Today I had the pleasure of interviewing Klaus Suessmuth of Acidlab. He is the man behind some killer Roland hardware clones. Not only does he replicate the sounds of the originals to the extreme detail he also takes the time to extend the feature sets of these ancient machines. To top it off Acidlab hardware looks great!
I think the Roland TR-808 is the king of all drum machines sound wise. How close does the Acidlab Miami sound to a vintage TR-808?
Closer than any other 808 clone. Without a direct comparison not possible. The differences of the sounds are just in the pitch and in the range of the variation of the original. The Bassdrums decay is increased.
Does the Miami have a fully analog signal path?
The Miami has the same analog sound-circuits of the TR-808. The components are replaced with new components. In some sound-circuits, the original parts were used to achieve the same sound.
What features does the Miami have that a vintage TR-808 does not?
Let’s talk about how you make your wonderful toys. Do you manufacture all the Acidlab products by hand in Germany or do you outsource some of the labor to a small factory?
The electronic is assembled from a factory, I do the calibration and the rest of the assembling.
How long does it take to make a Miami?
Too long! Have to do a lot improvements on the production workflow.
Have you ever been to Miami Florida?
Yes, once in the airport on the way to costa-rica, with no money left (all was gone for the fly-ticket) …..
You have created some very nice clone machines. Have you thought about making an all original design? For example, I love my Vermona DRM1 MKIII…
The Bombass is an all original design! I have done a lot of Â special moduls for my modular systems as prototyps…
Do you also keep another day job? Exotic dancer? Software developer? Sherpa?
Of course – Design and research as electronic developer in a big German firm. Main topics are powerelectronics and low noise sensor systems with highest resolution.
If you caught someone in your home stealing all your music equipment would you: A) Kill them. Â B) Forgive them and give them 20 Euros for food. C) Tie them up and make them watch DJ Scooter videos for 24 hours.
They will get crazy from using my equipment !
Tell us some links where to find your products, websites, videos and anything else!
In the US, contact: analoguehaven.com
This entry was written by hardware, interviews, synthesizer and tagged acidlab, Germany, Klaus Suessmuth, Miami, Roland TR-808, tr-808. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
In the 90s I used a Tascam M1600 mixer. As studio life went ITB (in the box) most of the large mixer sat unused. After I while I got sick of cleaning the dust off it and switched to a Presonus Central Station to handle my monitor controlling. It’s passive which means my audio doesn’t take a trip through DSP chips. The “passive” bit was the selling point for me and why I recommend it over a Mackie Big Knob. It’s nice but the Avocet from Crane Song is the Lamborghini of monitor controllers.
“If you’ve been following Gearwire’s visit to Boiler Room Mastering, you know that Collin Jordan doesn’t have any lousy gear anywhere near his mastering suite. Here, he shows us his jewel from Crane Song, the Avocet Class A Studio Controller.” – Gearwire
The Avocet is $2800. For more info: www.cranesong.com
This entry was written by hardware, interviews and tagged Avocet, Big Knob, Central Station, monitor controller, presonus. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Les Paul, the inventor of the electric guitar and 8-track died this week.
“Lester William Polsfuss, known as Les Paul (June 9, 1915 – August 13, 2009) was a musician and innovator, famous for being a pioneer in the development of the solid-body electric guitar which “made the sound of rock and roll possible.” He is credited with many recording innovations, including overdubbing (also known as sound on sound), delay effects such as tape delay, phasing effects, and multitrack recording.” – Wikipedia.org
For more info visit his official website: www.lespaulonline.com
This entry was written by hardware, interviews, live performance and tagged 8-track, electric guitar, Gibson, guitar, Les Paul. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I found Swayzak by their single I Dance Alone (iTunes link). Later I found the album Some Other Country (iTunes link) to be perfect office work background music. They have released a free Ableton Live pack. It’s a 50MB download available now: click here
“Swayzak is a tech house duo from the United Kingdom that consists of James S. Taylor and David Brown. They live and work in London and released their first 12″ single “Bueno” / “Fukumachi” in February 1997 to much acclaim. It was followed up by the 12″ “Speedboat” / “Low Rez Skyline” to become part of the burgeoning tech-house scene in the UK.” – Wikipedia.org
What does the word “Swayzak” mean anyway? Is it some kind of UK thing?
This entry was written by Ableton Live, interviews, music, sounds, video and tagged ableton, Ableton Live, Swayzak. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Appetite For Self-Destruction is a great new book by Steve Knopper about the crash of the music industry. NPR (National Public Radio) has a 38 minute interview with Mr. Knopper and it’s a must listen for any musician. The interview, which aired on NPR’s superb show Fresh Air was posted yesterday so it’s a fresh look back at all the simultaneous ways the record industry blew it. Greed, laughable negotiations with Apple and CD-R manufacturers, and top level execs not listening to their younger underlings yelling “Napster is the future!” are just some of the things that contributed to this spectacular crash. As a musician it maybe painful to listen to because this was once a valid livelihood but it’s time to re-tool the workshop and produce a different product.
