I keep mentioning UVI’s sample libraries on this blog. The
German French company doesn’t pay me or give them to me free they are simply really good. You can sample an instrument different ways but these guys must like the same type of music as I do as I’m consistently reaching for their sounds. I haven’t yet tried their latest library called WaveRunner which covers wavetable synthesis ala PPG and Waldorf. At $299 you could buy a Eurorack module or two Volca’s but when you’re writing songs on a laptop away from the studio you want some good sample libraries.
“A multitude of synths, drum machines and rare prototypes of esteemed German heritage come together in this massive and unparalleled retrospective. WaveRunner presents you with a wondrous collection of authentic and fascinating sounds from over 30 years of wavetable synthesis. Everything from the raw and strident origins to the wild evolving tones of more modern, full-featured machines. Each system addressed was serviced, meticulously multi-sampled and artfully designed into 7 unique hybrid instruments driven by over 30,000 samples. Both a historical archive of sound and a collection of new and unique instruments with hundreds of presets and limitless sound design potential, WaveRunner is a suite not to be missed.” – uvi.net
For more info: uvi.net/en/vintage-corner/waverunner
This entry was written by plug-ins, sounds, synthesizer and tagged PPG, samples, UVI, Waldorf, WaveRunner, wavetable. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
The Make Noise Maths is probably the most talked about Eurorack Module. It’s like a swiss army knife. It does many different things and it’s well loved. It just had a 2013 revision. It keeps what I think is the coolest name of any product ever and only costs $10 more. To see all what the new version adds watch the video above.
“MATHS is an analog computer designed for musical purposes. Amongst other things, it will allow you to: Generate a variety of linear, logarithmic, or exponential triggered or continuous functions, Integrate an incoming signal, With no signal applied, generate a variety of linear, logarithmic, or exponential functions. Add, subtract and OR up to 4 signals. Generate analog signals from digital information (Gate / Clock). Generate digital information (Gate / Clock) from analog signals. Delay digital (Gate / Clock) information.” – makenoisemusic.com
For more info: makenoisemusic.com/maths
This entry was written by modular, synthesizer and tagged Eurorack, Make Noise, Maths, modular. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I just set up an eBay alert for an Elgam Carousel. You could really call this a vintage groovebox. It would go nicely with my Omnichord! Pretty machine.
“The CAROUSEL is an interesting analog preset rhythmbox with accompaniment made by Elgam, Italy. It has rhythm (like the Elgam Rhythm Match series), bass, chord and 3 arpeggiators! Rare, obscure and very interesting!” – AnalogAudio1
For more info: wikipedia.org/wiki/Groovebox
One of the most important basic modules I need is an ADSR. An Attack, Decay, Sustain, Release shapes the sound or filter so it’s not simply on all the time. Intellijel’s brand new Dual ADSR has some nice tricks up its sleeve. First it has sliders which I find much more useful than knobs. It also has a wicked cycle mode the pulses the ADSR in time. For the type of music I do this is incredible useful!
“Based on the Roland SH-101 design with several enhancements.Manual GATE buttons. Three timing ranges. Normal and inverted outputs. End of Decay (EOD) logic output. Cycle mode. Dynamic level control of the VCA output via built in linear VCA” – intellijel.com
For more info: intellijel.com
This entry was written by modular, synthesizer and tagged ADSR, Eurorack, intellijel, modular. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Future Music visits two artists I really like. If you don’t know what Vitalic or Boys Noize sounds like check them out for some real fun. I remember performing in the south of France about 6 months before most people heard Vitalic’s song Pony. I was at soundcheck and the DJ was using it to test the system. I stopped and said ah yes this is going to be so big. It’s fun when you get a chance to hear things before they “happen”.
“Pascal Arbez better known by his stage name Vitalic (born in 1976) is an electronic music artist. He was born in France. Alexander Ridha (born in 1982 in Hamburg), better known by his stage name Boys Noize, is a German electronic music producer and DJ.” – Wikipedia
This entry was written by hardware, synthesizer and tagged Boys Noize, Future Music, Recording Studio, tour, Vitalic. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I have always wanted a modular style analog sequencer in software form. There have been a few tries at this by various developers but none have really captured the essence of the real thing. The latest to take a stab at it is Orwell Digital. They have just released the OR-1m Step Sequencer and it looks very feature full. Just last weekend in German I was recording two female vocalists on my laptop. They wanted proper EBM backing tracks and this would have been extremely useful to create the basslines. There is an intro price of about $25 so I’m going to give it a try this weekend. Let me know if you have given the OR-1m a try and what you think of it.
