? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?

“? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?  ” – Wikipedia

For more info: wikipedia.org/wiki/Stop_Online_Piracy_Act


Everyone can be an artist and that’s ok. In fact it’s great. I’ve had no money and I’ve had a lot of money and it made no true difference in my personal happiness. What you share and leave behind on this earth is what matters. I wish my father created music albums. It would be a thrill now to hear him singing about what was important to him.

“The digital revolution of the last decade has unleashed creativity and talent in an unprecedented way, with unlimited opportunities. But does democratized culture mean better art or is true talent instead drowned out? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world’s most influential creators of the digital era.” – presspauseplay.com

For more info: presspauseplay.com

Goths Up Trees

My friend Collin Strange posted a link to a Tumblr blog called Goths up Trees which is photos of Goths in trees. Honestly this is what the internet was invented for. Let’s hope they keep adding to it.

“The goth subculture is a contemporary subculture found in many countries. It began in England during the early 1980s in the gothic rock scene, an offshoot of the post-punk genre. The goth subculture has survived much longer than others of the same era, and has continued to diversify.” – Wikipedia

For more info: gothsuptrees.tumblr.com

via Collin Strange

Caught Cracking

There’s a long thread on Gearslutz about a video interview that came with a recent issue of Future Music magazine. Apparently the interviewee John Dahlback gladly showed off his computer screen to the FM cameras. The only problem is he was using cracked software and people were able to take screenshots from the DVD like the one you see above. He tried to smooth things over by releasing the statement below. If artists or business people can’t make a living doing what they are doing they will stop producing art and products. No one’s moral compass is always on straight but let’s try to do the right thing. Plug-ins are inexpensive and take a decent amount of effort to get into your hands. I don’t use cracks and either should you.

“Hey guys. Fun topic! Anyway, just wanted to let everyone know that I DO have the license for LennarDigital Sylenth obviously. But just like everyone else (I suppose), I want to try vst plugins out before I buy them, in case it’s ****. And when it comes to Sylenth, I bought the license straight after. Reason why I didn’t uninstall the previous version for the registered one is because I don’t know if my saved presets would stay or be deleted as well. Anyway, good discussion. I can’t speak for Avicii, but everything I use has a license. To be a producer and expect people to pay for my music and NOT pay for my gear would obviously be ****ed up. Anyway, hope everyone liked the video. The track in the video will never be released due to lack of quality in my opinion. Just wanted to show people my working technique.” – John Dahlback

For more info: gearslutz.com/john-dahlback-future-music-masterclass-crack


My father had a huge impact on my music career. He tortured me enough and let me roam through NYC in the late 80s to make sure I had plenty to sing about in life. He also was fully supportive bringing home analog synths from his school’s music lab and then purchasing me a Roland S-50 sampler (story: here). It’s veteran’s day in the US today. My dad hated war and never showed these slides to us. After he died last year I found a few hundred of these. I scanned the first 20 this week and this was one of them. He is reading the Russian author Vladimir Nabokov who wrote Lolitta. If you knew my father a photo of him reading that book would make you laugh pretty hard!

“The Korean War (25 June 1950 – armistice signed 27 July 1953) was a conventional war between South Korea, supported by the United Nations, and North Korea, supported by the People’s Republic of China (PRC), with military material aid from the Soviet Union. The war was a result of the physical division of Korea by an agreement of the victorious Allies at the conclusion of the Pacific War at the end of World War II.” – Wikipedia

For more info: va.gov

Brooklyn vs Bronx

Here’s two dance off competitions. Both are awesome in their own ways. I know humans are crazy everywhere but in the USA we know how to push it. Make sure you watch the end of Bronx vs Brooklyn… eat that China.

“Dance is an art form that generally refers to movement of the body, usually rhythmic and to music,[1] used as a form of expression, social interaction or presented in a spiritual or performance setting.” – Wikipedia

For more info: youtube.com/user/dcole74

Music is Technology

The New York Times has posted an article titled Prophecy of Machines worth checking out. I agree with Max and Mr. Rzewski.

“Is music technology? Max Weber, in his last book, “The Rational and Social Foundations of Music, ” published in 1921, a year after his death, says, basically, yes.” – NYTimes.com

Read the article: blogs.nytimes.com//prophecy-of-machines

Limelight Movie

The nightclub that made me “famous” gets a movie. Besides the song I created I performed there over 20 times. Sometimes I performed on Friday for Future Shock other times on a Wednesday for Disco 2000. I was friends with Ernie Glam who was roomates with Keoki and Michael Alig. Thier apartment was as crazy as people say it was. Everytime I met Peter Gatien he was very friendly. I was even once in the money room. It’s was a room with a lot of cash in it and a guy with a gun at the door. A lot of cash. While NYC is a nice place to live now it’s soul moved to Brooklyn.

“As the owner of legendary hotspots like Limelight, Tunnel, Palladium and Club USA, Peter Gatien was the king of the New York club scene until years of legal battles led to his eventual deportation to Canada. This exuberant documentary charts Gatien’s rise and fall against the transformation of New York City, offering a wild ride through a now-closed chapter in the history of NYC nightlife. From the director of “Cocaine Cowboys.”” – magpictures.com

For more info: magpictures.com/limelight