Sonic Charge who make the excellent uToniq, Synplant and Bitspeek are gearing up to release something called Permut8. There’s a thread over at the KVR forums getting into what it could be (link). My guess it uses some Bitspeek tech and is sort of a bit-crusher, filter, fxstep sequencer with feedback? Someone there mentioned it could have software like Otto Biscuit. I think it will be a good one!
“NDA, I’m afraid. But it’s a doozy of a plugin. Definitely not a one-trick pony.” – ariston
For more info: soniccharge.com
I love all the plug-ins Berlin based Sugar-Bytes produces. Even though their new software Cyclop is aimed at the dubstep crowd don’t let that deter you. In fact, tools created for one thing used for another often makes a lot of sense. A FX Sequencer, 10 filters, 6 synth engines, Routing Mod and more in an easy to use thing should make any electronic music producer smile. I’m going to buy this tonight. $139 USD.
“And with it comes bass — lots of it. Synthesis in its purest form. Spectral, digital, or fat analog. Use your own samples as a wavetable, throw effect sequencer orgies, drop on filters and make wobble basses never heard before.” – sugar-bytes.de
For more info: sugar-bytes.de/content/products/cyclop
This entry was written by plug-ins, synthesizer and tagged bass, Cyclop, dubstep, Sugar Bytes, synthesizer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
So let’s say you modified your Korg Monotribe to use MIDI. You can see the post I did about the Amazing Machines Miditribe I/O: here. Unbelievably there is now a software editor that lets you control your MIDIed Monotribe called Mtribe. You can now save presets, record automation, etc… There’s even a random patch generator (yay). It’s stand alone or a Max4Live device. The software is $5. I love my Monotribe and think it has a great sound. Very much worth the price.
“MIDI IN/OUT for all MIDI supported features in a practical GUI. Presets (load/save for storing and recalling presets!). Key Tracking. In real time pitch modulates LFO intensity / VCF cutoff. LFO as second oscillator, auto tuned based on harmonics schemes. Glide emulation and finer pitch bending (more precisely than raw MIDI). XY Pad for two parameters at once (with reset and spring mode). (optional) note off removal (to remove gate clicks) and velocity off/on. preset randomizer for each section (VCA, LFO, modulation, glide). MIDI learn for the GUI through extra MIDI input.”
For more info: fabriziopoce.com/mtribe
This entry was written by plug-ins, synthesizer and tagged Korg, Monotribe, MTribe, synthesizer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Jono named after it’s creator Jonáš Gruska is a MaxMSP synthesizer inspired by the modulars. It has a sequencer and a random patch generator (nice). It’s 15 Euro and if you don’t like it they will return your money.
“JONO is a software musical instrument inspired by modular synthesizers. By providing a mixture of classical and experimental elements it can serve as an interesting addition to your setup or as a standalone tool.” – jono.zvukolom.org
For more info: jono.zvukolom.org
This entry was written by modular, plug-ins, synthesizer and tagged Jono, Max/MSP, synthesizer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Izotope has released a “sampling re-synthesizer” called Iris. Many years ago I was at Sam Ash in White Plains. There was a guy demoing some IRCAM software. He told me it was top secret. You could see audio; not in a waveform sense but spread like an image with varying colors as parts of the sounds. You could then draw on the image and filter out audio. That product was never released to the public. I suspect the French government was using it in it’s crime labs. Iris reminds me of that software and a bit more. Some of the tech from Iris certainly comes from Izotope’s own amazing RX audio cleaning software. Check out the videos above as they will show you what Iris can do better than any text. I’m going to get this one and first thing put my own vocals into it. It’s $149 USD and comes with a 4GB library.
