I am happy to announce a remix I did for the German EBM band Haujobb has been released. The song is called Input Error. It is on the first single from their next album called Blendwerk. The wonderful Sid Lamar (Schwefelgelb) also did a remix.
As with many of my remixes I almost like to redo the track. For Input Error I used the underrated Kawai R100 drum machine. The bassline is an Alesis Microbrute. I re-arranged the vocals to be a “more standard” arrangement. I really wanted something that could be played regularly out at a club and also have an 80s Wax Trax atheistic. I hope you enjoy it!
“One of Haujobb’s best songs ever in my opinion!” – Mattias Larsson
Buy now: basicunitproductions.bandcamp.com/album/input-error
Radical G is one of the absolute best EBM meets techno producers. He’s also a good friend of mine. I was excited to see Roland visited his studio to see how he liked the AIRA line. He agrees with me that Roland has produced some right hardware. Take a quick look at Glenn at work!
“Dark electronic madness by Glenn Keteleer with pounding Rave sounds and techno hooks. No excuses regarding styles, Gloomy atmosphere’s ,Wave & Elektro infuences by legendary bands as TNJ and Front 242 are part of the game” – radicalg.com
For more info: radicalg.com
I was looking through some old photos last night and I came across a photo of myself in my studio in 1995. It was in this room I wrote the first Things to Come Releases including One Night in NYC and many of the early Industrial Strength Records I recorded. This studio was in my mother’s basement. Her bedroom was just above it. Looking back I realize how funny it is that I was screaming my head off down there. I do remember I was going to a wedding and thought, “OK I look cool lets take a photo in the studio.”. So hah please look past my uncool look and let’s see what gear I had!
– Atari 1040ST & SM124 High Resolution Monochrome Monitor running Cubase and Dr. T’s KCS.
– Yamaha NS10M Studio Monitor Speakers driven by a Crown Microtech 500 AMP.
– Roland TR-909 Drum Machine
– Roland TR-707 (not pictured… sat to the right of the 909)
– Roland TB-303 Bassline Synthesizer
– Roland SH-101 Synthesizer
– Roland Juno-106 Synthesizer
– Roland SH3 Synthesizer
– Electrocomp-101 Synthesizer
– Roland S-50 Sampler with external monochrome CRT
– Akai S950 Sampler
– Korg SDD-2000 Digital Delay
– Mackie 1604 Mixer
– Another large old mixer (in the photo with the record, CD and DATs on it)
– Tascam 1/4″ Patch Bay
– Tascam Dual Cassette Deck
– Tascam DA-30 DAT Machine
– Turntable for Sampling Records
– Ultimate Support Systems Desk with extra “wings”
– Ultimate Support Systems A-Frame Keyboard Stand with extra “wings”
– Ultimate Support Systems 3 Tier Keyboard Stand
– 2 SKB Rackmount Cases
– Slanted 19″ Rackmount Stand with Wheels
Today kids own a ton of gear. Back then my studio was considered “a lot of stuff”. In making this list you can see how Roland owned the techno world or at least you can see how much I love their stuff. This photo was right before Apple Macs became powerful enough to run Cubase VST with audio recording. So all the vocals I did back then had to be recorded live in one pass to DAT (digital audio tape). One night in NYC, Dark Germany, Mission Ecstacy, etc… all recorded live to DAT in one pass. Of course I would make mistakes and had to start the tape again. So what things in this photo do I still own today? I moved to Brooklyn and the TB-303 and Juno-106 were stolen. I sold the Akai S950, Dat Machines, Mackie Mixer, SH-101 and TR-909. I never regretted selling the 909 actually and until I saw this photo I forgot I even once owned a SH-101! I sold the Korg SDD-2000 digital delay and I do regret that. I will buy one again on eBay someday. I still own the Electrocomp-101. You can’t really see it in this photo (it sat above the SH-101). My father gave it to me and I’ll never part from it. It’s number 521 of 2000 ever created. I still own, love and use the Roland SH3. This is a SH3 not SH3a. The 3 has the original filter in it which was a clone of a Moog design. Moog threatened to sue Roland to they created the weaker 3A revision. While it’s fun to fetishize gear it’s very important to remember it’s not the equipment it’s the artist. Just make music, have fun and tell YOUR story.
For more info: thehorrorist.com
Jonas at Control showed me the Hexinverter.net Mutant drums. When you control the pitch CV with a sequencer it’s very excellent! The kick is doing a bassline. The clap you can also hear but it’s also changing in a really cool way… almost like filter opening and closing. We had it going by itself and I had to own it. The high hat can sound quite 808ish.
