Put this song Angels in Jar on your cassette deck and drive somewhere fun tonight. Wolfsheim’s Markus Reinhardt and Peter Heppner were from Hamburg, Germany. This cassette was recorded in 1988.
“In January 2009 Heppner and Reinhardt splitted up due to personal differences caused by the solo activities of Heppner. Currently Reinhardt is fighting in court to get the right to continue the project Wolfsheim with a different singer.” – discogs
For more info: discogs.com/Wolfsheim-Ken-Manage…
This entry was written by music and tagged 1988, Germany, Hamburg, Ken Manage, synthpop, Wolfsheim. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Two awesome things! A custom built spring reverb and a Vermona DRM-1. I own a DRM-1 and I recommend it highly to everyone. Just listen to how great these sound together.
“Finally, my custom built spring reverb is ready. (thanks much to Csaba Füle, the best)
Basically it is an RFT spring tank driven by a Doepfer A-199 module. Much bigger space, much wider spectrum, much better than Accutronics imho. Audio: It’s a basic sequence with the Vermona DRM-1 put on multi channels sent to the Spring Reverb. Changing Emphasis and Feedback here and there on the Doepfer A-199 module, changing the filter on the snare at the solo, and finally, slapping the rack hard in the end. :) It’s just wonderful. Everyone should forget vst reverbs – for a while at least. This thing sounds so unpredictable, so different every time, so alive… I have done some phased and hi-lowpassed feedback and send-return business too, really shouldn’t waste words trying to describe those sounds…” – Hargitai András
For more info: wiretotheear.com/vermona-drm1-mkiii-audio-video-review
This entry was written by drum machine, effects, hardware and tagged Germany, reverb, spring reverb, Vermona DRM1. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I finally had time to start going through the large amounts of photos and videos I took during my recent week in Berlin (and 4 shows). Here is the first set of photos from the live show in Berlin. The show was at Raum 20 in the Neukölln section of the city. The party was the 2 Year Anniversary of an event called Sabbat thrown by Petra Flurr. This event turned out to be one of my most favorite shows I ever played! I met a lot of very interesting people. A near perfect evening.
See the entire photo set here: flickr.com/thingstocomerecords/7215…
“INVASION OF ELEKTRO, TEKKNO, APOCALYPTIC, RAVE, CRIMINAL WAVE, OLDSKOOL, NOIZE ….” – Sabbat
This entry was written by live performance and tagged Berlin, Germany, Karina Qanir, Petra Flurr, The Horrorist, Things to Come Records. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
The Merkel government has proposed a plan called “Rewarding Life’s Work” which is essentially a 350 Euro per month social security contribution that would be required by all the self employed. Add the new tax to required health insurance, rising energy and food costs and Berlin may loose some of it’s appeal for musicians. My personal opinion is my generation is now seeing it’s first real economic challenge. There are bridge tolls in the NY area that are $15. $10 is more like $1 used to be. We can complain but the world’s resources are being fought for and there are smart people on the other side of the world working all day for pennies. I would like a Utopia where artists could just concentrate on art but I don’t forsee that happening. My advice is work hard and use technology to your advantage. Use it to create pockets of time to paint and sing your masterpieces world be dammed.
“The German government’s plan to force freelancers to pay a compulsory retirement ‘contribution’ will kill off entrepreneurship and destroy millions of independent careers. That’s the opinion of Tim Wessels, an IT specialist from Hamburg who has launched a petition against the so-called “Rewarding Life’s Work” law. Freelancers will be forced to pay €350+ a month to support the broken pension system, on top of the €300-€600 they must already pay for health insurance (plus other taxes). Demanding that entrepreneurs fork out at least €650 a month in contributions before they earn a single cent will end innovation in Germany.” – deskmag.com
photo credit: lampenlee
Earlier this year I did a remix for German artist Tomas Tulpe. He’s an interesting person and I am pleased my remix of Ich Tanz auf Dich appears on his brand new album Hatschi! (scroll the audio player down to get to an audio clip). You can read a very thorough review of the release at Reflections of Darkness (link). I hope to meet Thomas in person during my upcoming Berlin week.
