Side-Line has posted an interesting story (link). As you can see in the above screenshot Depeche Mode has posted on their official Facebook page a photo of Alan Wilder sitting in front of The Policy of Truth video. The text reads, “Never again is what you swore”. Fans are interpreting this as a possible return of Alan to the band. Honestly as such a lover of DM I really would love to see that. Pair that with Martin’s new obsession with Eurorack synth modules and some ingredients are in the pot that could produce a real DM album again! Let’s hope!
“Following the departure of Vince Clarke, Depeche Mode placed an advertisement in the music magazine Melody Maker: “Keyboard player needed for established band – no timewasters.” Even though the ad was looking for someone under 21 (Wilder was 22) he lied about his age to get the job, and got away with it. He joined Depeche Mode in January 1982, initially as a tour keyboardist, and soon thereafter as a full member of the recording band… On 1 June 1995 (his 36th birthday), Alan announced his departure from Depeche Mode: “Due to increasing dissatisfaction with the internal relations and working practices of the group, it is with some sadness that I have decided to part company from Depeche Mode. My decision to leave the group was not an easy one particularly as our last few albums were an indication of the full potential that Depeche Mode was realising.” – Wikpedia
My favorite eCard! I recently purchased an Electro Harmonix Crash Drum which you hear in the intro of Soft Cell’s Tainted Love.
“The band’s record label chose to release “Tainted Love” on July 7, 1981 as Soft Cell’s second single (their first was “Memorabilia”, which did not chart). The label implied that this single would be Soft Cell’s final release if the single did not sell.” – Wikipedia
This is a great video of Depeche Mode and The Cure from 1986. Watch Martin Gore playing Strangelove on his Guitar before Music for the Masses was released. Alan Wilder & Martin loading the song Nothing into an ancient computer by floppy disk and much more. In my opinion this captures DM at their very best moment in history right before their greatest album was released. Many will argue this was The Cure’s greatest period too and watching them work out the song Just Like Heaven is well heavenly.
“These are the songs. The songs are on here (floppy disk).” – Martin Gore
A few months ago DJ Shred (Lisa) invited me to a Depeche Mode party called Home. It’s a regular thing they do at the Sullivan room in Manhattan. It’s been a while since I did a proper flashback night out so last night I was there. I invited Chris Hardwick who was also in the Depeche Mode 101 movie to join and he did. To my surprise the place was fairly packed. As programmed I danced to every song that came out before “Songs of Faith & Devotion” and shunned and complained whenever they played anything newer (which thankfully was not too often). It was nice to be around real DM fans as I still am a superfan myself. The photos above: The flyer for the event, DJ Shred, Miro & Chris Hardwick, DM fans at the Sullivan Room and my mohawked self (Oliver Chesler), Mia Demarco and Chris Hardwick hanging out with Andy Fletcher at the Rosebowl California 1988.
“We are happy to invite you to our next Depeche Mode party back home at Sullivan Room on Friday June 15th. Starting at 10pm with an hour long special video presentation by VJ Johnny_Blitz concentrating more on the ballads of Depeche Mode and featuring the rarely played, down tempo & classic DM music videos and live concert performances, aesthetically altered especially for this event. Following the presentation, DJ Shred and DJ Shunt spin Depeche Mode tracks spiced up with New Wave and Synthpop hits all through the night.” – Depeche Mode Fanclub New York
Here are two nicely collectible pieces on eBay right now. A Front 242 flag used on stage during the Official Version tour and a Depeche Mode Music for the Masses T-Shirt (I own that shirt and wore it to death). I don’t have a wall for the flag and I won’t wear white and bright orange so unless I win the lottery and build a new wave/EBM museum collecting the photos of this stuff will be enough for today. Still… I almost clicked bid on both! Official Version and Music for the Masses are both in my top 10 albums of all time.
“Rare and hard to find backdrop / flag used on stage during the Official Version tour 1987. Size 138 x 94 cm (55″ x 37,5″ inches) These flags was sold through Front 242′s fanclub after the tour. Only a few copies made. Comes in a black Official Version plastic sleeve. (The live pictures are taken from the Gothenburg / Sweden concert in 1987.)”
Here are two versions of Depeche Mode’s Here is the House. Both are very different than the album version. The demo version shows how simply they start the writing process. The lyrics are also different as in the demo he says “Colors and Shapes Merge Together” instead of “Body and Soul”. Both these versions let you hear the amazing guitar line after the the 1st verse. When the fans clap to the guitar in the live version it always brings me to tears. There are people like us.
“So we stay at home and I’m by your side and you know what’s going on inside. Inside my heart. Inside this house. And I just want to let it out for you.” – Martin L. Gore
I have large boxes of music memorabilia going back to the early 80s. I have all the backstage passes and anything else I could grab from my time on the Depeche Mode 101 tour. Boxes of obscur fanzines featuring anything I could find on EBM acts. Huge boxes of flyers some going back as far as the “IT” club (above the World on Houston St…. remember that?). It’s impossible to get it all into digital form in one sitting so as I slowly get to it I will share it with you here.
“A souvenir (from French, for a remembrance or memory), memento, keepsake or token of remembrance is an object a person acquires for the memories the owner associates with it.” – Wikipedia
“There’ll be times When my crimes Will seem almost unforgivable I give in to sin Because you have to make this life liveable But when you think I’ve had enoughFrom your sea of love I’ll take more than another riverfull And I’ll make it all worthwhile I’ll make your heart smile Strangelove Strange highs and strange lows Strangelove That’s how my love goes Strangelove Will you give it to me Will you take the pain I will give to you Again and again And will you return it”. – Martin Gore
“[About the song Shake the Disease...] Band member Alan Wilder felt this song captured the essence of the band, stating “there’s a certain edge to what we do that can make people think twice about things. If we’ve got a choice between calling a song “Understanding” or “Shake the Disease”, we’ll call it “Shake the Disease”. There’s a lot of perversity and innuendo in our lyrics, but nothing direct.” – Wikipedia
Vince Clarke and Martin Gore’s collaboration into electronic dance music called VCMG is upon us with their first release Spock. I think it’s hard to jump genres and if your already famous for something it’s very difficult to get fans to accept your new art. I honestly was expecting to hate what they did but I’m pleasantly surprised. The original version of Spock is quite nice. It’s a well produced metallic analog sounding track with a modern arrangement. It’s worthy and has me hoping for more. Listen to samples of the songs: amazon.com/EP-1-Spock/dp/B0…
“Earlier this year, Gore had revealed that he and Clarke had reconciled and would be working on a new project together. “Out of the blue I got an e-mail from [Clarke] just saying, ‘I’m interested in making a techno album. Are you interested in collaborating?,’” he said. “He said, ‘No pressure, no deadlines,’ so I said, ‘OK,’ and that’s what I’ve been doing for the last six months.” – nme.com