The Medic Modules are from Tom Carpenter who also does the Analogue Solutions hardware. I’ve become friends with Tom and also own his Telemark. I’ve only been playing with the Medic Module Defibrillator for a few days but it’s really nice. It’s a dual VCF and VCA based on the Korg MS-20. As you can hear in the video above the VCA adds some sick power to my Wiard Oscillator. The Q or resonance is really sweet and musical sounding. Besides the sound source (the Wiard) sometimes I send an LFO in the CV to create the pulses and use a Pressure Points as a little keyboard. Consider this just a part one video. I am looking for suggestions on some possible crazy patches. There’s definetly going to be some nice stereo stuff to discover. Tom is an artists and like most of his stuff this is a very pretty module. The sliders with LEDs are oh so nice and well just look at the back of the unit! You can also order a version of the module covered in blood.
“LED sliders. Sliders have dust covers. Forensic UV Ink. Total analogue audio and modulation circuits (discrete). High quality solid construction. Unique art on front and rear of each module. Each module signed by Tom Carpenter. Super durable front panel print. Wipe clean medical surface!” – medicmodules.com
For more info: medicmodules.com
This entry was written by modular, synthesizer, Uncategorized and tagged Analogue Solutions, Defribillator, Medic Modules, Tom Carpenter. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I can give myself the chills or goose bumps on command by listening to some of my favorite music. It usually happens when there is a complex amazing sounding part I just love but can’t fathom how the artist did it. Other times it’s just such a strong music piece it blows my mind. Two very songs that give me chills are Double FM “Illusion” (link) and the intro to Depeche Mode “Black Celebration”.
“The medical term cutis anserina, are the bumps on a person’s skin at the base of body hairs which may involuntarily develop when a person is cold or experiences strong emotions such as fear, nostalgia, pleasure, euphoria, awe, admiration and sexual arousal.” – Wikipedia
For more info: mnn.com/why-does-music-give…
Imagine a room which is totally silent. Imagine you hear your own organs. Imagine it drives you insane. Apparently such a room exists at the SAE Institute Adelaide. Living in noisy as hell NYC I wouldn’t mind some silent room therapy.
“Scientists at Minneapolis’ Orfield Labs created their own soundless room, an anechoic chamber. Their studies have found that when putting subjects within the chamber, they begin to hallucinate within 30 minutes. With an average quiet room having a sound level of 30 decibels, the anechoic chamber’s sound level is -9 decibels. The ceiling, floor, and walls of the chamber absorb sound rather than have it bounce off as normal objects do. The chamber is so quiet that the subjects can even hear their own organs functioning. Although extremely interesting, the experience is rather unpleasant. Not one subject has spent more than 45 minutes in the chamber alone. Leaving a person to only their thoughts, the chamber could drive them insane.” – abovetopsecret.com
For more info: abovetopsecret.com
Here’s an interesting comparison to see which does a better job at Audio to MIDI. Ableton Live or Melodyne? Whatever you think of the results as much as I love Melodyne and use it it’s not a feature built into Live therefor one step away from instant. I also don’t think you can Audio to Drums like you can in Live. The real killer feature for Audio to Midi is my own whistling or humming to create parts and ideas. Then again if I were deconstructing a full track to redo and remix its part Melodyne woud be essential.
“Some tests to see how Live 9 and Melodyne do when converting various audio clips to MIDI. Conversion of drums was not tested since Melodyne does not support that feature (they have their “Percussive” algorithm but it doesn’t export as multiple notes like Live does).” – thetrappar
I’ve been working on a few secret projects. This video is the start of one of them. We have a Wiard Oscillator being sequenced by an Intellijel uStep, modified by a Synthesis Technology E355, filtered by a Toppobrillo Multifilter and delay added from a Make Noise Echophon. The drums are Tiptop Audio 808s with a little compression on the kick via Ableton Live and the snare is smashed by a Plague Bearer. The Hihat is also from Tiptop.. its the 909s with the “raw” switch on. I love these drums with a passion.
“An offensive is a military operation that seeks through aggressive projection of armed force to occupy territory, gain an objective or achieve some larger strategic, operational or tactical goal. Another term for an offensive often used by the media is ‘invasion’, or the more general ‘attack’.” – Wikipedia
For more info: thehorrorist.com
To be honest I really like the music he’s playing. It’s not techno but I like it better than a lot of other stuff I hear. His speech is pretty awesome too. Anyone know what TV show or movie this is from?
“Nothing can doom this groove.”
For more info: wikipedia.org/wiki/Techno
Alvin Lucier, I Am Sitting in a Room. I Am Sitting in a Room different than the one you are in now. I Am Sitting in a Room different than the one you are in now. I Am Sitting in a Room different than the one you are in now.
