I (The Horrorist) am DJing tonight at the Bossa Nova Civic Club in Bushwick (1271 Myrtle Ave, Brooklyn, New York 11221). I will be playing a mix of EBM, synthpop, coldwave, techno and just plain weird things. Other DJs tonight include John Fell Ryan, J Slusher, Derek Rush and Agressiva will perform live.
“Don’t expect to find any reclaimed-wood tables or cocktails served in Mason jars at this Bushwick hole-in-the-wall. Former rave promoter John Barclay opened this 1,900-square-foot club as an antidote to the rampant twee artisanalization of North Brooklyn. See, you don’t come to Bossa Nova to twist your mustache; you come here to drink and dance, though not in that unce-unce-unce megaclub kind of way. A tropically themed bar (think banana-leaf wallpaper and strategically placed pineapples) lubricates the young and festive with $6 drafts and $9 cocktails; there’s pumping techno and house-leaning jams via a stellar sound system.” – nymag.com
This Saturday there is a free event any musician in the NY area will enjoy. At IMSTA Festa you will see booths and rooms where music tech companies set up. This year Ableton, NI, D16, Alesis, Arturia, M-Audio, Propellerhead, SSL, Steinberg, Celemony and many more will be there. In addition there are panel discussions through out the day. I’ve been on a panel in the past but this year I will just be watch and playing with the new toys on display. Registration is free!
“On September 28th, the International Music Software Trade Association and SAE Institute New York will partner to host IMSTA FESTA, a celebration of music technology. IMSTA FESTA brings a collection of top music technology companies together in an environment where they can interact with music makers face-to-face. IMSTA FESTA is known for bringing heavyweight music industry professionals under one roof for this limited engagement. Our panels bring together an array of industry experts to discuss the state of the music business, technology and much more. IMSTA FESTA is a FREE event open to anyone interested in the art of music making; professional and semi-professional musicians, songwriters, music producers, and audio engineers, as well as music students and educators.” – imsta.org
Friday night I did a DJ set at the Wreck Room in Bushwick. Bushwick has been transforming from a war zone to partly artist area for a while. Arriving on the block of the venue it reminded me of going out in the East Village in the late 80s. The Wreck Room is awash in red lights and graffiti with a long bar as soon as you enter. The sound system is wack as in not much bass but it’s loud enough and distorts in a way that feels more punk than just plain cheap. While I have been making DJing mixes for a long time I rarely play as a DJ out. I’ve been solely focused on my live act but this event signals a push to add DJ gigs to my overall repertoire. In fact I purposely didn’t promote Friday night because I wanted a warm up gig. I plan on playing a few different styles depending on where I can play. Im working on an old school EBM set and an cold wave obscur synthpop set. The first style I have ready is purely techno. You can hear about 30 minutes of what I did on Friday on Mixcloud (link). Track selection is really important to me and I’m spending a huge amount of time finding not only what I like but tracks that fit a certain danceable mindset. DJing and playing live feel and are very different to me. However, I do have an F1 Controller (like a little Monome) and I plan on deconstructing some of my own songs and playing them “live” in my DJ sets too. Thanks for Josh, Bill Kraemer and the others who played with me (Shawn O’ Sullivan & SSPS). To see more photos from the event on flickr: click here
“Outside, the streets bump and buckle like 1980s Beirut but inside, thanks to car part light fixtures, a pressed-tin ceiling and the rose brocade wallpaper, this cavernous, bare-brick space conjures up an atmosphere of languid libertinism that’s more like 1890s New Orleans. As the name suggests, Wreck Room is something akin to a punk-rock community center: A pool table offers stimulation on those rare nights when DJs aren’t spinning slinky industrial jams or when bands aren’t playing gritty trash rock. During the latter nights (mostly weekends), a double-doored buffer confines the din to the back room with its delightfully over-the-top tropical mural and thereby leaves the eerily indistinguishable boys and girls in black T-shirts to their earnest, tallboy-fueled conversations about the art of making ‘zines.” – nymag.com
It’s Thursday so basically the weekend starts now right? To get us into the mood check out this Matt Minimal set. There are parts of this say at 6:34, 26:12, 33:14, 40:08, 43:50, 50:13 that will make you put your makeup on, grab a drink and get the party started. Purely deep bass and techno fun.
