Pulse Code the makers of Rhythm Studio have released Modular Synthesizer for iOS. The synth is free and then you buy modules for .99 each or $4.99 for all the current modules available. It certainly wont sound as sharp and wild as the real thing but should be great fun on a flight, waiting room or while on the phone with your mother in law.
“Modular looks, acts, and sounds like a hardware modular synthesizer to give you features that musicians want such as pulse width modulation, oscillator sync, 4 pole ladder filters, and 1v/oct filter tracking. Traditional modular systems are expensive and out of reach for the average artist. Modular is here to bridge that gap and allow everyone the opportunity to use these powerful synthesizers.” – pulsecodeinc.com
For more info: pulsecodeinc.com/modular
A few months ago I went to Control in Williamsburg, Brooklyn to watch ALM/Busy Circuits demo their clocking module Pamela’s Workout (link). They also had a prototype module based on a Commodore 64 SID chip. Well that module now called Sid Guts is here. It’s quite a beauty and in the video you can see it has some fantastic controls. The only caveat is you have to source your own SID chip. I’m not sure how hard that is to do but I wouldn’t mind having this guy in my studio. I was recently reading the history of Ensoniq and thought it was interesting that Bob Yannes who started the company also created the SID chip.
“The SID GUTS now takes the legendary SID chip and tailors it into the eurorack modular environment. By use of a real SID chip the classic sound is taken in a new direction with the levels of direct and voltage control only a modular system can offer.” – busycircuits.com
For more info: busycircuits.com/alm003
Intellijel are one of the most prolific Eurorack modular makers. I personally own a uStep, uVCA and Triatt. I want to add a Planar and their upcoming Metropolis sequencer to my collection.
“Creators of electronic musical instruments and modular synthesizers.” – facebook.com/Intellijel
For more info: intellijel.com
Everyone’s favorite Eurorack module maker Make Noise is coming to Brooklyn this Sunday, September 8, 2013. In partnership with Control they will be doing a demo and talk in the store and then there will be musical performances at Silent Barn. Robert A.A. Lowe, On A Clear Day and Nullsleep will showing off what modulars can do.
“This weekend Sunday September 8th from 3-5PM we are pleased to welcome Tony Rolando and Kelly Kelbel of MakeNoise to Control for an In-Store demonstration and discussion. Later that evening at Silent Barn, we will celebrate the 7″ release of MNR003: Robert A.A. Lowe on MakeNoise Records.” – Control
For more info:facebook.com/events/231563376994136
I am really in love with my Flame Tame Machine module and the almost available Flame Arpeggiator 2013 looks incredible. Sean at Analogue Haven says he just got them in and as soon as he prices them they will be for sale on his website.
“The module is a two-channel arpeggiator with seperatly analoge outputs for notes and two optional movable outputs for the sequence clock and the velocity. Both arpeggio tracks (referred to as “ARP” and “BASS”) plays notes also via MIDI-out (different MIDI-channels 1 and 2). The first four notes of the ARP track notebuffer forms the chord. The chord analoge outputs are the CV-outputs 1-4 (notes 1-4). The MIDI-channel of the transmitted chord is channel 3. Use the module-keyboard for setting the chord/scale notes. The one octave of the module-keyboard can move over four octaves (KEYZONE). It’s possible to load preset chords/scales and user defined chords/scales (organized respectively 16 user patches U01..U16). The arpeggiator mode included 9 arpeggio play modes with additional different running directions (up, down, updown, downup) and different variations of noterepeats. You can control functions (as well as Arpeggio-Mode, Noterepeat, Octave-Range, Sequence-Pattern, Transpose ore others) via CV-inputs. Two CV-inputs (USER-1 and USER-2) can be set with individual functions.” – flame.fortschritt-musik.de
For more info: flame.fortschritt-musik.de
The Make Noise Maths is probably the most talked about Eurorack Module. It’s like a swiss army knife. It does many different things and it’s well loved. It just had a 2013 revision. It keeps what I think is the coolest name of any product ever and only costs $10 more. To see all what the new version adds watch the video above.
“MATHS is an analog computer designed for musical purposes. Amongst other things, it will allow you to: Generate a variety of linear, logarithmic, or exponential triggered or continuous functions, Integrate an incoming signal, With no signal applied, generate a variety of linear, logarithmic, or exponential functions. Add, subtract and OR up to 4 signals. Generate analog signals from digital information (Gate / Clock). Generate digital information (Gate / Clock) from analog signals. Delay digital (Gate / Clock) information.” – makenoisemusic.com
For more info: makenoisemusic.com/maths
One of the most important basic modules I need is an ADSR. An Attack, Decay, Sustain, Release shapes the sound or filter so it’s not simply on all the time. Intellijel’s brand new Dual ADSR has some nice tricks up its sleeve. First it has sliders which I find much more useful than knobs. It also has a wicked cycle mode the pulses the ADSR in time. For the type of music I do this is incredible useful!
