Is Jay Greenburg the next Mozart? It doesn’t really matter it’s amazing how music flows from some in such a way. Jay mentions he can’t turn the music off in his head and hears multiple channels at a time. Let’s hope he doesn’t go insane.

“There is a composer studying at New York’s renowned Juilliard School who some say is the greatest talent to come along in 200 years…. “We are talking about a prodigy of the level of the greatest prodigies in history when it comes to composition,” says Sam Zyman, a composer. “I am talking about the likes of Mozart, and Mendelssohn, and Saint-Sans.” – 60 Minutes

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Beethoven Sonata No. 21 in C


Because so much of my day job is talk about money sometimes I need to wash my mind of it when I drive home. Tech podcasts don’t seem to do the job so I click on the NY classical music station WQXR. Yesterday as I drove I had a serious classical music moment. There was no traffic, the sun was setting and Beethoven’s Sonata No. 21 in C came on. I’m not an expert in classical music. The only reason I knew what piece was playing is because the host said it was about to play. Something clicked while I drove because the Sonata hit me like a ton of bricks. I mean mind changing great. There clearly is a central theme say a little melody that is continually returned to albeit in hundreds of different and all pretty ways. Later I was speaking to my friend Gabri who is a pianist. He told me. “Everything Beethoven did after Sonata 11 he created deaf.”. I wish I knew which version I heard on QXR that day. So my question… does anyone else know No. 21 in C and feel the same way?

“The Piano Sonata No. 21 in C major, Op.53, also known as the Waldstein, is considered to be one of Beethoven’s greatest piano sonatas, as well as one of the three particularly notable sonatas of his middle period (the other two being the Appassionata sonata, Opus 57, and Les Adieux, Opus 81a). The sonata was completed in the summer of 1804. The work has a scope that surpasses Beethoven’s previous piano sonatas, and notably is one of his most technically challenging compositions. It is a key work early in his ‘Heroic’ decade (1803-1812) and set the stage for piano compositions in the grand manner both in Beethoven’s later work and all future composers.” –

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photo credit: fotograf1v2