“In the sub-sub-genre of books about rock music and the industry, I rank this right up there with classics like “Hit Men” and “The Death of Rhythm and Blues.” We think in terms of “industry,” but through his deftly drawn portraits of industry leaders, Knopper helps us see clearly how we got to here from there: simple bad decision making and a blatant refusal to consider, first, that the world had changed and then a stunning lack of curiosity about how it had changed. Highly recommended. Enjoy!” – Patricia Romanowski, Amazon.com (book review)
The interview is online so head over and listen now: click here
Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age (Hardcover) is available at Amazon for $17.16: click here
photo credit: alwright1
This entry was written by business, interviews and tagged book, music business, NPR, record label, Steve Knopper. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
A few years ago when my brother got married I was the best man and has tradition dictates I received a gift for my duties. He handed me a small square box wrapped nicely and when I opened it I was surprised to see an Apple logo. He gave me an iPod Nano. At that time I never owned an iPod or believe it or not even thought I wanted one. I knew they were cool but I was only really listening to music in my studio. For the first few weeks after the wedding the iPod sat in a pile of stuff next to my computer. When I plugged it in iTunes popped up and it synced some music. I remembered reading on a few blogs about TWIT (This Week in Tech) which was a “podcast”. Basically a podcast is an audio file you can subscribe to via a special RSS feed from inside the iTunes Store. I subscribed to TWIT, re-synced, put my headphones on and walked to my studio which was about a 10 minutes away. When I got to the studio I was so into the podcast I decided to just keep on walking and listening. Today I subscribe to about 20 podcasts.
Without a doubt the best podcast for pro-audio is Sonic State’s Sonic TALK from Nick Batts and his friends. If you like this blog there’s no doubt you will like Sonic TALK. A few brits, Americans and sometimes a German very politely chat about synths, weird music, live performances and software.
PJ Tracy, Dave Spiers, Nick Batt. Our first moments are spent marveling in the wonders of Ad Jingles and their creation, with blasts from John Parr and Jonathan Hodge, then we discuss the recently announced Moog Taurus pedals reissue. Then a quote from Blixa Bergfeld on Disquiet gets us onto the topic of originality, then we talk about Raysgigs.com – a site where Ray Morrissey lists over 5000 gigs he has attended and made notes on many occasions – a real goldmine of information and impressions. And thats it for this week. – sonicstate.com
Recently they started to record Sonic TALK live. Everyone is invited to listen and join in the chat room for a real time discussion. I’ve been meaning to join in the TALK for a while and I finally remembered the time slot. It was definitely fun in a super geek way. From time to time Nick and crew would check in with the chat room and mention us “on the air”. To listen to this week’s episode: click here
Catch SonicTalk live every Wednesday at 11:00 AM EST. For more info: click here
photo credit: zoomar
This entry was written by interviews and tagged iPod, Nick Batt, podcast, SonicState, SonicTalk. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
The always busy James Bernard from Propellerhead Software went to LA to interview Bon Harris one of the founding members of Nitzer Ebb. It doesn’t surprise me to hear he’s using Reason to create the music for the upcoming all new NE album. Reason seems to be a center piece in a lot of EBM bands today. It was a happy surprise to hear the bassline Mr. Harris let us have a sneak peak of because it had an old school Nitzer Ebb feel to it. If Douglas McCarthy can get angry enough to put proper vocals on this remains to be seen. I for one really hope the magic returns.
This entry was written by interviews, music, Propellerhead Reason, song writing, video and tagged interview, James Bernard, Nitzer Ebb, Propellerhead, Reason, video. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Nylvi is a new site about to launch from a group of Norwegian’s who recently moved to Berlin. They have been getting to know the city and its scene visiting labels and other music tech companies. I would say Nylvi has some similarity to the Discogs Marketplace but with much added style and extended functionality. From talking with Nylvi I see they understand social media and data portability which appeals to me as an online music seller. I think they are one to watch.
They visited my studio last month and today I recorded a short interview with Thomas who you can see in the photo above (left):
Visit them at Nylvi.com
Here’s a great video visit to Daptone Records studio in Bushwick, Brooklyn. Co-founders Neal Sugarman and Gabriel Roth show you around their music making fun house. If you ever wished you could find new soul records produced the way they used to be this is the place to check.
Everything at Daptone is analog except their one single digital piece: a CD player! Incredibly they even edit without computers using good old fashion razor blades and tape. I really like how they floated a floor for a sound proof room using tires and used clothes.
Visit Daptone Records: click here
This entry was written by business, interviews, video and tagged Bushwick, Daptone Records, studio, video. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Here’s a guy who spent more time in front of a microphone than probably anyone you know. Don LaFontaine was “the movie guy”. He is the voice you hear in countless movie trailers saying, “In a world full of…”. Don passed away on Monday at the age of 68.
“Donald LaFontaine (August 26, 1940 – September 1, 2008) was an American voice actor famous for recording over 5,000 movie trailers and (according to his website) over 350,000 television commercials, network promotions, and video game trailers. His signature voice was perceived as being both ominous and sonorous. His nicknames included “Thunder Throat” and “The Voice of God”. He became identified with the phrase “in a world…”, which has been used in movie trailers so frequently that it has become a cliché. He also parodied this cliché several times, most recently in a commercial for GEICO insurance.” – Wikipedia.org
I remember seeing a documentary about his work and noticed he had his own home studio. Over the period of his life he was a recording engineer, film editor, producer, and writer. He was also known to take the time to send fans personalized voice recordings. I wonder if he had a favorite microphone.
For more info: www.donlafontaine.com