Ableton today announced Live 9 and there new integrated hardware controller Push. There are many new features. The only piece of software I look at more is an internet browser. I’ve loved Live since version 4 and these new features have me pleased. 9 has Record Automation into Clips, a new Browser, Glue Compressor, Convolution Reverb, Melody and Drums to Midi Feature (oh yes!!), Automation Curves and more. Push also looks great. Designed with Akai. I hope they release it soon. The new Ableton website and logo is very nice too.
“Introducing Live 9 and Push” – Ableton
For more info: ableton.com
Hanging in my studio today with my Eurorack and Ableton. Tiptop Audio 808 modules, Moog Slim Phatty, Wiard Oscillator into Toppobrillo Multifilter, Ensoniq ESQ-1 choir sound (off camera). Ableton Live Session View switching from Verse to Chorus. Make Noise Echophon at the end.
“Synthpop (also known as electropop, or technopop) is a genre of popular music that first became prominent in the 1980s, in which the synthesizer is the dominant musical instrument.” – Wikipedia
For more info: thehorrorist.com
This entry was written by Ableton Live, modular, synthesizer and tagged ableton, Eurorack, synthpop. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I was amazed this week to discover there is a useful keyboard shortcut that I didn’t already know about in Ableton Live. Check the video above on how to quickly jump octaves in Ableton Live.
“Thavius shows how to quickly transpose and shift octaves by simply holding Shift + Arrow Up (to go up an octave) or Shift + Arrow Down (to go down an octave).” – dubspot.com
This entry was written by Ableton Live and tagged ableton, Ableton Live, Dubspot, octave. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Today I thought I would give you a quick look at some of my workflow. Here’s how I often start creating an EBM (Electronic Body Music) style track. I’ve started a Eurorack modular system and you can see my first two pieces in action here. I have recorded a 5V Pulse into Ableton from the Korg SyncKontrol iOS app. I loaded the click into Simpler and use MIDI to create a pattern. In this example it’s a straight 16th note. I use Ableton Live to route the 5V click out of my Motu 828 MKIII into a Doepfer Dark Time analog sequencer. The Dark Time is not in sync with my Ableton MIDI set up. The Dark Time controls an Analog Solutions Telemark (SEM clone). 8 steps of CV variation and CV filter variation loop the bassline. I also have the Dark Time send a clock out to a Korg Monotribe. On the Monotribe I have muted the drums and just have it playing some lazer zap type sounds typically where you would find a snare drum. Using MIDI I have a Vermona DRM1 MKIII playing a kick and snare. The Monotribe’s clock out goes into an Intellijel uStep which sends a 16th note clock to a Make Noise Echophone. I have a MFB-522 drum machine in sync with Ableton via MIDI playing a clap. This clap is sent into the Echophon where it’s delay shimmers in 16 synced steps because of the uStep control. I can play with the Echophon’s pitch knob for a wicked nice analog clap delay effect. Is it worth all this effort? In my opinion yes. You can’t really get a sound like this without going analog. This part would make a good verse. Because I can pitch the bassline on a MIDI keyboard the next step is to make a Chorus, maybe change the Dark Time sequence length or patter slightly, add some pads from an Ensoniq ESQ-1 and add vocals. I hope you enjoyed the peek into a world where control is everything.
“CV/Gate (an abbreviation of Control Voltage/Gate) is an analog method of controlling synthesizers, drum machines and other similar equipment with external sequencers. The Control Voltage typically controls pitch and the Gate signal controls note on/off. This method was widely used in the epoch of analog modular synthesizers, beginning in the 1960s and up to the early 1980s. It was mostly superseded by the MIDI protocol, which is more feature-rich, easier to configure reliably, and more easily supports polyphony.” – wikipedia.org/wiki/Control_voltage
For more info: thehorrorist.com
This entry was written by effects, modular, synthesizer and tagged ableton, Ableton Live, Analog Solutions, Dark Time, Doepfer, drum machine, Echophone, Korg, Make Noise, MFB, Monotribe, synthesizer, Telemark, The Horrorist, Things to Come Records. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I’ve become internet friends with Brian “AfroDJmac”. In passing I mentioned a possible idea for one of his incredible free Ableton Live packs. Basically I love cassette tape hiss. I suggested that if he access to some old tapes I would certainly like a “pack of hiss”. Well a week later and viola Brian surprised me with this nice gift: Free Ableton Pack #60: Tape Hiss Vinyl Crackle! Watch the video above because this isn’t just some samples. Brian has spent time making things work properly and also added vinyl crackle. Eat that Slate Digital!
“An Ableton Live Instrument Rack that turns any synth you have into a synth that sounds like it came from tape or record!” – afrodjmac.com
Download the free pack now: afrodjmac.com/2012/07/19…
This entry was written by Ableton Live, plug-ins, sounds and tagged ableton, Ableton Live, free, tape, tape hiss. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Key Mapping in Ableton Live is very easy. However did you know you could use it to compare plug-in settings? Watch the video above and Berklee’s Loudon Stearns shows you how to do it at 3:30 in.
“This video includes step-by-step instruction on the keymapping process, setting up a default template with important key mappings, using keymappings to compare plug-in settings, working with keyboard MIDI input, the basics of MIDI mapping, and using MIDI mapping to record and perform single handedly.” – berkleemusic
For more info: youtube.com/berkleemusic
This entry was written by Ableton Live and tagged ableton, Berkley, Key Mapping, Loudon Stearns. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I’ve used this technique with drum racks for a while. It’s a great way to to get changing grooves that surprise people and are very dancey. You can download the rack in the video above: here.
In this tutorial Danny J Lewis shows you how to create a rack that emulates the mechanics behind the way the drum patterns switch in the recently released ‘Figure’ app.” – youtube.com/user/pointblankonline
For more info: ableton.com/blog
I sat on the fence for a long while before purchasing Max for Live. I now find it an indispensable tool in my arsenal. I’ve yet to try this new Supacut freebie but it looks tasty.
“Inspired by the classic beat effect plugins LiveCut and SupaTrigga, Ned Rush designed Suparcut for Max for Live. Suparcut’s parameters, including beat loops of various lengths and classic stretching and pitching effects, can either be sequenced or controlled by probability sliders.” – ableton.com
Get the free device: maxforlive.com/library/device.php?id=1001
This entry was written by Ableton Live and tagged ableton, Ableton Live, Max for Live, Supacut. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
There have been so many attempts at putting musicians in separate locations together. For various reason so far none has really taken hold. The video above shows that it does seem we are getting closer to that reality though.
“Here’s a quick demo of a how to record peer to peer using albeton as our software. We then use google+ and other google products to communicate, organize and essentially recreate the studio environment but from anywhere in the world. Welcome to the future friends, this is just the beginning.” – lucai
For more info: youtube.com/user/lucai
This entry was written by Ableton Live, live performance and tagged ableton, Ableton Live, Google, Google Plus. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Here’s another great tip from Dubstop’s Thavius Beck. I always knew you can remove a Session View Clip’s stop button. I thought it was a safety type of measure for those using Session View in a live scenario. Often when I record vocals I do different takes on a channel and they grow down vertically. To launch each take I click a Scene Clip (the right most column in Ableton Live’s Session View). In order to have my music going I have to copy my music loop down vertically too. Now with this tip in the video above all I have to do is kill the stop buttons on my music loop channel. Thanks for the time saver.
“He explains how by simply removing the stop buttons inside empty clip slots, you can launch clips and jump through scenes without having to interrupt your groove. This is something that is essential and practical putting a track in the Session View without committing it to the Arrange view.” – dubspot.com
For more info: dubspot.com