The original Fairlight CMI is heading to the iPad soon. In the past I’ve mentioned the great sounds which are definitely associated with the 1980s the CMI produces. My first sampler, a Roland S-50 had a very nice set heavily inspired by the CMI. You can read that blog post which also talks about my father buying me the S-50 here: My father and my Roland S-50 sampler. You can also get a faithfully recreated CMI Reason Refill from PowerFX. If you’re unsure of the type of sounds I am talking about the best example is the song Close to the Edit from Art of Noise (video above). Lastly, if you don’t actually want to make some noise but still want some black and green screen nostalgia there are some nice Fairlight CMI iPad cases, T-Shirts, coffee mugs and more on Cafepress: cafepress.com/fairlight. The iPad CMI should be in the App store soon with a price of 50 Australian dollars.
“In early 1983, two of Trevor Horn’s production team, programmer JJ Jeczalik and engineer Gary Langan were working on a scrapped drum riff from a session from Yes’s 90125. They sampled it into a Fairlight CMI, using the then new Page R sequencer. This was the first time an entire drum pattern had been sampled into the machine. They then added non-musical sounds on top of it, before playing the track to producer Trevor Horn… The technological impetus for the Art of Noise was the advent of the Fairlight CMI sampler, an electronic musical instrument invented in Australia that Horn was reportedly among the first to purchase.” – Wikipedia (Art of Noise)
For more info: http://au.fairlight.com.au
This entry was written by hardware, iPad, synthesizer and tagged Art of Noise, Close to the Edit, CMI130A, Fairlight, Fairlight CMI, iPad, sampler, sequencer, synthesizer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.