Radical G is one of the absolute best EBM meets techno producers. He’s also a good friend of mine. I was excited to see Roland visited his studio to see how he liked the AIRA line. He agrees with me that Roland has produced some right hardware. Take a quick look at Glenn at work!
“Dark electronic madness by Glenn Keteleer with pounding Rave sounds and techno hooks. No excuses regarding styles, Gloomy atmosphere’s ,Wave & Elektro infuences by legendary bands as TNJ and Front 242 are part of the game” – radicalg.com
For more info: radicalg.com
I’ve had my eye on the Flame Talking Synth Eurorack module for a very long time. I just love speech synthesizers and the idea of having one in Eurorack is just well fun. When I saw the Ninstrument Speak & Read I looked for a buy now button. Luckily for my bank account Ninstrument is quite selling these yet. Watch the video above for joy.
“I have had so many of these as bent toys that I thought it was time to make a eurorack module of one. Lots of time spent trying to nail down the right registers for the best phonemes and words. Very fast response means you can use quick triggers and for longer glitches you can use longer gates. The response has been a little over whelming to this as I knew there were a few out there who loved these, but had no idea that it was this many!!” – ninstrument.com
For more info: ninstrument.com/?p=1695
I created a bank of presets for Arturia’s fantastic iSEM synthesizer. The presets are available in the latest update. I also did an interview for Arturia (link). iSEM is really one of if not the best iPAD synth app. I worked hard on making these sounds so please check them out and enjoy the preset names too.
“Discover The Horrorist, the artist behind the new iSEM presets, and what he thinks about the app.” – arturia.com
For more info: arturia.com/company/news/agenda/interviewhorrorist
Tonight I will be going to the IFC Theater (323 Avenue of the Americas, New York, NY 10014) to see a screening of Depeche Mode 101. Any reader of this blog will know I was one of the lucky contest winners to go along on tour with DM in 1988 and be in this film. Jay Serken & Chris Hardwick will be coming with me and there will be a Q&A after the movie. Come and enter a time machine for a few hours tonight!
“Three weeks into the filming, the band’s producers suggested a dance contest where a busload of fans would win a trip across the country and meet up with Depeche Mode at the final Rose Bowl concert. New York radio station WDRE and DJ Malibu Sue hosted the event which drew thousands of fans. Somehow eight fantastic kids were chosen and we put two of our favorite filmmakers, Jeff Kreines and Joel DeMott, on the bus with them. Some people say that the bus kids were the first of the MTV Real Life series.” – DA Pennebaker and Chris Hegedus
For more info: ifccenter.com/films/depeche-mode-101
About a month ago I threw an event in Berlin called EBM Blitzlicht. I was spending a week in Europe on tour and instead of meeting a bunch of friends at a bar I thought, “let’s all DJ!”. I booked a small basement club near the Fernsehturm (TV Tower) called 1820 Bar. The dance floor sits low in a pit with a cat walk surrounding it. There is a large video screen. During the event I played some videos of 80s goth dance nights. I (The Horrorist) did a DJ set and I booked Petra Flurr, Denard Henry aka Sonic Architect, DJ Death Bat and DJ Andi. Everyone played EBM, New Beat and Industrial. While it’s a small genre everyone had a very different style and played different tracks. Good friends Miro Pajic, Adam X, Aga Wilk & Christian Gjelstrup (77TM), Sid Lamar (Schwefelgelb), Alison Lewis and Pieter Van Der Veg all came out and “getanzt”!. It was great to make some new friends too and as always I can’t wait to visit Berlin again soon.
“The club felt full despite it being mid-week at a niche show: about 150 people came and went, clustering around the sidelines in nefarious conference, eyeing the dancers doing aerobics through smoke machine fog at the center of the room.” – unsceneberlin
For more info: facebook.com/events/764871263569278
There is a new iOS game I am in love with called Helix. It’s kind of like a mix between the a game on Magnavox Odyssey 2 called UFO and anything from Jeff Minter. Acid colors, awesome soundtrack and very good arcade play.
“It all makes for a wonderful arcade experience. The twist is rich enough that everything feels fresh, and there’s something almost painfully addictive about the game as well.” – pocketgamer.co.uk
For more info: itunes.apple.com/us/app/id562550427?mt=8
Ah, two of my favorite things: Berlin and Daniel Miller. Slice (also based in Berlin) visits Daniel Miller in his home. I love seeing which Eurorack modules he has, the art on his walls and just hearing him talk all things Depeche Mode and anything else!
