I was having some music fun on my iPhone and I put together a quick Acid track. I recorded three apps into Ableton Live. There really is something to be said for bringing in audio from the outside world, even if it’s from another computer. I like the slight noise and live interaction the iPhone apps forced. The combined price of all the applications I used here was $11.97. Imagine what a Roland TB-303, Roland TR-808, Akai S950 and Sequential Circuits Prophet 5 would have cost you 15 years ago?
Take a listen:
That took about 15 minutes to put together and it was true fun. So what applications did I use to create this?
The Roland TR-808 and TB-303 appear in my tune courtesy of Audiorealism’s fantastic new iPhone app simply called technoBox. You could compare it to Propellerhead’s now long gone Re-Birth. Here’s a hint: when in TB-303 mode hit Shift-Gate for a random pattern!
My vocal stuttering away saying, “Yeah. Yeah. Make the music baby!” was recorded and played back by a super fun and simple application called Tapestri. You record some vocals and touch the waveform to play at whatever point.
The synth effects in my Acid track come from Pure Profit’s Andriod FX. They also make BtBx but I think they hit a more useful mark with this nice application. You drag on the screen to make pitch and noises. There is a full info screen where you can tweak this little synth’s sound until your pleased.
All three of these apps make me super happy. If your a electronic musician go grab them: Aciiiiid!
The next release on my record label is by French DJ and producer Stamba. I am remixing one of the songs called Deviation. All the tracks on the release are what you would call darkwave, ebm, techno. Don’t you love all these sub-genres? Take a listen:
I recreated his original song in Ableton Live, keeping his vocals but using all my own sounds. Some of the gear and plug-ins used include a Jomox Mbase-01, Vermona DRM1 MKIII, Audiorealism Bassline, Korg Legacy, PSP Nitro, Fabfilter Volcano 2, assorted TC Powercore dynamics and Sugar Bytes Effectrix.
We have released the remix samples under a Creative Commons Attribution-Noncommercial 3.0 Unported License. If you want to grab the samples for your own fun head to the discography page for this release at Things to Come Records:
The full release will be available on August 4, 2008.
I really like all of AudioRealism’s plug-ins. They sound really good and have features like randomize which I covet. I gave an artist endorsement to the original ABL and I am happy to see they have updated this excellent Roland TB-303 clone. If your doing any kind of modern music the swing parameter is really import (ex. minimal techno). I recently did a post about swing you can check out here: Global Groove and Swing parameters in Ableton Live. So what else did that add? Take a look:
Since 2003 ABL has established its sound as the industry standard. In 2007 ABL2 achieves important improvements in several key areas. Amongst new features the most important thing is the sound: The bass is improved for less muddiness. The filter has been improved to incorporate subtile nonlinear effects for additional squelch. The distortion unit has been improved with less aliasing. The controls have been calibrated to better match the response of the original. Moreover several new features are present: The new pattern analyzer which can be used to edit patterns and will even detect patterns from audio files. – audiorealism.se
It’s 95 Euro, Upgrade your old one for 25 Euro. VST 2.4 for PC, Audio Units and VST for Mac OS X.
I just released a new EP on my label called Diagnosis Terminal with Miro Pajic. One of the songs “IO” has a heavy swing to it. It’s a very easy two step process to implement Swing in Ableton Live. Swing is of course popular in Jazz and is one of the main stylistic points in modern “Minimal” techno.
To hear it work let’s create a test clip. I put and instance of Impulse with a Roland TR-808 kit on a track. I double clicked an empty Clip Slot to create an empty Clip. Then in the Midi Note Editor I laid down a 4/4 kick, Snare on the 2 and 4 and a 16th note closed Hi Hat.
On the top left side of the Ableton interface, to the left of the metronome “dots” you will see a number 0. That number represents the Global Groove Control parameter. Click and drag that number upwards to about 55.
Lastly, back down to the the Clip View and under the Groove drop down menu choose “Swing 16″ which matches the 16th closed Hi Hats you have placed in your clip. Now listen to the loop with the Groove Control parameter at 0 and then at 55:
If your working with a pattern that is mostly 8th notes set the Swing to “Swing 8″. This is the classic rock swing preset you hear on vintage drum machines.
Be sure to check out the swing parameters in plug-ins like D16′s Nepheton or Audiorealism‘s ADM as they both Swing in a awesome aggressive nature. For MPC timings and unique Groove Control patterns try out Propellerhead’s Reason 4 ReGroove Mixer.
Do you like to swing?
I’m not going to talk too much about my own music on this blog. People can find plenty about me all over the internet under The Horrorist. But news like this is fun to share so here you have it.
The song is called 13 Dobermans and it has remixes by The Advent, Die Krupps, Felix Krocher and Gabriel Palomo. It’s released on a big German alternative/goth label called Out of Line Music.
The song was recorded completely “in the box”. Some of the plug-ins included Audiorealism’s Bassline Pro, D-16 Nepheton, Izotope Ozone and Wavearts Power Suite.
I’ve said it before: I love drum machines. Hardware or software it makes no difference they all are great! Making some super noises that are heard all around the world from Uppsala, Sweden is Mike Janney and his company Audiorealism. I was a fan of their first two products the ABL (303 emulation) and ABL Pro (Roland sounding modular) so much so I endorsed the ABL. I was seriously pleased to hear Mike’s new project was a drum machine and it’s been out for a while so I thought I’d share a useful “tip”.
This is not really a tip as it’s in the manual but I think it’s important to remind people to feature dive into any software they own. This feature is implemented in a non-standard way so just by clicking around you may not figure it out. The ADM comes with some nice Roland TR-606/808/909 samples built into it but let’s add our own…
First, get a folder together of samples. I downloaded some free Oberheim DMX eprom sounds found at Electrongate.com. Next you need to put the folder here:
Macintosh -> Library -> Application Support -> Audiorealism -> ADM -> Samples
Open your DAW and ADM and click the on screen power button (top right of ADM) to bring a drop down menu up and select “Enable Sample Selection”. Now when you click the small blue led screens for each drum slot a menu will drop down and you can choose your new folder and individual drum sound!
But why go though all the trouble to bring your sounds into ADM when there probably are easier ways within your DAW to play drum hits? ADM’s internal sequencer allows for the strongest swing I have heard yet. You can also click and hold the Pattern button to access a menu that allows you to randomize patterns. Lastly, ADM has some wicked FX and filter mangling toys to further shape your beats.