Here’s a nice video history of Roland drum machines with the narrator Robbie Ryan beat boxing examples and then playing audio samples from actual songs.
“This is a documentary celebrating the 25 year anniversary of the Roland TR909. In this documentary, narrated by Robbie Ryan, we traverse the history of the programmable drum machine from the CR78, TR808, TB303, TR909, and LinnDrum, with audio examples of each.” – iloveanalogue.blogspot.com
Serious cool alert time. There is an all new fully analog drum machine with 64 patterns, pattern programmability, MIDI and trigger out called the Delptronics LBD-1. It’s priced quite nicely at $240 USD. There is also a kit and Eurorack module.
“The LDB-1 “Little Drummer Boy” is a modern recreation of the classic analog drum machines of the 80′s, like the Roland TR-606 and TR-808. Our goal was to recreate the warm sounds of the classics, using all analog circuitry – not samples. The brain of the LDB-1 is a powerful digital microcontroller that triggers the analog drum sounds and provides the sequencer, programmability and connectivity features. Easily interfaces with other instruments, synthesizers, DAWs, etc. through analog connections, MIDI, and DINsync.” – delptronics
We have seen TR-808 keychains before but now we have here a Roland TR-808 keychain that’s a 16GB flash drive (link). If you really want to impress a someone give them your music on one of these. Please note: The designer of this flash drive offered to send me one so consider this a sponsored post.
“Based on the legendary Roland TR-808 Drum Machine, the TR-808 flash drive does a brilliant job of recreating the most legendary vintage drum machine/synthesizer ever created. The TR-808?s signature synthesized drum sounds can be heard in nearly every genre of music, from Electronic to Country. The TR-808 played a crucial role in shaping many sub-genres of hip hop including bass and southern/dirty south hip hop beats. Hip Hop heads, Electro Heads, Synth Freaks, and more will all appreciate the detail put into this novelty 16GB USB Flash Drive.” – hiphopdrumsamples.com
Every now and then I will grab a stack of old photo from storage, scan them and get them onto flickr. I came across this set from a Disintegrator (my first band with John Selway) show in 1996. It took place in Monticello NY. I decided it would be interesting to record a call with John and let him see these photos at the same time. Deadmau5 eat your heart out because we play live. Listen to the audio interview as we discuss everything on stage and more. Be sure to follow the link at the bottom of this post to see all the photos on flickr.
“The planetary journey continues on Saturday October 12, 1996 at the illustrious Concord Resort Hotel nestled within the Catskill Mountains just 1 hour north of New York City. For URANUS, the fifth in a series of planetary parties we have selected an unparalleled lineup of the best DJ’s and producers in the galaxy. The world renowned Concord Resort is one of New York State’s Largest exhibition centers featuring over 170,000 square feet of raw space. We will be converting this space into two MASSIVE dancing arenas complete with CLAY PACKY GOLDEN SCAN HPE series fixtures, J WOLF SOUND, and a huge ARGON laser sweeping overhead. For those wishing to continue your journey, the excitement continues. After the party rooms are available. The Concord resorts features indoor and outdoor swimming pools, saunas, steam rooms, and a plethora of recreational facilities to suit your every need. For reservations please contact the Concord after September 1, 1996 at 1-800-CONCORD and ask for the planetary group rate.”
Two awesome things! A custom built spring reverb and a Vermona DRM-1. I own a DRM-1 and I recommend it highly to everyone. Just listen to how great these sound together.
“Finally, my custom built spring reverb is ready. (thanks much to Csaba Füle, the best)
Basically it is an RFT spring tank driven by a Doepfer A-199 module. Much bigger space, much wider spectrum, much better than Accutronics imho. Audio: It’s a basic sequence with the Vermona DRM-1 put on multi channels sent to the Spring Reverb. Changing Emphasis and Feedback here and there on the Doepfer A-199 module, changing the filter on the snare at the solo, and finally, slapping the rack hard in the end. :) It’s just wonderful. Everyone should forget vst reverbs – for a while at least. This thing sounds so unpredictable, so different every time, so alive… I have done some phased and hi-lowpassed feedback and send-return business too, really shouldn’t waste words trying to describe those sounds…” – Hargitai András
As I am about three fourths of the way done with my next album and my studio is a mass of wires. I’ve become obsessed with syncing my old drum machines and analog synthesizers using various methods. I’m not looking for perfectly quantized MIDI. I’m looking for some Control Voltage madness. Last night’s experiment will definitely make it to a full song. I haven’t shared anything with you in a while with regards to my upcoming music but it’s time I start breaking the ice. The audio sample may not be your cup of tea but the method can be used to create all sorts of nonsense in many music styles.
