I’ve been using my Traktor S4 a lot lately. Besides preparing for some upcoming DJ gigs I’ve been learning about the Loop Recorder and Remix Decks. I was surprised how fun these tools are for remixing songs on the fly. You have a lot more control in Ableton but with Traktor you kind of do things live and in real time. Watch the video above for an idea of what I am going on about.
“Watch and learn how to use the Loop Recorder as the main tool to build quick and powerful Remix Deck Sets.” – Mad Zach
For more info: native-instruments.com/en/products/traktor
This entry was written by DJ and tagged dj, native instruments, remix, remix decks, remixing, Traktor. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
This old Archie comic got it right except that we are all grooving and having much fun!
“Archie Comics is an American comic book publisher headquartered in the Village of Mamaroneck, Town of Mamaroneck, New York, known for its many series featuring the fictional teenagers Archie Andrews, Betty Cooper, Veronica Lodge, Reggie Mantle and Jughead Jones.” – Wikipedia
via Chris Traynor
This entry was written by DJ, synthesizer and tagged Archie, comic, retro, synthesizer. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
It really doesn’t matter to me what method you use to play me music when I’m out at a club. All I want is a party with great music. I still press vinyl when I can but I also love all this touch stuff. Traktor DJ from Native Instruments was inevitable and it’s pretty fun to touch waveforms. I think the Freeze mode shows off a cool feature you can’t do with desktop Traktor. Available now for $20.
“TRAKTOR DJ brings the leading pro DJ software to iOS with an intuitive app for instant, high-impact DJ sets. Create mixes in seconds – put your hands directly on beautiful waveforms and manipulate them using gestures you already know. Auto tempo detection makes track syncing effortless while iTunes integration turns your library into a virtual crate to dig through – TRAKTOR PRO’s acclaimed sync engine keeps tracks locked together so mixes hit hard. TRAKTOR DJ also syncs effortlessly toTRAKTOR PRO 2, allowing you to share essential track data – beat grids, BPM counts, and cue points.” – native-instruments.com
For more info: native-instruments.com/en/products/dj/traktor-dj
This entry was written by DJ, iPad and tagged dj, iPad, native instruments, Traktor DJ. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
The Ion Audio Scratch 2 Go can’t be real because it’s so stupid.
“Scratch 2 Go is an ultra-portable DJ control surface that turns your iPad into a mobile mixing experience. Just download the free Scratch 2 Go app and start mixing, scratching, and adding effects to your music— Scratch 2 Go works with iTunes, so you can mix the music you already own. Its two turntables, crossfader, and control knobs gently attach to your iPad’s screen via soft suction cups for hours of mixing fun.” – ionaudio.com
For more info: ionaudio.com/Scratch_2_Go.pdf
This entry was written by DJ, iPad and tagged controller, dj, Ion Audio, iPad, Scratch 2 Go. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
I have a huge box of cassettes I recorded off NYC radio in the 1980s. Hands down some of the most cherished are the Latin Rascals mixes. They took hundreds of tracks and mixed them in such an amazing musical and technical way. I used to play basketball and swim to this stuff everyday after high school. Even though it may not be apparent my own music is heavily influenced by these tracks. Hearing this is just a reminder I have to somehow convert my cassettes to digital ASAP. This stuff is the soundtrack of classic NY.
“As far as trends in DJ Culture go, New York always was light years ahead of anyone else on the planet. This mix changed everything – Latin Rascals – 1984 – I remember hearing it and that was it for me, it’s never been topped actually.” – Frankie Bones
“Albert Cabrera and Tony Moran (collectively known as the Latin Rascals) got their start as movers and shakers on the budding early’80s New York City club scene, hosting an influential continuous-mix show on local danceradio. The duo went on to become the most in-demand editing and remixing teams in the record business. The Latin Rascals also masterminded the Latin freestyle dance scene, including work for TKA , Sa-Fire and The Cover Girls…among others. The Latin Rascals were also artists for two albums released on Polydor records.” – rascaltunes.com
For more info: discogs.com/artist/Latin+Rascals,+The
via Frankie Bones
This entry was written by DJ, music and tagged 1980's, 1984, cassette, New York, New York City, rap. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
My friend David Merlino who is one half of the famous Pet Duo techno act sent me some information and a wicked cool Cold Wave/EBM DJ Set from DJ Magal.
