This video made the rounds earlier this week but I didn’t press play. This morning I clicked and oh yeah this is amazing. Someone put an electronic soundtrack to the classic Road Runner cartoon. They did such a good job. The acid Warner Brothers intro alone is just so great.
“Consider the recursion of Coyote, who never eats, but only considers eating, ad infinitum. This barren, craggy, dry universe is more like a Mandlebrot purgatory with an endless supply of Acme weapon products which can’t function predictably, or whose proper function can’t be apprehended by Coyote.
Every ravine, every rocky outcrop, every national road that splices the desert is generated anew each time Coyote is forced not to die – his bones regenerate, his cardiac arrests are all false. He can be skinned alive a million times a million times.
This routine unravels from a spool that was never wound. Is this because of artifice that such toil is even noticeable? Why contrive a purgatory like this when heaven can be imagined? Or would every heaven ever dreamt only appear as purgatory to enlightened eyes?” – sssnacksss
For more info: wikipedia.org/Wile_E._Coyote_and_The_Road_Runner
I was really happy to be able to get one of the first Intellijel Metropolis sequencers. I set up last night and got it working in my own way. In the video you can see I have it synced to Ableton Live and my Roland TR-707. The sound source is a Wiard Oscillator running through a Analogue Solutions aka Medic Modules Defibrillator which is a filter but also adds some wicked heft to any source. By changing the Pulse Count on the Metropolis you can get some amazing creative patterns. Changing the Gate Mode then emphasizes notes even further by holding the Pulse Count either in a solid unbreaking sound or repeating pulse. You can see me mess with those parameters in the video. Finally I control the entire sequence’s pitch using a Flame Tame Machine Quantizer’s CV out. There are many other features this thing has I didn’t touch here including clock division, internal quantization, shuffle, stage skipping, presets and more. The Metropolis a really nice. It’s a true Moroder/EBM machine.
“We worked out an agreement with Ryk earlier this year to create an the only official Eurorack adaptation of his brilliant sequencer design. It has taken many months to procure all the special parts and the design has already gone through several hardware revisions.” – intellijel.com
For more info: intellijel.com
Here is more madness from Gieskes. You could say the Voicerec1b is sort of a toy Phonogene? Ok well maybe not but someone out there is collecting all of Gieskes work for what will be an interesting live performance I am certain.
“On the start of a recording there is a beep sound.” – gieskes.nl
For more info: gieskes.nl/eurorack/?file=voice-rec-1
I really liked Arturia’s Minibrute a lot. I think it has a unique character. The new Microbrute is even more compelling. It’s smaller so it will fit on my desk and easier to take around. It has an interesting Mod Matrix that allows some Eurorack connection goodness. It has a cool sequencer that’s syncable with my Eurorack stuff. The price is great: $300.
“Packed with mixable waveforms, a new sub oscillator design, the famous Steiner-Parker multimode filter, super fast envelope, syncable LFO and the new step sequencer, not to mention the patchable mod matrix the MicroBrute is a landmark new synth at an incredible price.” – Arturia.com
For more info: arturia.com/evolution/en/products/microbrute
I’ve been diving deeper and deeper into my modular learning how to use the modules with each other. Daren from Control helped me with the patch above. With this patch I have an 8 step sequencer with two rows running. The first row is controlling the pitch of an oscillator and the second a filter cut off and resonance. You will need to use some multiples or Tiptop stackables to make this work. Holding a touch key on the Pressure Points holds the sequences on that step. Adjusting the ADSR’s release really effects the sound. Try adding a sine wave LFO into the ADSR’s Sustain CV control (if your ADSR has one) for some random spikes in the filter opening. Instead of clocking the Pressure Points with a straight clock use something like a uStep and send a few steps a break and then a few more steps for interesting patterns. Lastly try a VCA on the third Pressure Points row for volume control of each step. Enjoy!
“Pressure Points is a controller module, an analog sequencer that is played by hand. Touching the gold plated copper wires (aka Touch Plates), you become part of the circuit, generating a gate signal (Gate OUT), a control signal proportional to the amount of pressure applied (Press OUT) and the 3 Tuned Voltages for the activated Stage.” – Make Noise
For more info: makenoisemusic.com/pressurepoints
So you don’t own a modular but you want to play with one? Check out a web based modular called TrueGrid. Pretty cool huh?
EDIT: Some people let me know this only works in Google Chrome.
“TrueGrid is a fully functional modular web synthesizer which let’s you create, listen and share modular synth patches.” – modulargrid.net
Play now: modulargrid.net/racks/synth
Like many other electronic musicians lately I have been obsessed with my Eurorack modular. A few modules I own really stand out. Three of my favorites are from a company called Synthesis Technology. Synth-tech as people call them is Paul T. Schreiber. If you look at his resume you will see he is an experienced audio engineer. You can hear his expertise in his modules. Enjoy a one hour Wire to the Ear interview with Paul as we discuss Chris Randall, MOTM, an $18,000 home stereo, the end of Blackberry, Tandy Radio Shack, the power of digital, patents and stealing designs, Eurorack power issues, the upcoming E370 Quad Morphing VCO/E371, E102 Digital CV Processor/Quad Temporal Shifter and what would Paul eat as his death row meal.
“So a lot of people grew up drooling in music stores. I drooled in the stereo store and I wanted to have this stereo system that cost $18,000. So I told my wife…” – Paul T Schreiber
For more info: synthtech.com facebook.com/ptschreiber, ctrl-mod.com/synthtech and analoguehaven.com/synthesistechnology
Audio Damage has jumped into the hardware game with 3 Eurorack modules. DubJr, Grainshift and Errorbox are 8HP, $179 each and available now. I love and use AD plug-ins all the time so I am very interested in trying these out.
“during the week of Audio Damage’s tenth anniversary, we have succeeded in releasing a hardware platform for our DSP effects, and are ludicrously proud to unveil the first three Audio Damage hardware products: DubJr, Grainshift, and Errorbox.” – Chris Randall
For more info: audiodamage.com/hardware
Intellijel are one of the most prolific Eurorack modular makers. I personally own a uStep, uVCA and Triatt. I want to add a Planar and their upcoming Metropolis sequencer to my collection.
“Creators of electronic musical instruments and modular synthesizers.” – facebook.com/Intellijel
For more info: intellijel.com
I am really in love with my Flame Tame Machine module and the almost available Flame Arpeggiator 2013 looks incredible. Sean at Analogue Haven says he just got them in and as soon as he prices them they will be for sale on his website.
“The module is a two-channel arpeggiator with seperatly analoge outputs for notes and two optional movable outputs for the sequence clock and the velocity. Both arpeggio tracks (referred to as “ARP” and “BASS”) plays notes also via MIDI-out (different MIDI-channels 1 and 2). The first four notes of the ARP track notebuffer forms the chord. The chord analoge outputs are the CV-outputs 1-4 (notes 1-4). The MIDI-channel of the transmitted chord is channel 3. Use the module-keyboard for setting the chord/scale notes. The one octave of the module-keyboard can move over four octaves (KEYZONE). It’s possible to load preset chords/scales and user defined chords/scales (organized respectively 16 user patches U01..U16). The arpeggiator mode included 9 arpeggio play modes with additional different running directions (up, down, updown, downup) and different variations of noterepeats. You can control functions (as well as Arpeggio-Mode, Noterepeat, Octave-Range, Sequence-Pattern, Transpose ore others) via CV-inputs. Two CV-inputs (USER-1 and USER-2) can be set with individual functions.” – flame.fortschritt-musik.de
For more info: flame.fortschritt-musik.de