“In 1969, composer Alvin Lucier created a work that’s half science demo, half wonderfully creepy art: he recorded and then re-recorded, his own voice, over and over, until it turned into nothing but noise. It’s the coolest thing you’ll hear today. Lucier’s recording—”I Am Sitting in a Room”—banks on the fact that for any given room (the one you’re in now, your bedroom, the mayor’s office), there are certain frequencies of sound that’ll resonate above all others. Every time a recording is made inside this room, these frequencies slowly creep in over everything else—namely, Lucier’s voice. With each successive version, Lucier sounds more like a robot trapped in a tin box, until he sounds like nothing at all.” – Gizmodo
For more info: gizmodo.com/5971714
I’ve spent a good part of my spare time this week trying to get Wire to the Ear back online. The trouble started when I tried the automatic upgrade to WordPress 3.5. I’ve never had any issue just clicking upgrade. However this time I ended up locked out of the backend admin panel where I create posts and moderate comments. The upgrade would just hang on a white screen with the WordPress logo on top. The site itself was still online and I had a full backup so I wasn’t too worried. I received some amazing help from esmi who is a WordPress.org moderator. We tried many things such as disabling the plug-ins using phpMyAdmin, disabling the Wire to the Ear custom theme, re-uploading the 3.5 core files, checked the site’s errors using a debug mode, removing cookies from my computer that could have choking the upgrade and repaired the database. When none of those things worked I then created a new database, used the backup file and a rolled back version of WordPress (3.4.2). Then I think we found the problem. During the upload of the backup file one part was generating an error. I had to remove 2 lines of code from over 5000 to get the upload to work. After pointing to the new database the backend came to life again. So here I am again happy to post music tech, synth and strangeness. The next step is fix all the site errors, update the old theme to be compliant, figure out what those two lines where exactly and try and upgrade again! You may think that all this would discourage me from WordPress but actually the opposite. I love the customization, control and the community was there to help me.
“WordPress is web software you can use to create a beautiful website or blog. We like to say that WordPress is both free and priceless at the same time. The core software is built by hundreds of community volunteers, and when you’re ready for more there are thousands of plugins and themes available to transform your site into almost anything you can imagine. Over 60 million people have chosen WordPress to power the place on the web they call “home” — we’d love you to join the family.” – WordPress.org
For more info: WordPress.org
Well it’s holiday time again. Everyone loves gifts and musicians are generally a needy bunch so here’s a few ideas. If you are lucky and get a musical gift don’t forget to return the kindness with a song!
1. Monoproce DJ Style Headphone and Behringer HA400 4-Channel Stereo Headphone Amp
Musicians should have a few good pairs of monitors speakers and headphones around to check their mixes. Another advantage of a second pair of headphones is that when friends comes over they can both put them on and record some vocals together. You don’t have to break the bank for this gift because Monoproce is selling a headphone simply called DJ Style that is getting good reviews and it’s only $21. If your musician’s audio interface only has one headphone jack you can get them the Behringer HA400 4-Channel Stereo Headphone Amp for about $22.
2. Tiptop Audio Happy Ending Kit
The Eurorack modular synthesizer format is becoming more and more popular. If you get a Happy Ending Kit for a friend who is a musician they may at first be bewildered. Once they release it’s the first step to a modular system and some of what the modules do and sound like he will thank you all year. About $150.
3. Gift Certificates to Control and Analogue Haven
4. Hiss and Roar Sound Library
With names like TORTURED CYMBALS and Vegetable Violence you may think this isn’t very Christmas like. However your musician will be very pleased to have these Hiss and Roar sounds in his library. You will have fun choosing what insane library to gift. I use them all the time. $50 – $100.
5. Arturia Minibrute
So if your musician has been very very good this year you may want to reward him. Even though this is a luxurious gift this synth is a huge bargain. The Minibrute only plays one note at a time but it’s real analog for a powerful sound that will outshine his/her friend’s Microkorg. If you are going all out like this you may want to invest in the headphones above too because this thing makes some serious wild noise. $500.
“My name’s D.M.C. with the mic in my hand. And I’m chilling and coolin’ just like a snowman. So open your eyes, lend us an ear. We want to say Merry Christmas and Happy New Year!” – Run DMC
For more info: youtube.com/watch?v=OR07r0ZMFb8
This entry was written by Uncategorized and tagged 2012, Arturia, Christmas, Eurorack, MiniBrute, Monoproce. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I always wanted a Vectrex. Vectrex Regeneration for iOS bring those games and all it’s vector graphics to the world today. It works with iCade. Time to take a break from work and music and get your zaps on.
“The Vectrex is a vector display-based video game console that was developed by Western Technologies/Smith Engineering. It was licensed and distributed first by General Consumer Electric, and then by Milton Bradley Company after their purchase of GCE. It was released in November 1982 at a retail price of $199 ($460 adjusted for inflation); as Milton Bradley took over international marketing the price dropped to $150 and then $100 shortly before the video game crash of 1983. The Vectrex exited the market in early 1984. Unlike other non-portable video game consoles, which connected to televisions and rendered raster graphics, the Vectrex has an integrated vector monitor which displays vector graphics. The monochrome Vectrex uses plastic screen overlays to simulate color and various static graphics and decorations. At the time, many of the most popular arcade games used vector displays, and through a licensing deal with Cinematronics, GCE was able to produce high-quality versions of arcade games such as Space Wars and Armor Attack.” – Wikipedia
For more info: vectrexregeneration.com