“Based on the Roland SH-101 design with several enhancements.Manual GATE buttons. Three timing ranges. Normal and inverted outputs. End of Decay (EOD) logic output. Cycle mode. Dynamic level control of the VCA output via built in linear VCA” – intellijel.com
For more info: intellijel.com
I have always wanted a modular style analog sequencer in software form. There have been a few tries at this by various developers but none have really captured the essence of the real thing. The latest to take a stab at it is Orwell Digital. They have just released the OR-1m Step Sequencer and it looks very feature full. Just last weekend in German I was recording two female vocalists on my laptop. They wanted proper EBM backing tracks and this would have been extremely useful to create the basslines. There is an intro price of about $25 so I’m going to give it a try this weekend. Let me know if you have given the OR-1m a try and what you think of it.
“The OR-1m delivers the performance and flexibility expected from a pro-level step sequencer, while introducing several innovative features in terms of realtime modulation shaping and controlled randomness. At its most basic, the OR-1m is a standalone sixteen-step sequencer with per-step controls for note pitch, duration and velocity. In addition, each step features four knobs for generating MIDI continuous controller data of the user’s choosing.” – orwelldigital.com
For more info: orwelldigital.com
Here is a very pretty and nice sounding video demo of the Mutable Instruments Grids, Hexinverter Jupiter Storm, Tiptop Audio CP909 Clap, Cwejman BLD, Innerclock Sync-Gen IIls and more. Chris Whitten has a nice selection of modules don’t you think?
“Video demonstrating several instances of Grids and Jupiter Storm. Kick:TipTop BD909 Cwejman BLD Open Hat:Jupiter Storm Noise>WMD Synchrodyne BPF Noise Percussion:Jupiter Storm Noise>Synchrodyne BPF>WMD MMVCA (stereo panning) Bass:Grids>Cwejman BLD Clap:Grids>Tip Top 909CP>Make Noise Echophon Chords:Grids>Cwejman ADSR-VC2. Bubblesound VCO>Erthenvar Patch Chord>SynchrodyneLPF>Make Noise Echophon Snare:Grids>Jupiter Storm>Echophon No Midi No EQ Sync to Pro Tools>Innerclock IILS” – Chris Whitten
For more info: hexinverter.net and mutable-instruments.net
On Saturday night I went to the second annual Control Voltage Fair at the South Street Seaport in Manhattan. It was at last year’s event where I first got the modular bug. Since that show I learned all I could about the Eurorack modular format and have purchased 31 modules and 4 racks to hold them. The modular “scene” is small and everyone I’ve met online, at Control or at these events has been friendly, helpful and really into it. It was extremely hot and humid on Saturday evening and this year the booths and live shows were outdoors. After a quick walkthrough I first stopped at the Tiptop Audio booth to play with the Trigger Riot and see the new Mix Z prototype. The TR lives up to it’s name as within a 30 seconds you can have a mass of drums making noise. The Mix Z is a mixer with a bus on it’s backside so you don’t have to patch the audio in from Tiptop drum modules. I met Richard Devine at the Make Noise booth. We discussed how he soundproofed his new studio. We also talked about how it’s important for children to hear a lot of music as they develop and how his own kid may end up a little different because of the modular sounds she’s hearing vs Row Row Row Your Boat. Ben Casey from Bangbang was there. He’s the de-facto Elektron dealer in NYC. Musician Robert Aiki Aubrey Lowe and Knas the maker of the Polygamist synth were seen hanging out. Before the actual performances startetd Jeremiah Johnson had a small crowd gather around him while he improvised on the massive Control setup. They had the new Mutable Instruments modules in their giant Goikes racks and Jeremiah was making good noise with them. I talked to him after his was done about European gigs. I enjoyed Keith Fullerton Whitman’s performance. Modular sounds good live and outdoors. I like my music more structured and evil but it had moments where I wondered how he was doing it. Richard Devine’s performance had a certain sound to it. Plucky, vactrolish and for most of it happily quite dark. Due to the Tequila icey drinks they were serving right outside the festival I tired out and missed Lori Napoleon. Be sure to see my entire set of photos on flickr: click here
“People walking by outside audibly confused by the noise pouring out on to the street from RichardDevine ‘s set.” – Anthony Saunders
For more info: rivertorivernyc.com/artists/control-voltage