Here’s a free sample pack of glitches from Dennis Harms at Bronto Scorpio Music. To download: click here
“Don’t expect pseudo analog stuff here! You get 120 weird, digital noises with this pack! These sounds are perfect for Autechre, Richard Devine, Aphex Twin like tracks, but can also add some special elements to other tracks. I designed these sounds over the last few months and thought it would be cool to share them with you. The pack contains 120 24Bit/44Khz wave files and a simple Kontakt (3.5 or higher) instrument where the samples are mapped across the keyboard. Mod- and pitchwheel do some crazy things in this instrument too!” – brontoscorpiomusic
Totalmusik is a NY sales rep for Metasonix and Eowave gear. They seems to also record the equipment and make sample libraries with the blessings of the manufacturers. They have released a Kontakt Polyphonic Wretch Machine sample pack. The samples were recorded to tape and they also included some Impulse Responses. The pack is 2GB and will run you $65. It’s on sale now for $50.
“For this library, no attention to detail was spared in capturing the true essence of this instrument. The Wretch Machine features a dual gas-tube oscillator configuration – each oscillator is switchable between three waveforms: Saw, Squarer and Subosc (squarer with suboctave). Realizing that everything sounds better through tape, and our personal philosophy that “Old is Good, Old and Broken is BetterTM” – we enlisted the assistance of our TEAC Reel to Reel to handle our tape transfer needs.” – totalmusik.com
I’m lucky to have my own driveway in NYC. I’m also lucky to have a beautiful apple tree that blooms to park underneath. The only problem is hundreds of birds love this tree too. Therefore going to the car wash has become a routine trip. I’m amazed that for $10 you can get a full car wash that includes a full cleaning of the interior too.
My mother is a avid gardener. There were four large planters outside my building that were just dirt and weeds to I asked her to help me choose some plants to fix the situation. You can see the full set of photos of my “garden”: click here
Today I would like to welcome a new sponsor at Wire to the Ear: Wave Alchemy. You can see there advert running on the top right sidebar of this blog. I’ve turned down a lot of advertising requests from companies that were totally unrelated to pro-audio. Why diamond and shoe companies think this is a good place to advertise I don’t know! Wave Alchemy are based out of Nottingham in the UK. They sell sample libraries that are 100% royalty free and every sample is 100% original (not ripped from vinyl or anywhere else). Even if your not ready to buy anything it’s worth a visit to their site because each pack has a free sample set. There’s also a few totally free sample packs such “Club Kicks” and “Odyssey FX”. Robert Babicz (Rob Acid), Chris Lake and Martin Eyerer are a few of the artists using Wave Alchemy’s stuff.
I hope you welcome them as it does help Wire to the Ear stay on your computer screen.
A real analog kick processed by some monster hardware boxes. Record it 65 ways and give it away free. That’s what Wave Alchemy just did. Hey, it got me to their site to look around.
“65 24-bit 100% royalty free kick drum (Jomox AIRBase 99) samples which have been recorded through an A-grade signal chain including devices such as the Thermionic Culture Vulture, Empirical Labs Distressor and API 512c pre-amp.” – wavealchemy.co.uk
I like these type of online music tech shows so I hope The DSP Project gains many episodes. I use this reverse reverb effect quite often. Sometimes I add a distortion unit after the reverb to really make the effect scream. Definitely check out my post: The Kick Boom, Thunderverb song writing element.
“In this episode I will show you how to create the reverse reverb effect in Ableton live (but technique can be used in any DAW) and put it into context by using it in a real project.” – Rupert Brown
I’ll admit to a production secret: sometimes I use MIDI files containing drum patterns. I cut my teeth in the early 90s making beats on countless records using various drum machines and sequencers. However, like an old boxer I always seem to throw the same punches. The only way for me to get some totally new grooves is to rely on Herbie Hancock or others who sold their patterns. Well ok often I use randomizers but that’s the not the point of this blog post. Today Groove Monkee released a new set of prefab drum beat MIDI files. This one’s called Twisted Beats and you get 800 for $29.95. If you order today (Wednesday Feb 10, 2010) you can get $10 off with the code: twitter10
“Twisted Beats is a unique collection of over 800 four measure MIDI loops for contemporary music with Rock, RnB World and Fusion influences. A wide range of old and new school influences are represented here: Dave Matthews, Herbie Hancock, The Mars Volta, Red Hot Chili Peppers, The Meters, Paul Simon, Prince, etc. The grooves were played by a professional studio drummer or expertly programmed in order to get exactly the right feel. We’ve selected only beats with an infectious “feel” or “groove”; this is NOT just a random collection of unusable beats.” – groovemonkee.com
So I’ve been playing with Voice Band (iTunes link) for about 30 minutes and I can definitely say it’s fun. Like many iPhone Apps I will surely use this from time to time for a weird intro or background part in a song. All it takes is a simple import of the audio into Ableton Live. This does a similar trick as the now unfortunately discontinued Antares Kantos plug-in. Anyone remember Kantos? Read the Sound on Sound review of Kantos: click here
“A new iPhone app that turns your voice into an instrument in real time. You sing into the iPhone, and it turns it into a guitar or a bass, synth, etc.” – WaveMachine Labs, Inc.
Here’s a video I make of two terrific iPhone Apps that make random digital sounds. TOPLAPapp (iTunes link) and Grid (iTunes link) are must haves for any noise nerds out there.
“TOPLAPapp is a sonic puzzle based around a virtual machine for sound synthesis. This machine only accepts a few valid instructions, and you control it by placing each command letter within a grid, along with setting some associated parameter sliders. The machine runs through the grid, following the instructions to create the output sounds, which are usually of a somewhat noisy character, hopefully interestingly so. The historical antecedents include instruction synthesis as pionneered at the Institute of Sonology in the 1970s, and the live coding movement, of modifying a running program as it acts.” – Nick Collins