“…The final of the album is the HORRORIST remix of ‘Ich tanz auf dich’. This version of the song is faster, alienated and put into a technoid electronic format perfectly fitting to the dance halls. This one surely will become a collector’s item, not many will love it, but if you do, then you’ll love it a lot! And so, one of the trashiest albums ever found the way into my ears was ending. My reactions reached from rhapsodic excitement to tired yawning and moaning while listening to ‘Hatschi!’ over and over again. Except of ‘Ich bin ein Grufi’ all songs could be heard through internet here and there already. ‘Ich tanz auf dich’ and ‘Disco’ will be stuck in the ears of the people who ever heard it forever. My conclusion: Buy the album if you like experimenting. It is worth it! But don’t be miffed if it does not flow from beginning to the and. And first of all, don’t take this album serious!” – reflectionsofdarkness.com
For more info: tomastulpe.de/hatschi
Buy the album: Amazon
This entry was written by music and tagged Germany, The Horrorist, Things to Come Records, Tomas Tulpe. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Frank Kvitta is a well established german techno DJ and producer. I met Frank when I performed last summer in Spain at the Monegros Festival. He was in the same van traveling to the show from the hotel. We clicked, stayed in touch and next week we will release a monster techno EP called Electronic Pleasure. Frank knows everyone and was able to gather remixes from Ben Sims, DJ Rush, Patrick DSP, Dave the Drummer, Submerge, Alex Kvitta, Boris S, David Christop and more. To start the promotion here’s an interview to let you know a little but about who Frank is.
1. Let’s start with software. What DAW to you prefer and name three
plug-ins you can’t live without.
Hello Oliver, thank you for having me for your great blog. My favourite software for producing used to be fruity loops in the very beginning 10 years ago. After that i started using Reason for many years but i was never satisfied with the sound engine. Then i found Ableton Live and since i found it i use it the most or let´s say, only Ableton Live. I like the workflow and the functions. It´s superfast and easy to use and i can be very productive as i can just concentrate on making the beats and not concentrate how to make the beats. My Top plug ins i never want to miss anymore are the “Waves” of course, Nexus and the FM8 and some secret plug ins ;)
2. What is the oldest piece of hardware you have in your studio?
The oldest piece in my studio is my keyboard M-Audio Oxygen 8 hehe. I sold my old stuff long time ago already, as i just use digital software and some midi controllers and the Presonus digial mixer for productions.
3. When you have been working in the studio too long and you need to
take a 30 minute break what do you do?
Mostly i go outside (if it´s not too cold), have an espresso, do some phone calls, listen to different music (hip hop, rnb, 80´s) and then i go back to work. My ears need a break too, otherwise after too many hours you can´t concentrate anymore and everything sounds the same because ears get tired too.
4. Do you think DJing makes you a better producer? Do you grab loops
from records/tracks or always make your own beats?
I think without beeing a dj or performing in any other ways music, you can be a good producer too, but while you perform you have the chance to see reactions on specific sounds, breaks, melodys which inspire me again to do my next tracks. Also when you perform you have also a great feeling for music and beats which can be very usefull with producing too. It depends, sometimes i mash up loops and sample and cut things out to make new ones, sometimes i start all over and create my own sounds and loops. Really depends on which track i m doing and which style. And i have enough time for a track or not, deadlines are sometimes really tight hehe.
5. How many songs do you finish per month?
Well i can have days where i finish a whole track in about 3 hours from starting with the mainloop until the final arrangement. Sometimes it takes much longer, even days or weeks. IT depends always on the mood, creativity, ideas. If my head is full with ideas and i m in a great mood to produce i can be pretty fast. If those things are not given, thx god we can hit the save button and continue the next days.
6. If you found someone breaking into your music studio what would you
do to the person?
I would take him next to my side and show this person how much work and love and passion has been spent to create all these tracks on this computer and how hard it was to achieve a studio like this over all the years, then i would slap the shit out of him and call the police haha.
7. What is the best snack to have around while making music?
I always have a sandwhich with melted gouda cheese and a “BiFi Roll” and of course loads of drinks. I love snacks.
8. Do you think buying new gear and software helps with creativity
Yes sure, always when i buy something new i get excited like a little kid and start playing around with the stuff and get always new ideas. I think everybody knows the feeling of getting something new and playing around with it.
9. If you were not a DJ/Producer what would be your profession?
hmmm good questions. to be honest i don´t really know. Probably still something with music. Sound engineering or selling hot dogs.