“The OR-1m delivers the performance and flexibility expected from a pro-level step sequencer, while introducing several innovative features in terms of realtime modulation shaping and controlled randomness. At its most basic, the OR-1m is a standalone sixteen-step sequencer with per-step controls for note pitch, duration and velocity. In addition, each step features four knobs for generating MIDI continuous controller data of the user’s choosing.” – orwelldigital.com
For more info: orwelldigital.com
Here’s a nice EBM or maybe New Beat example of what the Korg Volcas can do. Check out that sick stand too. The performer should be wearing some Liberace style rings.
“Following in the footsteps of the monotron, monotribe, and MS-20 Mini analog synthesizers, Korg announces the Volca series. volca is a new lineup of EDM production tools comprised of three distinct models: the Volca Keys lead synthesizer, the volca Bass synthesizer, and the Volca Beats rhythm machine.” – korg.com
For more info: korg.com/volcaseries
This entry was written by drum machine, hardware, synthesizer and tagged EBM, Korg, New Beat, Volca. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Here is a very pretty and nice sounding video demo of the Mutable Instruments Grids, Hexinverter Jupiter Storm, Tiptop Audio CP909 Clap, Cwejman BLD, Innerclock Sync-Gen IIls and more. Chris Whitten has a nice selection of modules don’t you think?
“Video demonstrating several instances of Grids and Jupiter Storm. Kick:TipTop BD909 Cwejman BLD Open Hat:Jupiter Storm Noise>WMD Synchrodyne BPF Noise Percussion:Jupiter Storm Noise>Synchrodyne BPF>WMD MMVCA (stereo panning) Bass:Grids>Cwejman BLD Clap:Grids>Tip Top 909CP>Make Noise Echophon Chords:Grids>Cwejman ADSR-VC2. Bubblesound VCO>Erthenvar Patch Chord>SynchrodyneLPF>Make Noise Echophon Snare:Grids>Jupiter Storm>Echophon No Midi No EQ Sync to Pro Tools>Innerclock IILS” – Chris Whitten
This entry was written by modular, synthesizer and tagged Eurorack, Grids, Hexinverter, Jupiter Storm, modular, Mutable Instruments. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
On Saturday night I went to the second annual Control Voltage Fair at the South Street Seaport in Manhattan. It was at last year’s event where I first got the modular bug. Since that show I learned all I could about the Eurorack modular format and have purchased 31 modules and 4 racks to hold them. The modular “scene” is small and everyone I’ve met online, at Control or at these events has been friendly, helpful and really into it. It was extremely hot and humid on Saturday evening and this year the booths and live shows were outdoors. After a quick walkthrough I first stopped at the Tiptop Audio booth to play with the Trigger Riot and see the new Mix Z prototype. The TR lives up to it’s name as within a 30 seconds you can have a mass of drums making noise. The Mix Z is a mixer with a bus on it’s backside so you don’t have to patch the audio in from Tiptop drum modules. I met Richard Devine at the Make Noise booth. We discussed how he soundproofed his new studio. We also talked about how it’s important for children to hear a lot of music as they develop and how his own kid may end up a little different because of the modular sounds she’s hearing vs Row Row Row Your Boat. Ben Casey from Bangbang was there. He’s the de-facto Elektron dealer in NYC. Musician Robert Aiki Aubrey Lowe and Knas the maker of the Polygamist synth were seen hanging out. Before the actual performances startetd Jeremiah Johnson had a small crowd gather around him while he improvised on the massive Control setup. They had the new Mutable Instruments modules in their giant Goikes racks and Jeremiah was making good noise with them. I talked to him after his was done about European gigs. I enjoyed Keith Fullerton Whitman’s performance. Modular sounds good live and outdoors. I like my music more structured and evil but it had moments where I wondered how he was doing it. Richard Devine’s performance had a certain sound to it. Plucky, vactrolish and for most of it happily quite dark. Due to the Tequila icey drinks they were serving right outside the festival I tired out and missed Lori Napoleon. Be sure to see my entire set of photos on flickr: click here
“People walking by outside audibly confused by the noise pouring out on to the street from RichardDevine ‘s set.” – Anthony Saunders
For more info: rivertorivernyc.com/artists/control-voltage
This entry was written by modular, synthesizer and tagged 2013, Control Voltage Fair, Eurorack, festival, modular, NYC, South Street Seaport, summer, synthesizer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Well now what’s this? The sequencer from a Roland TR machine in Eurorack format that’s what! It’s pretty isn’t it? This is the new Acidlab Robokop. With all the Tiptop and other modular drum modules you can now build the world’s greatest drum machine. If you don’t want to program beats be sure to check out the wild new Tiptop Trigger Riot (I have one coming to me this week via Control!).
“ROBOKOP is the MIAMI-Sequencer as a module with 12×16 patterns and 12 Trigger-Outputs.” – Acidlab
For more info: acidlab.de/ProductAssets/Modular/Module_Overview.pdf
This entry was written by drum machine, modular, synthesizer and tagged acidlab, drum machine, Eurorack, modular, Robokop. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.