Engadget has coverage of Google’s I/O conference. Did you know that Google is showcasing a “Net-enabled social music device with a musical keyboard and a wide multi-touch display, and a variety of musical apps and cloud services.” called the Miselu Neiro? Retronyms, Korg and Yamaha are showing off software on the device. Check out the Polysix, a touch screen Theremin and more in the video above. It’s interesting but the iPad has such a huge lead in music apps this will have to be very inexpensive or get some exclusive content. I do like the idea!
“Yamaha is providing the upcoming “neiro” with the Yamaha AudioEngine (TM) Series Sound Chip NSX-1. This powerful synthesizer engine delivers a quality that almost matches the sound of real musical instruments. The DSP chip offers a larger variety of sound effects such as reverb, chorus and EQs that create a rich sound experience.” – miselu.com
For more info: miselu.com
This entry was written by hardware, synthesizer and tagged Korg, Miselu Neiro, Polysix, Retronyms, Theremin, Yamaha. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Two awesome things! A custom built spring reverb and a Vermona DRM-1. I own a DRM-1 and I recommend it highly to everyone. Just listen to how great these sound together.
“Finally, my custom built spring reverb is ready. (thanks much to Csaba Füle, the best)
Basically it is an RFT spring tank driven by a Doepfer A-199 module. Much bigger space, much wider spectrum, much better than Accutronics imho. Audio: It’s a basic sequence with the Vermona DRM-1 put on multi channels sent to the Spring Reverb. Changing Emphasis and Feedback here and there on the Doepfer A-199 module, changing the filter on the snare at the solo, and finally, slapping the rack hard in the end. :) It’s just wonderful. Everyone should forget vst reverbs – for a while at least. This thing sounds so unpredictable, so different every time, so alive… I have done some phased and hi-lowpassed feedback and send-return business too, really shouldn’t waste words trying to describe those sounds…” – Hargitai András
For more info: wiretotheear.com/vermona-drm1-mkiii-audio-video-review
This entry was written by drum machine, effects, hardware and tagged Germany, reverb, spring reverb, Vermona DRM1. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
A $50 cassette doormat. If it were a Maxell XLII 90 I may have considered it.
“If you have fond memories of avoiding The Electric Slide or making mix tapes of your favorite songs from the radio, you’re probably grinning like a fool at this Cassette Doormat. Designed to look like a K7 tape, this rubber doormat is ready to receive your dirty feet. Unlike a cassette tape, it will never require winding with a pencil and it will never wear down to the point of not working anymore. You can even wash it off with the hose when you don’t like the stuff that’s on it. Can’t say that about a real cassette!” – thinkgeek
For more info: thinkgeek.com/homeoffice/gear/ecd4/
I’ve been waiting to see a bit more of what the Jomox Moonwind can do and this week Jurgen has posted three new videos. This is the kind of interesting (and expensive) boutique gear you can really love. I think it’s really great he designs and makes this stuff himself.
“Moonwind Analog Filter Tracker is a true analog stereo filter with built-in step sequencer, a fantastic sounding digital FX chip, 2 LFOs and envelope modulation. Everything is storable and controllable via Midi.” – Jomox
For more info: jomox.de/…product_id=15
This entry was written by effects, hardware and tagged Berlin, filter, Jomox, LFO, Moonwind. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
As I am about three fourths of the way done with my next album and my studio is a mass of wires. I’ve become obsessed with syncing my old drum machines and analog synthesizers using various methods. I’m not looking for perfectly quantized MIDI. I’m looking for some Control Voltage madness. Last night’s experiment will definitely make it to a full song. I haven’t shared anything with you in a while with regards to my upcoming music but it’s time I start breaking the ice. The audio sample may not be your cup of tea but the method can be used to create all sorts of nonsense in many music styles.
I have an old Korg Rythm 55 drum machine. I go out of it’s Trig Out to a Doepfer Dark Time analog sequencer’s Click In. On the Korg you can set the sequencer to trigger in various times. If you select a 16th note you will get your typical Giorgio Moroder type of thing. This time I have it set to follow the Korg’s kick drum (blue arrow above). The Doepfer is hooked up to one of the oscillators on an Analogue Solutions Telemark synth (both pitch and filter). This time around I don’t want the Dark Time telling the synth to play different notes. I only want it to Trigger a very slight pitch change and that’s why (see the green arrow) I have the pitch line stop after the second step. The two steps are just slightly detuned. The filter does change open and closed over 8 steps (which you can only hear when the filter is partial closed at the beginning). If you notice there is a grey Midi cable plugged into the top of the Dark Time. If I wanted I could play different notes on my attached MIDI controller and the entire sequencing line would change pitch.
Hit play on the Korg and off we go. I turn up the filter, bring in the Korg’s snare and you have something from a different decade. To add to the whole vintage feel the Korg has some Boss DM-100 on it. You can hear when I hit the fills on the Korg the synth follows and it’s really magic. One last thing to note is if you look at the Analogue Solutions Telemark photo above you see that orange arrow? That points to the other oscillator that’s not being controlled by the Doepfer. Its another reason you hear a detuned sound. I can bring it and the noise knob in and out for great effect (or verse/chorus parts). Time to add the vocals.