“The TR-909’s clap featured one control the user could adjust: volume. That was not okay with me!” – Stacy (hexinverter.net)
For more info: hexinverter.net
Today is September 9 so it’s 9/09 day! Here I am on the left in the early 1990s inside the base of the Brooklyn Bridge playing live using my Roland TR-909. To the right of me is John Selway. Interestingly I bought the machine in Yonkers and when I got to the apartment there were gold records on the wall. My 909 was once owned by one of Chaka Khan’s producers. Never mind my hair just don’t look closely at my pupils! And yes my hand is on the tempo knob.
“The Roland TR-909 Rhythm Composer is a partially analog, partially sample-based, drum machine introduced by the Japanese Roland Corporation in 1984. The brainchild of Tadao Kikumoto, the engineer behind the Roland TB-303, it features a 16-step step sequencer and a drum kit that aimed for realism and cost-effectiveness. It is fully programmable, and like its predecessor, the TR-808, it can store entire songs with multiple sections, as opposed to simply storing patterns. It was the first MIDI-equipped drum machine. Around 10,000 units were produced.” – Wikipedia
For more info: wikipedia.org/wiki/Roland_TR-909
Korg is really making products I like these days. There is a new Volca and it’s a sampler. It’s called the Volca Sample. Being an old Akai S950 guy I love that they made the new box white! It has a eleven parameter motion sequencer, reverb per part, analog eq, active step and jump functions, reverse and the very important sync jack in the back. It holds 100 samples but actually doesn’t sample on it’s own. You need iOS to load in new samples. That said since I use iOS devices I am happy but I can see this as an issue for some. Price TBA.
“The volca sample is a sample sequencer that lets you edit and sequence up to 100 sample sounds in real time for powerful live performances. It’s a powerful addition to any existing volca setup, or simply on its own. The new volca lets you recapture the excitement of the first generation of samplers, in which any sound — vocals, spoken words, ambient sound, or glitches — becomes material for your creations!” – korg.com
For more info: korg.com/us/products/dj/volca_sample
I would dare to say the only thing electronic drum wise out there better than a real Roland TR-808 is the Tiptop Audio Eurorack drum modules. The reason I say that is each module actually gets the sound right but is also controllable in a creative modular environment. It’s not just the sound they get correct. It’s also the pressure or chest feel. Tiptop gets it right. The fact that you can then take these sounds a throw them into Euclidean sequencers, Echophons, Plague Bearer’s etc is just fantastic. They just released the MA808 which emulates the TR-808s Maracas. $99 USD.
“The MA808 is Roland’s TR-808 Maracas sound generator adapted for modular
synthesizer use.” – tiptopaudio.com
For more info: tiptopaudio.com/ma808
I am working on my next album. I have equipment lying all over the place in several totally different locations. In one corner of my apartment I have “little” Eurorack set up and for the sample of the track above Im using a Korg SuperDrums DDM110 for beats and sync. Your also hearing a Noise Engineering Basimilus Iteritas through a Synthesis Technology E440 which has it’s filter controlled by a Make Noise Pressure Points and transpose controlled by a Flame Tame Machine. Now to do some vocals…
“Where does all this leave the DDM110? Not realistic enough to satisfy people who want a drum machine to act as a convenient substitute for a real drummer, not considered ‘classic’ enough to command the extortionate prices paid by retro enthusiasts for just about anything 15 years old with a Roland badge and no MIDI port. This ‘half-way’ status, coupled with its more eccentric qualities, is enough to place the DDM110 in the ‘love it or hate it’ oddity category. I personally gravitate towards the former opinion.” – Sound on Sound
For more info: soundonsound.com/sos/jan01/articles/korgddm110
Next year Teenage Engineering will release a $50 drum machine called the PO-12. Built right on a circuit board it has effects, real time recording and different tempo presets. Watch the video above to see why it’s quite lust worthy!
“Teenage Engineering’s new PO-12 drum machine is awesome! In this video I’m taking a pre-production unit for a test spin, and it’s great. Looking forward to a 2015 release.” – cuckoomusic
For more info: teenageengineering.com
Sometimes things seem to change however often they are just the same. I absolutely adore my Sequential Circuits TOM and indeed also my Roland TR-8. Check out the interesting video above showing TOMs glitch mode vs one of the TR-8’s Scatter modes.
“I drive Glitch Sound in Sequential TOM, I compared it with Scatter of Roland TR-8.” – Yokushe
For more info: vintagesynth.com/sci/tom