Logic Boss

A few months ago the Intellijel Plog caught my attention. It’s a Logic module which I can’t actually explain but in very quick terms takes signals, changes them and outputs different signals/gates according to “logic” aka math. You can then use the outputs in interesting ways. The complexity of the module scared me a little so I moved on. The Abstract Data ADE-31 Logic Boss is another Logic type of module. Its creator Justin Owen from London emailed me yesterday and we have been chatting about the module. One thing I really like about the ADE-31 is it’s without any programming/preset buttons. It’s one I/O panel prime for simple experimentation. It’s modules like this that first really made me want to get into modulars. Watch the video above for more details. $225 available at Analogue Haven.

“Multi-stage, switchable logic and pattern-generation module combining utility and performance-oriented features. Up to 4 inputs and 12 simultaneous outputs in a unique cascading architecture with CV switching and linking between the 2 stages. Perform basic logic utility tasks, create complex patterns and create rhythmic variations via on-board or external CV control. LED status on all inputs and outputs for clear status indication. Power-supply protection. Shallow, skiff-friendly build.

Logic Types (Stage 1): NOR/OR, NAND/AND. Logic Types (Stage 2): NOR/OR, NAND/AND, XNOR/XOR. Inputs (Logic, CV, Audio): 4x AC/DC, Up to +/-10V Max. (3.5mm). Inputs (CV): 1x AC/DC, Up to +/-10V Max. (3.5mm). Outputs (Logic): 12x DC Logic +10V (3.5mm)” – abstractdata.biz

For more info: abstractdata.biz/ade31

Audio Damage Eurorack

Audio Damage has jumped into the hardware game with 3 Eurorack modules. DubJr, Grainshift and Errorbox are 8HP, $179 each and available now. I love and use AD plug-ins all the time so I am very interested in trying these out.

“during the week of Audio Damage’s tenth anniversary, we have succeeded in releasing a hardware platform for our DSP effects, and are ludicrously proud to unveil the first three Audio Damage hardware products: DubJr, Grainshift, and Errorbox.” – Chris Randall

For more info: audiodamage.com/hardware

Pulse Code Modular

Pulse Code the makers of Rhythm Studio have released Modular Synthesizer for iOS. The synth is free and then you buy modules for .99 each or $4.99 for all the current modules available. It certainly wont sound as sharp and wild as the real thing but should be great fun on a flight, waiting room or while on the phone with your mother in law.

“Modular looks, acts, and sounds like a hardware modular synthesizer to give you features that musicians want such as pulse width modulation, oscillator sync, 4 pole ladder filters, and 1v/oct filter tracking. Traditional modular systems are expensive and out of reach for the average artist. Modular is here to bridge that gap and allow everyone the opportunity to use these powerful synthesizers.” – pulsecodeinc.com

For more info: pulsecodeinc.com/modular

Sid Guts

A few months ago I went to Control in Williamsburg, Brooklyn to watch ALM/Busy Circuits demo their clocking module Pamela’s Workout (link). They also had a prototype module based on a Commodore 64 SID chip. Well that module now called Sid Guts is here. It’s quite a beauty and in the video you can see it has some fantastic controls. The only caveat is you have to source your own SID chip. I’m not sure how hard that is to do but I wouldn’t mind having this guy in my studio. I was recently reading the history of Ensoniq and thought it was interesting that Bob Yannes who started the company also created the SID chip.

“The SID GUTS now takes the legendary SID chip and tailors it into the eurorack modular environment. By use of a real SID chip the classic sound is taken in a new direction with the levels of direct and voltage control only a modular system can offer.” – busycircuits.com

For more info: busycircuits.com/alm003

Make Noise in Brooklyn

Everyone’s favorite Eurorack module maker Make Noise is coming to Brooklyn this Sunday, September 8, 2013. In partnership with Control they will be doing a demo and talk in the store and then there will be musical performances at Silent Barn. Robert A.A. Lowe, On A Clear Day and Nullsleep will showing off what modulars can do.

