I have this record on pink marbled 12″ vinyl. I remember my friend Joe Forbes bought it first and it took me a while to find my own copy. Eventually I found it at Rebel Rebel on Bleeker Street. Amazingly Rebel Rebel still exists and the owner still stands in behind the front counter exactly as he did 20+ years ago. Recently I went in there with my brother and saw him only now with gray hair. We spent countless weekends, hours and money buying hundreds of records from Rebel Rebel. Secession had a few good songs. I love the melancholy melodies in Touch. Melodies like this were in so much of 80s New Wave and for me the memories are melancholy too. Forget Virgin Galatic I want a proper time machine.
“Rebel Rebel is one of the old school NYC record shops— they’ve seemingly been around since the dawn of time. The walls are lined with posters and records from bands that haven’t seen a recording studio in years. Vinyl is everywhere, promo posters are sold out of a box for $2 a piece. It’s one of those places where a record buyer just feels at home.” – nycgoth.com
I once also owned every single Front 242 record. I wish they still made song structured songs with Jean Luc DeMeyer on lead vocals. Even still, I am glad for the amazing albums they gave us such as Official Version and Front by Front. I saw them perform at the Palidium in the late 80s. It was awesome.
“Belgian industrial group Front 242 were at the crest of the Electronic Body Music wave, carrying the baton from groups like Throbbing Gristle and Caberet Voltaire, combining their post-punk aesthetic with strong backbeats, slices, samples, and ominous vocals. Their raw sound is married with strong militaristic imagery, chopped-up scenes from television, and even evangelical leanings.” – redbullmusicacademy.com
Depeche Mode has long been one of my most loved bands. If you didn’t already know I won a contest and went on tour with DM which ended up as the movie Depeche Mode 101. You can see me in it as a young mohawked 17 year old. I personally feel there best work was when Alan Wilder was in the band so it was so very nice to see he took the stage this yesterday with his old mates.
Former Depeche Mode keyboardist Alan Wilder appeared on stage with the British synth pop band for the first time in 16 years…. Wilder appeared with the band during the encore to help perform “Somebody,” which appears on 1984’s Some Great Reward. “Dave contacted me a few weeks back and asked if I’d be willing to join them on-stage,” Wilder wrote on his website on Thursday (Feb. 18). “He assured me that everyone in the band was into the idea. I was very happy to accept, especially as it was all in a good cause and we were long overdue some kind of reunion of this sort. “It was great to see everyone again and catch up a bit, and it was also the first time I have actually ‘seen’ Depeche Mode perform!” – chartattack.com
Like myself Gavin returned from Berlin back to the states. Hip Hop, psychedelic music to homebrew analog synths it’s always good to peak into other’s likes and studios!
“Gavin Russom is a wizard, and not just because his long red flowing mane is reminiscent of a medieval alchemist or because he was once a stage magician. The composer and former engineer for dance label DFA (where he earned the “Wizard” moniker) has been making and unmaking synths since a young age. Gavin thinks of the analog machines as works of art in their own right, blending the aural, visual, and the sculptural.” – motherboard.tv
Ethan Winer from RealTraps grabs a panel of knowledgeable people at AES to show you what you think you hear may not be reality. Ethan makes some respected sound treatment products in Connecticut. You can download the non-YouTube compressed audio files to go along with this video here: www.ethanwiner.com/aes
“This is a video version of my Audio Myths workshop from the October 2009 AES show in New York City. In this video you will hear what phase shift sounds like, compare high- and low-end converters, learn about proper test methods, understand why hearing is not as reliable as test gear, and much more.” – EthanWiner
So what do you think? Is it real or is it Memorex?
I was reading an interesting article on Wikipedia about a long gone practice called “Song Sharking”. Essentially there were businesses who ran ads asking poets to send in their poems which would then be turned into songs by professional musicians. In 2003 PBS produced a documentary about Song Sharking called “Off the Charts”. To see a full preview: pbs.org/independentlens/offthecharts/ It’s also available on Amazon: click here I wonder what other old music business practices that have long been forgotten.
“The business of recording song poems was promoted through small display ads in popular magazines, comic books, tabloids, men’s adventure journals and similar publications with a headline reading (essentially) Send in Your Poems – Songwriters Make Thousands of Dollars – Free Evaluation. The term lyrics was avoided because it was assumed potential customers would not understand what the term meant. Those who sent their poetry to one of the production companies usually received notice by mail that their work was worthy of recording by professional musicians, along with a proposal to do so in exchange for a fee. The early 20th century versions of this business involved setting the words to music and printing up sheet music from inexpensively engraved plates.” – Wikipedia
I’d like an installation like this permanently in my living room. Created in Berlin by Joerg Piringer he calls this work [untitled] and describes it as “an interactive sound poetry installation”. Be sure to check out Joerge’s other interesting installations too. I like the one’s that spit out random Twitter feeds.
“the visitors speak, shout and cry into a microphone to evoke a dynamic world of letters and vocal sounds. image and sound are created immediately by speaking and vocalizing into a microphone and modifying the voice through signal processing while the software is analyzing the sound to create animated abstract visual text-compositions.” – jörg piringer
SoundCloud has become the best place for musicians to store and share music online. The Berliners have continutally upgraded their site’s services listening to it’s customers. Beyond the new features the site is managing to scale well and it looks very pretty. Here are some of the new tools in the latest release “Taylor”.
SoundCloud already had the best embeddable audio player with a great waveform display and comments along it’s timeline. Now there are two new player widgets called “Artwork” and “Mini player”. Here they are:
Artwork Player (Roll/click your mouse over for effect):
Mini Player (Click Play to expose mini waveform):
Sharing is much better now too as they follow Flickr a bit here allowing users to grab a Secret Link to send out. Stats is greatly improved (where there even Stats before?). Just take a look at these Stats from the past seven days:
Here we go with a big one: an official SoundCloud iPhone app! Take a look Ma no flash (Video above).
Finally there is a new pricing structure that could make more sense for the unemployed and skeptical. For more info: click here
Here’s a nice look at Moby’s Noahs Ark of vintage drum machines. He also goes into the virtues of replacing your band with electronic instruments. I agree completely. I once performed at an early “rave” in Washington DC with Moby. Before fame he used to DJ a small bar near Suny Purchase (my alma mater).
“Motherboard heads deep into the bowels of Moby’s Manhattan apartment-studio, where he unveils his prized assemblage of rarified gadgets, bizarre synthesizers, and outré drum devices.” – Motherboard.tv