There are tons of plug-ins and sample libraries but I always post updates when they come from UVI. Every time I use their Emulation II I come up with great sounding songs. Their new release is called Urban Suite. It’s actually 5 completely different plug-ins and a huge sample library. Beatshaper and Prime8 are drum machines. Beatshaper is a wide range of samples and Prime8 is a Roland TR-808 emulator. As with more really good modern sample libraries these are attached to interfaces that allow the samples to be manipulated and sequenced. Like using external hardware it’s fun to jump out of your DAWs traditional interface for sequencing now and then. Urban X is a layered sample playback and synth with effects. Even though I’m known to like synthpop I grew up and learned a lot about music through classic rap. So I am please to tell you Scratch Machine brings scratching and a scratch library into the DAW zone. This one plug-in alone would be worth it for many people. Finally there’s a multitrack looper called Beat Control for building full tracks. $199 available now.
“Urban Suite delivers 5 new instruments and a massive sample library tailored for contemporary music producers, perfect for hip hop, R&B, trap, glitch, beat, experimental and more… There’s no way to accurately reproduce the experience of scratching without a turntable but we’ve come pretty close with Scratch Machine. Grab a keyboard or pad controller, load up one of the classic sounds like ‘Fresh’ or even a Speak’n'Spell and let loose! All sounds were recorded directly from decks masterfully controlled by our resident turntablist and scratch artist DJ Quartz—over 10,000 samples in all.” – uvi.net
For more info: uvi.net/en/music-genres/urban-suite
This entry was written by November 11, 2013 at 12:23 pm, filed under plug-ins, sounds and tagged Scratching, tr-808, Urban Suite, UVI. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post. This post currently has 0 comments.
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Hexinverter has released his companion module to Jupiter Storm called Galilean Moons. It’s a dual EG and VCA with some tricks up it’s sleeve. It’s intended to create percussive sounds. Galilean Moons is 18HP, uses -65mA, is 30mm deep and costs $299.
“Galilean Moons is a dual amplitude transmutator. It transmutates the amplitude of incoming signals through the use of voltage controlled envelopes and VCAs. It is designed primarily to create voltage controlled percussive sounds when fed with a sound source (in particular, its sister module, Jupiter Storm), but can be used for all sorts of other tasks in your modular system as well as to generate typical synth sounds.” – hexinverter.net
For more info: hexinverter.net/galilean-moons
This entry was written by at 5:46 am, filed under modular, synthesizer and tagged Galilean Moons, Hexinverter. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post. This post currently has 0 comments.
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I was really happy to be able to get one of the first Intellijel Metropolis sequencers. I set up last night and got it working in my own way. In the video you can see I have it synced to Ableton Live and my Roland TR-707. The sound source is a Wiard Oscillator running through a Analogue Solutions aka Medic Modules Defibrillator which is a filter but also adds some wicked heft to any source. By changing the Pulse Count on the Metropolis you can get some amazing creative patterns. Changing the Gate Mode then emphasizes notes even further by holding the Pulse Count either in a solid unbreaking sound or repeating pulse. You can see me mess with those parameters in the video. Finally I control the entire sequence’s pitch using a Flame Tame Machine Quantizer’s CV out. There are many other features this thing has I didn’t touch here including clock division, internal quantization, shuffle, stage skipping, presets and more. The Metropolis a really nice. It’s a true Moroder/EBM machine.
“We worked out an agreement with Ryk earlier this year to create an the only official Eurorack adaptation of his brilliant sequencer design. It has taken many months to procure all the special parts and the design has already gone through several hardware revisions.” – intellijel.com
For more info: intellijel.com
This entry was written by November 5, 2013 at 8:29 am, filed under modular, synthesizer and tagged Eurorack, intellijel, Metropolis, modular, sequencer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post. This post currently has 0 comments.
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I grew up loving Lego. Now I’m really into modular synthesizers. Now Korg has released Little Bits. A little random module? A small speaker? The modules are held together by magnets? So fun.
“The new Synth Kit includes an assortment of 12 electronic Bits modules that instantly snap together with magnets to create circuits like those used in KORG’s famous analog synthesizers. Modules included in the Synth Kit are power, oscillator (x2), filter, envelope, delay, keyboard, micro sequencer, mix, split, random, and synth speaker.” – Korg
For more info: korgusa.com
This entry was written by November 4, 2013 at 1:28 pm, filed under Uncategorized and tagged Korg, Little Bits, modular, synthesizer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post. This post currently has 2 comments.
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Just because hardware monosynths and Eurorack modules are the rage doesn’t mean you shouldn’t still keep an eye on the plug-in space. There is still no faster way to knock out a remix or quick scratch track than on your laptop. One of the first plug-in synthesizers I fell in love with was the Linplug Albino. Linplug is about to release an all new synth called Spectral. You can see it’s a real Linplug with Peter’s modmatrix right in the center. Coming soon.