“Evolve your sounds rapidly with Iris?s diverse and intuitive visual selection tools. By drawing shapes in the Iris spectrogram, you can isolate speciic audio frequencies within a sample and play them back immediately on your MIDI keyboard.” – izotope.com
For more info: izotope.com/products/audio/iris/
This entry was written by plug-ins, synthesizer and tagged Iris, izotope, Izotope Iris. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Rob Papen has another soft synth out called Blade. It has some morphing additive XY tricks. I haven’t tried it myself yet but most of the Papen is stuff is good especially because all the products come with a zillion presets. I’m not sure ir it’s true or not but interestingly it says on the Rob Papen site he’s a Christian Music artist.
“At the heart of BLADE, ready to twist and transform your musical mind, lies the Harmolator. An additive synthesis system, which rather than using the system of changing additive partials, uses global controls which capture the essence of additive synth in an intuitive way making the creation of sounds much easier than using other additive synths. The nine Harmolator controls allow you to create a vast range of sounds so you get all the amazing sounds that additive synthesis can generate with the added simplicity of traditional subtractive synthesis. The Harmolator allows oscillator spreading, fattening the sound and also square / sine wave sub-oscillator. What’s more, the sound can be modified further by the 21 per-voice distortions types and 14 filter types.” – robpapen.com
For more info: robpapen.com/blade
Fabfilter has posted some info on their upcoming distortion/saturation plug-in called Saturn. It will be available later this week.
“FabFilter Saturn is a high quality multi-band distortion and saturation plug-in. From subtle, clean and warm tube or tape saturation to the wildest multi-band guitar amp effects: FabFilter Saturn delivers!” – Fabfilter
For more info: facebook.com/pages/FabFilter
I really like Berlin’s Sugar Bytes. They make some very nice mangling plug-in effects such as Effectrix and Turnado. They have a new sample synth coming out in the Spring called Cyclop. While sure everyone is going to scream Dubstep these type of sounds can be used to great and wonderful effect in any genre. I’m looking forward to this one. The audio player above is Cylop in action.
“CYCLOP is the scratch-looping, sample-mashing, sub-generating, harmonic-splicing mothership of the twisted bass alliance and it’s landing on your desktop soon. With masses of new sounds for you audio-junkies, from screaming analog syncs through brutal FM sounds to scintillating spectral shimmers. The integrated sampler also works as wavetable synth and pitch transformer for creating unbelievable and disturbing monster voices. CYCLOP is more than massively loaded with features: 10 incredible filters, unique wobble generator, feedback processor, 3 overdrives and an effects sequencer. CYCLOP is expected to be released in spring 2012.” – sugar-bytes.de
For more info: sugar-bytes.de
This entry was written by plug-ins, synthesizer and tagged Cyclop, Sugar Bytes, synthesizer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
A couple of months ago Steinberg re-released one of his classic synths the Model-E. Today they re-released Neon and Karlette. Neon was the first soft synth I ever used. What a trip down memory lane! I’m very tempted to make a track using only Neon instances. Are we going to get a 2012 version of the Koblo Vibra9000 next?
“Throughout the long history of Steinberg, many products have come and gone, many have been superseded by new variants and others have been dropped completely. Once in a while, however, some of our developers like to dig up one of these long forgotten gems and polish it ready for current operating systems.” – Steinberg.net
Download Neon and Karlette free: steinberg.net/neon-and-karlette…
I use Ableton’s Autopan often. Mostly I use it when recording old analog synths that don’t have MIDI. I use it as a 1/8th or 1/16th note chopper to keep things in line. You can hear it at work on the bassline in my song Sex Machine (above). Of course there’s more the little Autopan can do as the Liveschool video points out. Here’s another tip… Audiodamage’s Panstation plug-in which is based on the Drawmer M500 gives you a different, more classic, wider effect than Autopan.
“Ableton Autopan device – multiple ways you can use it in your music.” – Ableton Liveschool
For more info: vimeo.com/abletonliveschool
photo credit: Seven Morris
This entry was written by Ableton Live, plug-ins and tagged ableton, Ableton Live, Audiodamage, Autopan, Panstation, Sex Machine. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.