10. Tell us briefly what your master plan for world domination is in 2012.
I have many big plans for 2012. We plan enhanced music podcasts (which actually started already), alot of releases of other genres with new music partners (including you for example), expanding the bookings agency with more people, promote all of us more in the media again (videos, photos, tv) and many more which are my secrets and i can´t talk about them, otherwise this emails explodes and if you survive i have to kill you hehe…kidding…
For more info: frank-kvitta.net
This entry was written by interviews, music and tagged Frank Kvitta, Germany, techno, Things to Come Records. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I’m back from a long weekend in Germany. The airline lost my luggage going and coming. To get my equipment in time for the show I had to go from the Leipzig airport to Tegel Berlin by car. This all took so long that I had to go directly on stage without sleeping almost 24 hours. Everyone reacts differently to situations like this and I just get basically [more] insane. Luckily that’s exactly what my live show calls for so it was all for the better. The show photos and the video I made above (music and video recorded in the car on my iPhone) shows my state of mind. To see the full set of photos from the night: click here. The Wet Club in Espenhain German has been properly opened. Stand by the Innovators!
“On the Autobahn. Driving on the Autobahn in a Mercedes Benz with an Italian. It’s the Axis Powers because we have a Japanese girl tied up in the trunk. We’re the Axis Powers driving on the Autobahn.”
For more info: thehorrorist.com
This entry was written by live performance and tagged Espenhain, Germany, live performance, The Horrorist, Things to Come Records. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I’m heading to the airport soon for a live show Saturday night in Espenhain, Germany. Espanhain is about a half hour from Leipzig. The event is for the opening night at a brand new club called the Wet Club. It’s a large event with a lot of DJs and live acts some of which include Divinity (Divinity.De, Bash Events), Tom B. (Beatbrothers, Dusted Decks), Jokers Of The Scene (Fool’s Gold), Acidkids (München), The Robstars (Beatbrothers), Perry Live! (Zehnvierzig and Psychodevils (Leveltrauma, Pd Records, Trier). I often think playing these German events is a kin to American car companies testing their cars on the Nuremberg Track. If you can rock as good as even the last person listed on the flyer you have some cred. I plan on sweating a few pounds off on stage for sure. If I can I will send you updates from the road. You can of course always follow my obligatory waiting in the airport and about to lift off Tweets (link).
“The solar power plant Espenhain Leipzig is in the municipality. This power plant is a photovoltaic power station. It is a partnership project of the Berlin project development company Geosol and Shell. The power plant was dedicated on the September 8, 2004 and at that time one of the largest of its type in Europe.” – Wikipedia
For more info: wet-club.de
This entry was written by live performance and tagged Espenhain, Germany, live performance, The Horrorist, Wet Club. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
For those Wire to the Ear readers who also follow my music as The Horrorist here is a set of photos from New Year’s Eve. I performed at the Landespavillon in Stuttgart, Germany. As usual I had a fantastic time, played a few new songs and made new friends. I have to admit it’s hard going from events like this to the daytime standard.
For more info: thingstocome.com
This entry was written by live performance and tagged Germany, Landespavillon, Stuttgart, The Horrorist, Things to Come Records. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
The nhow is a hotel in the center of Berlin on the Spree river. Why would I be posting information about a hotel on Wire to the Ear? Well this hotel has two recording studios in it available to guests. Not only that Gibson guitars are available to use through room service. Most musicians need really cheap rooms and Berlin is one of the cities where you can find nice hotel rooms for less than a hundred euros. The nhow hotel is going for 174 euro per night so if you stay get your studio time in to make it worth it. I like this idea and there should be hotels for any type of person no? Video game hotels, cat people hotels, etc… Let’s hope this nhow hotel has sound proof rooms, locks on the minibars and paid their insurance bills if they are inviting rock stars to stay with them.
“Located directly on the banks of the river Spree, the Nhow Berlin bills itself as the only hotel in Europe offering two professional music studios. A dedicated music manager is on staff, as is a team drawing heavily from local music colleges. Regular live events and concerts take place in the hotel’s event spaces and terraces, while first-rate DJs are on hand in the bar. The music studios are operated in collaboration with Lautstark Music GmbH/René Rennefeld, which also manage the legendary Berlin Hansa recording studios. The Nhow’s 304 rooms, meanwhile, are kitted out with iPod connections and more than 30 TV and 100 music radio stations integrated in a state-of-the-art entertainment system. Wireless Internet and more than 5,000 videos-on-demand are available in every room; Gibson guitars are even available through room service.” – springwise.com
For more info: nhow-hotels.com/berlin/
This entry was written by business, song writing and tagged Berlin, Germany, nhow hotel, Recording Studio. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.