“Our new top of the line synthesizer, the LinPlug Spectral. 14 years of synthesizer building experience. If you are familiar with subtractive synthesis, you will feel right at home with the Spectral, because you can choose an oscillator waveform, choose a filter shape and go on from there. But Spectral delivers far more options than you would expect from the well sorted user interface. Both Oscillator Waveform and Filter Shape can be edited in depth. The unique audio engine is capable of delivering many sounds never heard before.” – linplug.com
For more info: linplug.com/spectral
This entry was written by November 1, 2013 at 7:01 am, filed under plug-ins and tagged Linplug, plug-in, Spectral, synthesizer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post. This post currently has 0 comments.
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I love the videos Trash_Audio posts of their synth road trips. I like the clip next clip editing style and they always look like they are having a ton of fun.
“Some synth spotting: Richard Devine’s Star Destroyer eurorack modular, EMS SYNTHI, NIN’s Alessandro Cortini’s DSI Prophet-12, Madrona Labs SoundPlane, KORG MS20 Mini, Octatrack, Buchla Music Easel & More.” – Matrixsynth
For more info: trashaudio.com
This entry was written by at 6:14 am, filed under modular, synthesizer, video and tagged Richard Devine, road trip, Tony Rolando, Trash_Audio. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post. This post currently has 0 comments.
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Here is more madness from Gieskes. You could say the Voicerec1b is sort of a toy Phonogene? Ok well maybe not but someone out there is collecting all of Gieskes work for what will be an interesting live performance I am certain.
“On the start of a recording there is a beep sound.” – gieskes.nl
For more info: gieskes.nl/eurorack/?file=voice-rec-1
This entry was written by at 4:46 am, filed under circuit bending, modular, synthesizer and tagged Eurorack, Gieskes, modular, sampler, Voicerec1b. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post. This post currently has 0 comments.
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I use Melodyne often on my own vocals. Sometimes I use it to correct pitch and other times for creative strange things. On my song I Stand with You (link) I sent my vocal to my friend Gabri Negro in Italy and he created a few harmonies of my own voice using Melodyne on specific words. He’s a classically trained musician and knew exactly where on the scale to place my “other” self. In the video above you can see Melodyne’s Random Deviation function which speeds up creating variations of original material.
“Simply copy the vocal track, insert slight deviations in pitch and timing, and place the tracks in the stereo image. And with the clever functions of Melodyne, you don’t have to move every note by hand.” – celemony
For more info: celemony.com
This entry was written by October 30, 2013 at 4:52 am, filed under plug-ins, song writing and tagged Celemony, Melodyne, random, songwriting, vocals. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post. This post currently has 0 comments.
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I really liked Arturia’s Minibrute a lot. I think it has a unique character. The new Microbrute is even more compelling. It’s smaller so it will fit on my desk and easier to take around. It has an interesting Mod Matrix that allows some Eurorack connection goodness. It has a cool sequencer that’s syncable with my Eurorack stuff. The price is great: $300.
“Packed with mixable waveforms, a new sub oscillator design, the famous Steiner-Parker multimode filter, super fast envelope, syncable LFO and the new step sequencer, not to mention the patchable mod matrix the MicroBrute is a landmark new synth at an incredible price.” – Arturia.com
For more info: arturia.com/evolution/en/products/microbrute
This entry was written by October 25, 2013 at 4:55 am, filed under modular, synthesizer and tagged Arturia, Eurorack, Microbrute. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post. This post currently has 0 comments.
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I’ve been diving deeper and deeper into my modular learning how to use the modules with each other. Daren from Control helped me with the patch above. With this patch I have an 8 step sequencer with two rows running. The first row is controlling the pitch of an oscillator and the second a filter cut off and resonance. You will need to use some multiples or Tiptop stackables to make this work. Holding a touch key on the Pressure Points holds the sequences on that step. Adjusting the ADSR’s release really effects the sound. Try adding a sine wave LFO into the ADSR’s Sustain CV control (if your ADSR has one) for some random spikes in the filter opening. Instead of clocking the Pressure Points with a straight clock use something like a uStep and send a few steps a break and then a few more steps for interesting patterns. Lastly try a VCA on the third Pressure Points row for volume control of each step. Enjoy!
“Pressure Points is a controller module, an analog sequencer that is played by hand. Touching the gold plated copper wires (aka Touch Plates), you become part of the circuit, generating a gate signal (Gate OUT), a control signal proportional to the amount of pressure applied (Press OUT) and the 3 Tuned Voltages for the activated Stage.” – Make Noise
For more info: makenoisemusic.com/pressurepoints
This entry was written by October 23, 2013 at 4:59 am, filed under modular, synthesizer and tagged Eurorack, Make Noise, Pressure Points, sequencer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post. This post currently has 2 comments.
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