I use Ableton’s Autopan often. Mostly I use it when recording old analog synths that don’t have MIDI. I use it as a 1/8th or 1/16th note chopper to keep things in line. You can hear it at work on the bassline in my song Sex Machine (above). Of course there’s more the little Autopan can do as the Liveschool video points out. Here’s another tip… Audiodamage’s Panstation plug-in which is based on the Drawmer M500 gives you a different, more classic, wider effect than Autopan.
“Ableton Autopan device – multiple ways you can use it in your music.” – Ableton Liveschool
Audiodamage has released Kominat DVA. I recorded about 45 of the presets over a Roland TR-808 loop. The first 4 bars is the 808 dry. If you listen through the presets you can hear some of them are very musical and useful. $49 USD.
“From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Dva, the long-awaited sequel to our popular Kombinat plug-in, is a complete toolbox of sonic warfare. With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Dva is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box.” – audiodamage.com
Chris Randall and Co. have released there new plug-in Axon. I’m going to buy it this week for sure. Let me know if you get it what do you think. $59 all formats.
“Our goal was to come up with a new style of percussion sequencer/synth that wasn’t linear and x0xy, and we succeeded beyond our wildest expectations… We’ll be the first to admit that Axon is an experimental tool, and isn’t for everybody, but if your interests lie in the abstract realm, and you want to take your rhythm and melody programming to strange new worlds, this might be just the thing.” – audiodamage.com
Chris Randall has released an updated version of his nice stereoizing delay, pitchshifter, modulator named Discord. This plug-in always reminds me of the effect Meat Beat Manifesto used on breakbeats on their early albums.
“The pitch-shifter consists of three separate algorithms: a “vintage” mode (the original Discord algorithm, modeled on the Eventide H910 and H949), a “clean” mode for more modern shifting sounds, and a “granular” mode for experimental effects. Each mode has its strengths, depending on the input material, and Discord3 has a broad palette of capabilities as a result. The P1 and P2 algorithms have full control over the buffer (window) size of the shift effect, for fine tuning the shift to the input signal, or for stranger sound effects. At the extremes of the six-octave shift range, some truly strange aliasing and artifacts can be had with this control. Now, to be clear, if you’re looking for a nice, clean diatonic pitch shifter for fine surgery and re-pitching the full program, you need to look elsewhere. Discord3 is a tool for sound design, barberpole shifting delays, and special effects; think Eno, Visconti, Bowie, or Dirty Mind-era Prince and you’ll be on the right track.” – audiodamage.com