“This mix is from a very old school DJ from Brazil. Magal was the one who first dropped Ministry, Front 242, Clock DVA @ Hoellisch, a very underground club in downtown Sao Paolo, where i first heard many EBM bands…responsible for my everlasting electronic addiction… Nowadays he is resident at Madame Satã, another underground club but with very dark vibe…think they had A Split Second a few months ago there.” – David Merlino
For more info: djmagal.com.br
This entry was written by DJ, music and tagged Brazil, Dj Magal, EBM, Front 242, Madame Satã, Ministry. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
There’s no reason to be jealous because money doesn’t make a person happy. There’s a lot of proof to that but let’s all agree Pauly D’s take is a bit unsettling. I’ve never seen any of these DJs live or even listened to their sets somewhere so I also can’t really scream out any true reviews. Here’s what Forbes says these guys earned last year: Tiësto – $22 million, Skrillex – $15 million, Swedish House Mafia – $14 million, David Guetta – $13.5 million, Steve Aoki – $12 million, Deadmau5 – $11.5 million, DJ Pauly D – $11 million, Kaskade – $10 million, Afrojack – $9 million and Avicii – $7 million. Keep in mind these are artists making money. That’s an excellent thing.
“Every so often, the tectonic plates of mainstream musical taste shift. In the 1960s, there was the British Invasion, followed by disco in the 1970s and the rise of glam metal in the 1980s. The 1990s saw the advent of grunge and the resurgence of boy bands, followed by hip-hop’s hegemony in the 2000s. Now, the tables are turning again.” – forbes.com
For more info: forbes.com/the-worlds-highest-paid-djs
The new mix from Rolf Mulder’s Public Stand features The Horrorist – Take This Step (Brian Burger Remix) among some other hot tracks. This mix already got me through my Sunday morning work out.
“Simplicity Is Beauty – Operators Manual (The Exaltics Remix) (Forthcoming on The Public Stand)
Phase – Binary Opposition (Innigo Kennedy Remix) (Token)
Horn Porn – Old Sketch (Death Proof Recordings)
Toni Alvarez – Offline (Mr. Jones Remix) (Forthcoming on Monkey Recordings)
The Horrorist – Take This Step (Brian Burger Remix) (Things To Come Records)
Roy Davis Jr. ft Bear Who – Automatic Principles (Roy’s Autoelectrik Speaker Killa Mix) (Rock It Science Laboratories)
Romplex & Tanz Organelle – Epicentre (Unreleased)
Joseph Anton – Epic (George Lanham Remix) (Unreleased)
All Tourettes – Mind Over Scatter (Electronic Explorations Compilation
Sunil Sharpe – Saturana (Work The Long Nights)
Mike Humhries – Cassini (Unreleased)
Ryogo Yamamori – Iesukak (Unreleased)”
For more info: thepublicstand.com
This entry was written by DJ, music and tagged Brian Burger, dj, mix, Rolf Mulder, The Horrorist, The Public Stand. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Would you pay $5.29 to download and own a DJ mix? That is an interesting question Beatport is starting to ask with Beatport Mixes. What if by doing so the label and artist would get money? What if the DJ who made the mix would also get some money? With takedowns on Soundcloud happening often and publishers going after ISPs everywhere this could be the eventual future anyway. DJ’s earn 10%, the record label 60% and publishers 30%. The tracks have to be on Beatport or the the mix does risk being taken down. Beatport doesn’t take a cut but of course they will make their money selling tracks. For more of the details and an interview with Beatport’s CTO head to a detailed DJ Techtools post: click here.
“We’ve got all the details and an exclusive interview with the Beatport CTO on the launch of a brand new service they call Mixes. Mixes allows DJs to upload and sell their mixes legitimately and legally, with Beatport handling all of the payment to labels and performance rights organizations.” – djtechtools.com
For more info: mixes.beatport.com
Here’s Paris Hilton’s DJ premier. Just think… those sparkles on her dress are probably real diamonds. Random thoughts: “End of Days.” “Actually way more entertaining than some of the DJs I saw this weekend.” “Jesus WTF”.
“Paris Hilton World Premiere As A DJ.” – donskip.com
For more info: parishilton.com
via Maria NineoNine