I was recently contacted by Michaelangelo Matos for Red Bull Music Academy. He wanted to interview me about the start of the NY techno scene in the early 90s. Sometimes in life you are at the right place at the right time and you get to take part in something new. Be sure to click the link below to read the full article.
“That was the mindset Chesler played to under his alias the Horrorist. “Somewhere around ’96, I started to really get an itch to return to new wave and industrial,” he says. “There are really good techno producers with a lot of skill. The only way for me to stand out was to use my own voice and tell my own story. I did my first drugs around that time, so I [wrote] stories about drugs.” Tales such as “Mission Ecstasy” – with its unforgettably blunt tag line, “Because I like fucking drugs” – and “One Night In NYC,” about an NYU student’s trip to the Limelight to pick up a guy who “fucks her all night” in her dorm room, were unsettling. Chesler shopped them to a number of labels. “Nobody wanted them,” he says with a laugh, “so I started my own label.” He called it, hopefully, Things To Come.” – redbullmusicacademy.com
Read the full article: redbullmusicacademy.com/new-york-techno
This entry was written by interviews, music and tagged 1990s, Adam X, Frankie Bones, John Selway, Oliver Chesler, Storm Rave, techno. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
A friend of mine asked if I would check out the Looking at Music 3.0 exhibit at MoMA (The Yoshiko and Akio Morita Media Gallery, second floor). As a New Yorker who lived and breathed music in the 80s and 90s I’m definitely going to get my nostalgia on.
“Looking at Music 3.0, the third in a series of exhibitions exploring the influence of music on contemporary art practices, focuses on New York in the 1980s and 1990s. In this dynamic period, imaginative forms of street art spread across the five boroughs, articulating the counter-culture tenor of the times. As the city transitioned from bankruptcy to solvency, graffiti, media, and performance artists took advantage of low rents and collaborated on ad hoc works shown in alternative spaces and underground clubs.” – moma.org
For more info: moma.org/visit/calendar/exhibitions/1147
This entry was written by music and tagged 1980's, 1990s, exhibit, Looking at Music, MoMA. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Today’s edition of Sunday Sounds is a playlist of early Rave tracks. I was deeply involved with this era so this playlist could be really long but for my own sanity I just picked 10 tracks. So go take some E, crack a few glo-sticks, find your most retarded clothes and press play.
“There’s a rainbow inside your mind!” – Praga Kahn
You want to make music like this? For gear I suggest an Akai S950, discs of breakbeat samples, Roland Juno-2, Roland TR-909, Roland TB-303.