“Matt Minimal @ Tapedeck Special Electrosound.tv 10.02.2011 with Miro Pajic & Jens Schröder in Berlin!”
I’ve been using my Traktor S4 a lot lately. Besides preparing for some upcoming DJ gigs I’ve been learning about the Loop Recorder and Remix Decks. I was surprised how fun these tools are for remixing songs on the fly. You have a lot more control in Ableton but with Traktor you kind of do things live and in real time. Watch the video above for an idea of what I am going on about.
“Watch and learn how to use the Loop Recorder as the main tool to build quick and powerful Remix Deck Sets.” – Mad Zach
This old Archie comic got it right except that we are all grooving and having much fun!
“Archie Comics is an American comic book publisher headquartered in the Village of Mamaroneck, Town of Mamaroneck, New York, known for its many series featuring the fictional teenagers Archie Andrews, Betty Cooper, Veronica Lodge, Reggie Mantle and Jughead Jones.” – Wikipedia
It really doesn’t matter to me what method you use to play me music when I’m out at a club. All I want is a party with great music. I still press vinyl when I can but I also love all this touch stuff. Traktor DJ from Native Instruments was inevitable and it’s pretty fun to touch waveforms. I think the Freeze mode shows off a cool feature you can’t do with desktop Traktor. Available now for $20.
“TRAKTOR DJ brings the leading pro DJ software to iOS with an intuitive app for instant, high-impact DJ sets. Create mixes in seconds – put your hands directly on beautiful waveforms and manipulate them using gestures you already know. Auto tempo detection makes track syncing effortless while iTunes integration turns your library into a virtual crate to dig through – TRAKTOR PRO’s acclaimed sync engine keeps tracks locked together so mixes hit hard. TRAKTOR DJ also syncs effortlessly toTRAKTOR PRO 2, allowing you to share essential track data – beat grids, BPM counts, and cue points.” – native-instruments.com
The Ion Audio Scratch 2 Go can’t be real because it’s so stupid.
“Scratch 2 Go is an ultra-portable DJ control surface that turns your iPad into a mobile mixing experience. Just download the free Scratch 2 Go app and start mixing, scratching, and adding effects to your music— Scratch 2 Go works with iTunes, so you can mix the music you already own. Its two turntables, crossfader, and control knobs gently attach to your iPad’s screen via soft suction cups for hours of mixing fun.” – ionaudio.com
I have a huge box of cassettes I recorded off NYC radio in the 1980s. Hands down some of the most cherished are the Latin Rascals mixes. They took hundreds of tracks and mixed them in such an amazing musical and technical way. I used to play basketball and swim to this stuff everyday after high school. Even though it may not be apparent my own music is heavily influenced by these tracks. Hearing this is just a reminder I have to somehow convert my cassettes to digital ASAP. This stuff is the soundtrack of classic NY.
“As far as trends in DJ Culture go, New York always was light years ahead of anyone else on the planet. This mix changed everything – Latin Rascals – 1984 – I remember hearing it and that was it for me, it’s never been topped actually.” – Frankie Bones
“Albert Cabrera and Tony Moran (collectively known as the Latin Rascals) got their start as movers and shakers on the budding early’80s New York City club scene, hosting an influential continuous-mix show on local danceradio. The duo went on to become the most in-demand editing and remixing teams in the record business. The Latin Rascals also masterminded the Latin freestyle dance scene, including work for TKA , Sa-Fire and The Cover Girls…among others. The Latin Rascals were also artists for two albums released on Polydor records.” – rascaltunes.com