magazine.be
For more info: dsxmusic.bandcamp.com
Now that I’ve finished my album I am putting together the same album full of remixes. Instead of paying 20 people to do remixes for me I am trading a remix of my own for one of theirs. This serves three purposes. I don’t have to shell out a bunch of cash. It forces me to work on material that’s not my own which I find a challenge. Lastly, every remix I do for someone else gets promoted by that artist therefore extending my own name into the world. I know this is obvious but maybe this post will trigger you to go trade with your friends, fans and if your lucky music heros. This weekend I am finishing remixes for Haujobb and Steinkind. See how they just got some free press?
“A remixer uses audio mixing to compose an alternate master recording of a song, adding or subtracting elements, or simply changing the equalization, dynamics, pitch, tempo, playing time, or almost any other aspect of the various musical components. Some remixes involve substantial changes to the arrangement of a recorded work, but many are harmonic, such as creating a “vocal up” version of an album cut that emphasizes the lead singer’s voice.” – Wikipedia
For more info: facebook.com/thehorrorist
This entry was written by business, song writing and tagged business, Haujobb, remixes, Steinkind. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.