“At its most basic, an analog sequencer is nothing but a bank of potentiometers and a “clock” that steps through these potentiometers one at a time and then cycles back to the beginning. The output of the sequencer is fed (as a control voltage and gate pulse) to a synthesizer. By “tuning” the potentiometers, a short repetitive rhythmic motif or riff can be set up.” – Wikipedia
For more info: thehorrorist.com
This entry was written by drum machine, hardware, synthesizer and tagged analog sequencer, Analogue Solutions, Control Voltage, Doepfer, Doepfer Dark Time, Korg, Korg KR55, Telemark. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Acidlab who already make great Roland TR-808 (Miami) and TB-303 (Bassline) clones is recreating those products in beautiful Eurorack modular form. As far as pro-audio gearlust these things rate high on the wow I want to touch them scale. You can read an interview I did with Klaus Suessmuth here. Klaus posted these photos and information over at the Muffwiggler forum (link).
“The newest products are FRAME with 84TE space, a 5-ch Mixer and the POW-Modul. 3HE Case is at 75 Euro; the Powermodul with powersupply is at 65 Euro. POW-modules’ performance is +12V/700mA und -12V/700mA. Another new products will follow in the near future: 6HE Case, 303VCO & M303 (303-module); the 808-Drumodule will need more time. -a V/Octave to V/Hz Converter (for Korg-CV & Metasonix) will follow, too!” – Klaus Suessmuth
This entry was written by drum machine, hardware, modular, synthesizer and tagged acidlab, Eurorack, Klaus Suessmuth, modular, roland, Roland TB-303, Roland TR-808, synthesizer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
In the late 1960s Mike Matthews worked as a salesmen for IBM. He then started Electro Harmonix in NYC. The legendary effects pedal company is still going strong. His most famous pedal is the Big Muff fuzzbox. I’m far more interested in his very early analog products. One of them is awesomely named the Sequencer Drum. It’s a simple analog synth with an 8 step sequencer. You can hook two together and they will be in sync. You don’t buy these for their features. You buy them for the sound. Like calves liver it’s something not everyone is after. After watching the video above some of you are already on eBay. You won’t find these often. If your looking to recreate an early 80s Soft Cell demo cassette this is a good starting point.
“The Sequencer Drum is one of the rarest Electro Harmonix pedals. Unlike some of the other EH obscurities, this one is actually useful and sounds amazing! Not only is it an 8-step CV/Gate sequencer, but it has a built in synthesizer and a mode that allows you trigger the sequence at a set decay! The leather pad on the front is meant to be tapped to activate the trigger (hence the “drum” in the title). This particular sequencer is the fully patched out version, with an input that allows you to clock the unit externally, and CV and internal Clock outputs for sequencing other synthesizers.” – Matrixsynth (captured eBay description)
This entry was written by hardware, synthesizer and tagged analog sequencer, Electro Harmonix Sequencer Drum, Electro-Harmonix, Soft Cell, synthesizer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Here is a great custom synth now available on eBay called the DiVision-B. It was created in Greece and has a large built in oscilloscope. Right now the auction is at a little less than $400 USD.
“Arduino based Custom Made Analog Synthesizer compiled with 2C.V.s & C.V. Divider” – monopolis.gr
This entry was written by hardware, synthesizer and tagged DiVision-B, Greece, monopolis, synthesizer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
In my own opinion Skinny Puppy’s album Vivisect VI and the tour that went with it was the pinacle of their career. I saw that live show and have a jacked covered in fake blood to prove it. What you see above is a diagram CEvin Key posted on his Facebook page (link). It was used to set up their synths including Akai S900, Ensoniq ESQ-1, Emax, Moog, SPX90, Pro-1, Mirage and a Roland TR-808. What a nice find.
“This is the only Skinny Puppy album on which Dave Ogilvie (credited as “Rave”) is given songwriting credit and listed as an official member of the band. This was also the only album (until 2004′s The Greater Wrong of the Right) to feature a photo of the band.” – Wikipedia
For more info: facebook.com/cevinkey
A few days ago Jack Tramiel past away. For most people it’s the his product the Commodore 64 that has them teary eyed in rememberance. For me however it is the Atari ST. When it came out the 520ST not only competed with the Mac it bested it on many fronts and it cost much less. I remember the first time seeing the Atari monochrome screen. People rave about the clearness of the new iPad 3′s screen and like today’s raves for the iPad that Atari screen was something to behold. It was so sharp and clear for the time. In addition the ST had something no other main computer system had: MIDI ports. I used DR T.’s KCS (Keyboard Controlled Sequencer) and later Cubase on a 1040ST. By the way theses were also in my own opinion beautifuly designed machines. Just look at that image above. Like my Apple products today I really loved that machine. It tempted me to create. I did also own an Amiga and loved it as well.
“In 1953, while working as a taxi driver, Tramiel bought a shop in the Bronx to repair office machinery, securing a $25,000 loan for the business from a U.S. Army entitlement. He named it Commodore Portable Typewriter.” – Wikipedia
For more info: wikipedia.org/wiki/Jack_Tramiel
This entry was written by hardware and tagged Atari, Atari ST, Commodore, Commodore 64, Commodore Amiga, Jack Tramiel. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.