“This weekend Sunday September 8th from 3-5PM we are pleased to welcome Tony Rolando and Kelly Kelbel of MakeNoise to Control for an In-Store demonstration and discussion. Later that evening at Silent Barn, we will celebrate the 7″ release of MNR003: Robert A.A. Lowe on MakeNoise Records.” – Control

For more info:facebook.com/events/231563376994136

Flame Arpeggiator

I am really in love with my Flame Tame Machine module and the almost available Flame Arpeggiator 2013 looks incredible. Sean at Analogue Haven says he just got them in and as soon as he prices them they will be for sale on his website.

“The module is a two-channel arpeggiator with seperatly analoge outputs for notes and two optional movable outputs for the sequence clock and the velocity. Both arpeggio tracks (referred to as “ARP” and “BASS”) plays notes also via MIDI-out (different MIDI-channels 1 and 2). The first four notes of the ARP track notebuffer forms the chord. The chord analoge outputs are the CV-outputs 1-4 (notes 1-4). The MIDI-channel of the transmitted chord is channel 3. Use the module-keyboard for setting the chord/scale notes. The one octave of the module-keyboard can move over four octaves (KEYZONE). It’s possible to load preset chords/scales and user defined chords/scales (organized respectively 16 user patches U01..U16). The arpeggiator mode included 9 arpeggio play modes with additional different running directions (up, down, updown, downup) and different variations of noterepeats. You can control functions (as well as Arpeggio-Mode, Noterepeat, Octave-Range, Sequence-Pattern, Transpose ore others) via CV-inputs. Two CV-inputs (USER-1 and USER-2) can be set with individual functions.” – flame.fortschritt-musik.de

For more info: flame.fortschritt-musik.de

Maths 2013

The Make Noise Maths is probably the most talked about Eurorack Module. It’s like a swiss army knife. It does many different things and it’s well loved. It just had a 2013 revision. It keeps what I think is the coolest name of any product ever and only costs $10 more. To see all what the new version adds watch the video above.

“MATHS is an analog computer designed for musical purposes. Amongst other things, it will allow you to: Generate a variety of linear, logarithmic, or exponential triggered or continuous functions, Integrate an incoming signal, With no signal applied, generate a variety of linear, logarithmic, or exponential functions. Add, subtract and OR up to 4 signals. Generate analog signals from digital information (Gate / Clock). Generate digital information (Gate / Clock) from analog signals. Delay digital (Gate / Clock) information.” – makenoisemusic.com

For more info: makenoisemusic.com/maths

Intellijel Dual ADSR

One of the most important basic modules I need is an ADSR. An Attack, Decay, Sustain, Release shapes the sound or filter so it’s not simply on all the time. Intellijel’s brand new Dual ADSR has some nice tricks up its sleeve. First it has sliders which I find much more useful than knobs. It also has a wicked cycle mode the pulses the ADSR in time. For the type of music I do this is incredible useful!

“Based on the Roland SH-101 design with several enhancements.Manual GATE buttons. Three timing ranges. Normal and inverted outputs. End of Decay (EOD) logic output. Cycle mode. Dynamic level control of the VCA output via built in linear VCA” – intellijel.com

For more info: intellijel.com

OR-1m Step Sequencer

I have always wanted a modular style analog sequencer in software form. There have been a few tries at this by various developers but none have really captured the essence of the real thing. The latest to take a stab at it is Orwell Digital. They have just released the OR-1m Step Sequencer and it looks very feature full. Just last weekend in German I was recording two female vocalists on my laptop. They wanted proper EBM backing tracks and this would have been extremely useful to create the basslines. There is an intro price of about $25 so I’m going to give it a try this weekend. Let me know if you have given the OR-1m a try and what you think of it.

“The OR-1m delivers the performance and flexibility expected from a pro-level step sequencer, while introducing several innovative features in terms of realtime modulation shaping and controlled randomness. At its most basic, the OR-1m is a standalone sixteen-step sequencer with per-step controls for note pitch, duration and velocity. In addition, each step features four knobs for generating MIDI continuous controller data of the user’s choosing.” – orwelldigital.com

For more info: orwelldigital.com