“Daniel Miller has earned his place among the most influential figures in the music business from the last three or four decades. Throughout his career, Miller has often showed great vision and an excellent taste in music; he founded the legendary Mute Label, discovered and produced Depeche Mode, signed classic acts like Throbbing Gristle, Fad Gadget, Erasure, Nick Cave & The Bad Seeds as well as contemporary greats such as Moby, Goldfrapp, The Knife. For this Slices feature on Electronic Beats TV we had the honor of joining him in his Berlin home.” – Slices
For more info: mute.com
W?VES 23 – 12/10/2014 SPECIAL SUICIDE TRIBUTE TO NEW YORK ICONIC LEGENDS by W?ves on Mixcloud
Here is a DJ set and interview that covers the recent release of the “Special Suicide Tribute To New York Iconic Legends” album. I did one of the covers for the song Rocket USA. Enjoy the listen and you can hear my remix and order the album here: link
1. Suicide – Johnny – 1977
2. Novo – Cheere -2014
3. Simi Nah – Diamonds Fur coat, Champagne – 2014
4. Black Egg ft Hausfrau – Dream Baby Dream – 2014
5. L.A.A.G. – Rain of ruin -2014
6. Radical G – Ghostrider -2014
7. Adán & Ilse ft Gabi Delgado – Girl – 2014
8. David Caretta & Jürgen Engler – Wild in Blue – 2014
9. Position Parallèle – Je t’en prie – 2014
10. Nick Void – Rocket USA – 2014
11. Millimetric ft Dirk da Davo – Devastation – 2014
12. Agenda – by Felicie
“Broadcast on October 12th, 2014 at 20:00 on Radio Vibration (vibration.fm) in Brussels & Mons, Belgium. Special ‘Suicide Tribute to New York Iconic Legends’. Presented by Fernando Wax, with the help of Phil Blackmarquis and Pierre Sensurround. Agenda by Félicie.” – W?VES
For more info: facebook.com/wavelengthbroadcastingsystem
I (The Horrorist) will be DJing tonight in Manhattan. The event is called “Sunglasses at Night” and it will be at Leftfield (87 Ludlow St, New York, New York 10002). The dress code is “sunglasses” although you can certainly join us if you want to come with your naked eyes. Tonight will be more on the fun side meaning I will not be playing the normal dark EBM or Industrial. Tonight is everything else 80s like some lighter New Wave, AOR, Breakdance, Freestyle, etc… The event takes place in the basement room. So please join me and have some fun!
“Dresscode: Sunglasses Music: 80s (Breakdance, New Wave, AOR, Freestyle, anything that sounds good snorted off a glass table!)” – Sunglasses at Night
For more info: facebook.com/events/1488790524712597
I was looking through some old photos last night and I came across a photo of myself in my studio in 1995. It was in this room I wrote the first Things to Come Releases including One Night in NYC and many of the early Industrial Strength Records I recorded. This studio was in my mother’s basement. Her bedroom was just above it. Looking back I realize how funny it is that I was screaming my head off down there. I do remember I was going to a wedding and thought, “OK I look cool lets take a photo in the studio.”. So hah please look past my uncool look and let’s see what gear I had!
– Atari 1040ST & SM124 High Resolution Monochrome Monitor running Cubase and Dr. T’s KCS.
– Yamaha NS10M Studio Monitor Speakers driven by a Crown Microtech 500 AMP.
– Roland TR-909 Drum Machine
– Roland TR-707 (not pictured… sat to the right of the 909)
– Roland TB-303 Bassline Synthesizer
– Roland SH-101 Synthesizer
– Roland Juno-106 Synthesizer
– Roland SH3 Synthesizer
– Electrocomp-101 Synthesizer
– Roland S-50 Sampler with external monochrome CRT
– Akai S950 Sampler
– Korg SDD-2000 Digital Delay
– Mackie 1604 Mixer
– Another large old mixer (in the photo with the record, CD and DATs on it)
– Tascam 1/4″ Patch Bay
– Tascam Dual Cassette Deck
– Tascam DA-30 DAT Machine
– Turntable for Sampling Records
– Ultimate Support Systems Desk with extra “wings”
– Ultimate Support Systems A-Frame Keyboard Stand with extra “wings”
– Ultimate Support Systems 3 Tier Keyboard Stand
– 2 SKB Rackmount Cases
– Slanted 19″ Rackmount Stand with Wheels
Today kids own a ton of gear. Back then my studio was considered “a lot of stuff”. In making this list you can see how Roland owned the techno world or at least you can see how much I love their stuff. This photo was right before Apple Macs became powerful enough to run Cubase VST with audio recording. So all the vocals I did back then had to be recorded live in one pass to DAT (digital audio tape). One night in NYC, Dark Germany, Mission Ecstacy, etc… all recorded live to DAT in one pass. Of course I would make mistakes and had to start the tape again. So what things in this photo do I still own today? I moved to Brooklyn and the TB-303 and Juno-106 were stolen. I sold the Akai S950, Dat Machines, Mackie Mixer, SH-101 and TR-909. I never regretted selling the 909 actually and until I saw this photo I forgot I even once owned a SH-101! I sold the Korg SDD-2000 digital delay and I do regret that. I will buy one again on eBay someday. I still own the Electrocomp-101. You can’t really see it in this photo (it sat above the SH-101). My father gave it to me and I’ll never part from it. It’s number 521 of 2000 ever created. I still own, love and use the Roland SH3. This is a SH3 not SH3a. The 3 has the original filter in it which was a clone of a Moog design. Moog threatened to sue Roland to they created the weaker 3A revision. While it’s fun to fetishize gear it’s very important to remember it’s not the equipment it’s the artist. Just make music, have fun and tell YOUR story.
For more info: thehorrorist.com