For more info: vestax.com/en/products/vcm600
Related post: Vestax VCM600 is a Ableton Specific Controller
This entry was written by Ableton Live, hardware and tagged ableton, Ableton Live, Akai APC40, controller, Tom Cosm, VCM600, Vestax, Vestax VCM600. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
This video has been making the rounds this week. The new Akai APC40 Ableton Controller definitely seems to be the one to go to for controlling Live at the moment. If nothing else it sure looks pretty!
Are you going to get one of these?
This entry was written by Ableton Live, hardware and tagged ableton, Ableton Live, Akai, Akai APC40, controller. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Ableton Live 8. My passion Ableton Live has reached number 8. Once again the Berlin coding masters give us new features that fit nicely into the Live interface and workflow. So what’s new? Add grooves to clips using the new Groove Engine. Adjust grooves in the new Groove pool. Extract grooves from existing clips with simple drag & drop. Enhanced warp modes and a new warp engine that auto-assignes handles to transients. A new plug-in called Looper: Create endless layers of loops in a live performance jam with auto tempo recognition. Five new effects: Vocoder, Multiband Dynamics, Overdrive, Frequency Shifter, Limiter. Workflow enhancements: Crossfades, Enhanced Midi Editor, Collapsable and easy to create Group Tracks, Multi Parameter Manipulation (adjust several volume faders at once, etc.. (yay!)), Screen Magnifier, Audio & Midi Browser Previews now have a waveform display and scrubbing. Share: Built into Live 8 is a new way to share and collaborate over the internet. A new option in Live’s file menu called Share Live Set will send your song to Ableton’s servers. The song gets it’s own webpage and link. You can set the privacy settings. Songs files can be shared anywhere such as MySpace or Facebook. Suite 8 also got an upgrade: All new Library, new version of Ableton’s FM Synth Operator, Collision a creative percusion synth that uses physical modeling. link
Max for Live. Full integration with Cycling 74′s Max. Create your own audio and midi effects inside the LIve interface. Building and editing of new effects and instruments takes place in real time. Check out the video on the Ableton website of the step sequencer created with Max for Live. I can’t wait to see what people come up with! Luckily there are built in tutorials. link
Akai APC40 Ableton Live Controller. An official hardware controller for Ableton Live from Akai. Clip launch section with buttons that change color to show if a clip is playing or not. Dedicated clip stop and stop all buttons. Dedicated scene launch buttons. Multiple banks and bank selection methods help you quickly and intuitively jump around a large session view. Mixer section with faders, mute, solo buttons, cue and arm track buttons. A track control section of 8 knobs for pans and sends. Tap tempo and sync buttons to match external turntables or devices. Assignable Crossfader. Transport and record controls for studio work. Make this an extension of your arm and your live show will be a lot better. link
Waldorf Largo. I’m going to quote the Waldorf press release on this one because it says it all, “Many producers and synthesizer enthusiasts asked for a full-blown Waldorf Synthesizer for their virtual rack. We listened, and now we proudly present Largo. Largo mirrors the technology used in Blofeld and Q hardware synthesizers.” If it has the sound of the Q it’s a great win. link
Native Instruments Maschine. A controller built by Berlin’s NI with a companion software instrument perfectly matched to it. It can run stand alone or in your DAW. Maschine can also be a standard midi controller. link
Motu BPM. Don’t let the Groovebox look fool you because the new BPM from MOTU is purely software. 15 gigs of sounds, multi-effects including convolution reverb, Step and Note Sequencers an internal mixer and more. I bet some producers will make their full songs all in this software. Could it gain a cult following? Just like Propellerheads Reason I can see this on my laptop for an alternative view every now and then. AU, MAS, TRAS, VST, MAC/PC, in your DAW or Stand Alone. link
Roland AX-Synth. Finally, the return of the “Keytar” from Roland. You get keys, you get a Ribbon, D-Beam and modulation bar. The new AX-Synth also touts 6 hour battery life and MIDI over USB. I like it but why isn’t this wireless? link
All the above I want in my possession. Some other interesting things that peaked my interest at this year’s NAMM included the Celemony’s Melodyne Editor with DNA, Arturia’s Minimoog V 2.0 and the Moog Etherwave Plus Controller Theremin. Some of you maybe happy about Cubase 5, Novation Automap 3 and the newest Virus TI synth? The weekend is just getting started so I will update this post when I find more goodies that peak my interest. What’s getting your goat going?
This entry was written by Ableton Live, hardware and tagged ableton, Ableton Live, Ableton Live 8, Akai APC40, AX-Synth, Max for Live, MOTU, Motu BPM, NAMM, native instruments, Native Instruments Maschine, roland, Waldorf, Waldorf Largo. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.