Running through a fierce sandstorm in the middle of some futuristic war. Lighting flashes and laser beams blast around you. That’s what I see when I hear The Klinik’s Nautilus. Total masterpiece!
“Pioneer Belgian EBM/Industrial band. Consisted of Marc Verhaegen and Dirk Ivens, original line-up also included Erik Van Wonterghem.” – Discogs
For more info: wikipedia.org/wiki/Klinik
This entry was written by music and tagged Belgium, EBM, electronic body music, The Klinik. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Belgians Walter Verdin, Hilde van Roy and Dett Peyskens released this song Wavin in 1983. Search Pas De Deux as they have some other interesting songs.
“Pas De Deux represented Belgium for the 1983 edition of the Eurovision Song Contest. The mainstream audience did not understand this unconventional song (a simple tune and just one line of text: ‘Rendez-vous. Maar de maat is vol, en mijn kop is toe’). The band ended third from last. Nonetheless ‘Rendez-Vous’ became a big summer hit in Belgium that year. Pas De Deux released one mini-album and a couple of singles.” – discogs.com
For more info: discogs.com/artist/Pas+De+Deux
Jean-Luc De Meyer singing the 1982 Front 242 song Kampfbereit in his side project Underviewer. He’s been singing this song for 30 years and it’s great every time.
“And the wind makes the sand fly. Hand Grenades. Ready for battle.” – Jean Luc De Meyer
For more info: discogs.com/artist/Under+Viewer
This entry was written by music and tagged 1982, Belgium, EBM, electronic body music, Front 242, Jean-Luc De Meyer, Kampfbereit, war. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
The Belgian electronic body music group Front 242 is one of my all time favorite bands. Anything before the album Tyranny for You was incredibly original and creative. Like many great bands that continue to make music there is a cut off where things changed. The early albums which focused on Jean-Luc De Meyer vocals and military aesthetics had me fully hooked. Anything after that time period I simply can’t listen to. The canon of “good stuff” they recorded is large so I’m really not complaining. In the late 80s I collected every piece of 242 music and memorabilia I could find. Back then there was no eBay so Manhattan record stores were the hunting ground. The most rare thing I own is a Front by Front DAT Cassette. Every few months I still check eBay to see what 242 stuff is there. Once I saw the arm bands then someone bought them and I never saw them for sale again. Some friends (Pet Duo) of mine went to see them live in Berlin last night so I decided to look around online for old 242 stuff. Amazingly I found a blog called Front 242 Collector that has great photos of the arm bands and all sorts of finds.
“this is without a doubt one of the most collectible and hardest to come by Front 242 items: the Front 242 armband! Back in the day, before Transmission 242 there was the 242 Propaganda Unit. This was one of the “Propaganda Supports.” You can see 242 sporting this armband on the Official Warfare Tour and in videos. The armband was offered for sale in the Propaganda Unit catalogue (I will post this someday as well). The cost for the 242 Armband was 50 BF in Belgium, 70 BF in Europe, and 100 BF in other countries (+ postage). Today, when they do come up for sale, expect to pay upwards of $200-$250 at times! The armband is made of leather with beautiful “242″ stitching and attaches to the arm with velcro. The Propaganda Unit logo is stamped inside and I believe they were numbered? This example happens to be #63.” – target242
For more info: target242.blogspot.com
This entry was written by music and tagged Belgium, EBM, electronic body music, Front 242, Jean-Luc De Meyer, Richard 23. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I bought the 12″ vinyl of Tragic Error’s Tanzen in 1989 from Vinyilmania on Carmine Street. This was the precursor to the techno onlsaught that was about to happen. While it may seem really silly to some we took this track very seriously. Patrick DeMeyer went on to create some monster hits has T99 and Technotronic. The other single he released that year Klatsche In Die Hände was also killer.
“Patrick DeMeyer is a Belgian songwriter, composer and producer who has written and performed with several successful elecronica acts, most notably Technotronic, T99, Daisy Dee and 2 Unlimited. Also known under the aliases Thomas De Meyer, The Beat Machine, Black Kiss, Fatal Error, G-Force, Go!, Tecno-Rockers, Tragic Error He is also considered a pioneer of early techno and electronica due to his involvement with several ground breaking acts including Technotronic and 2 Unlimited in the late eighties, and early nineties.” – wikipedia.org/Patrick_DeMeyer
For more info: discogs.com/Tragic-Error-Tanzen
This entry was written by music and tagged Belgium, New Beat, Patrick DeMeyer, Tanzen, Tragic Error. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I am finally free of all obligations other than to finish my next album. It’s a good feeling especially because these last two remixes had me pulling my hair out. Satronica’s remix for a song called Shout will end up on Lenny Dee’s Industrial Strength Records. Originally he sent me a song called Revenge Plan but after remixing it twice and still not being happy with the end result I told him to send me something different. This brings up a point: Trash the stuff that you do that’s not great! There is a mountain of average crap out there. I spent a week remixing Revenge Plan and I put those files in my trash and emptied it twice! If I don’t love the remix I’m not going to torture the rest of you with it.
For the song “Shout” Matt (Satronica) only sent me vocals. The biggest nicety in this remix is the automated TC Powercore Chorus/Delay plug-in on his voice. As you can see in the faded orange circle above I spent a good amount of time tweaking the envelope breakpoints to catch certain syllables he was screaming and have them shoot off motion wise in different ways. When the Chorus is tight is has a modern Hip Hop vocal sound. I also like what I was able to to at the breaks using Effectix. Using only the Loop parameter I was able to make it seem like the song is slowing down and breaking up. What else? Ah yes, I like the 80s tom fills but those are standard in almost any song I do these days. Take a listen:
I decided to have my Italian pianist friend Gabri help me with my remix for Belgian band Implant. Their song “We Are Noise” was a simple but effective electro verse chorus type of diddy. I wanted to make it a bit darker so Gabri took their somewhat simple melodies and expanded them using several tracks and different synths. Gabri always picked his favorite VST ReFX Vanguard (Gabri is also a trance producer :)).
After Gabri left Berlin I spent a good amount of time taking each new synth line and dumping tons of effects on them. With today’s CPU power I like to add one 4-5 things to each channel and just let me ears pick out the tasty colors. For example I added Izotope’s Trash and Fabfilter’s Volcano 2 to several of the synth lines. A great thing about Volcano is it’s ability to generate internal feedback. You can hear it rolling along semi-randomly in several sections. The drums are from my new and beloved Vermona DRM-1 MKIII. Lastly, I used Simpler quite a bit on the some vocal parts automating the start and loop times. Take a listen:
Thanks as always for taking a listen. I wish I could put the full songs up here but I don’t have the rights. Now it’s time for my own tunes!
This entry was written by Ableton Live, plug-ins, song writing and tagged Ableton Live, automation, Belgium, EBM, Implant, remix, Satronica, The Horrorist, Things to Come Records. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.