I have an old Korg Rythm 55 drum machine. I go out of it’s Trig Out to a Doepfer Dark Time analog sequencer’s Click In. On the Korg you can set the sequencer to trigger in various times. If you select a 16th note you will get your typical Giorgio Moroder type of thing. This time I have it set to follow the Korg’s kick drum (blue arrow above). The Doepfer is hooked up to one of the oscillators on an Analogue Solutions Telemark synth (both pitch and filter). This time around I don’t want the Dark Time telling the synth to play different notes. I only want it to Trigger a very slight pitch change and that’s why (see the green arrow) I have the pitch line stop after the second step. The two steps are just slightly detuned. The filter does change open and closed over 8 steps (which you can only hear when the filter is partial closed at the beginning). If you notice there is a grey Midi cable plugged into the top of the Dark Time. If I wanted I could play different notes on my attached MIDI controller and the entire sequencing line would change pitch.
Hit play on the Korg and off we go. I turn up the filter, bring in the Korg’s snare and you have something from a different decade. To add to the whole vintage feel the Korg has some Boss DM-100 on it. You can hear when I hit the fills on the Korg the synth follows and it’s really magic. One last thing to note is if you look at the Analogue Solutions Telemark photo above you see that orange arrow? That points to the other oscillator that’s not being controlled by the Doepfer. Its another reason you hear a detuned sound. I can bring it and the noise knob in and out for great effect (or verse/chorus parts). Time to add the vocals.
“At its most basic, an analog sequencer is nothing but a bank of potentiometers and a “clock” that steps through these potentiometers one at a time and then cycles back to the beginning. The output of the sequencer is fed (as a control voltage and gate pulse) to a synthesizer. By “tuning” the potentiometers, a short repetitive rhythmic motif or riff can be set up.” – Wikipedia
Acidlab who already make great Roland TR-808 (Miami) and TB-303 (Bassline) clones is recreating those products in beautiful Eurorack modular form. As far as pro-audio gearlust these things rate high on the wow I want to touch them scale. You can read an interview I did with Klaus Suessmuth here. Klaus posted these photos and information over at the Muffwiggler forum (link).
“The newest products are FRAME with 84TE space, a 5-ch Mixer and the POW-Modul. 3HE Case is at 75 Euro; the Powermodul with powersupply is at 65 Euro. POW-modules’ performance is +12V/700mA und -12V/700mA. Another new products will follow in the near future: 6HE Case, 303VCO & M303 (303-module); the 808-Drumodule will need more time. -a V/Octave to V/Hz Converter (for Korg-CV & Metasonix) will follow, too!” – Klaus Suessmuth
Rob Ricketts from Birmingham has created some fantastic posters! Roland TR-808 drum machine patterns for Planet Rock, Cybrotron’s Clear (I love that song!), Voodoo Ray and Adonis’s No Way Back.
“A series of informative posters detailing how some of the most notable drum sequences were programmed using the Roland TR-808 Drum Machine. Each sequence has been analyzed and represented as to allow users to re-programme each sequence, key for key.” – robricketts.co.uk
Today I received my latest eBay purchase in the mail: a Suzuki Omnichord OM-84. Add a star to my hipster cred wall. Nevertheless I love the (analog) sound and playability of these instruments. There were a few variations and you can buy new digital models with MIDI called Qchords. If you have an iPad and you want some Omnichordness download the very good Polychord app (link). There’s a good blog that covers old Omnis here: omnichords.blogspot.com. Any of you Wire to the Ear readers own an Omnichord?
“The Omnichord is an electronic musical instrument, introduced in 1981 and manufactured by the Suzuki Musical Instrument Corporation. It typically features a touch plate, and buttons for major, minor, and diminished chords. The most basic method of playing the instrument is to press the chord buttons and swipe the touch plate with a finger or guitar pick in imitation of strumming a stringed instrument.” – Wikipedia