I will be performing live this Friday night in Montreal, Canada. The event is officially called “The Horrorist – présenté par F.U.B.A.R. – le 11 octobre”. The venue is Le Belmont (4483 Boulevard St-Laurent, Montreal, Quebec H2W 1Z8). In the early 2000s I performed often in Montreal and I also had a chance to play the first Festival Kinetik. I will be spending a few days there and watchful eyes can expect some surprises. The promoter has and empty private apartment for me in a nice neighborhood and I am spending a few days there. I will also spend some time with my Graphic Designer Maurice Roy. If you come to the show be sure to say hello in person if you can!
“F.U.B.A.R. Prods en collaboration avec Deadna Prod. présentent: The Horrorist live! Après 5 ans d’absence le conteur, Oliver Chesler, est de retour à Montréal. Le spectacle est appuyé par nos talents locaux ::: The Horrorist: Based in New York City, artist Oliver Chesler is a producer and vocalist, as well as the founder of Things To Come Records. He is the brain behind such tracks as One Night In New York City, Hard Step Future Force, Flesh Is The Fever, Mission Ecstasy, and many more! His last appearance in Montreal dates back to the first Kinetik Fest held in 2008, preceded by his performance at Hitched in 2007.” – facebook.com/events/610785738953351″>F.U.B.A.R.
For more info: facebook.com/events/610785738953351
This entry was written by live performance and tagged Canada, FUBAR, live performance, Montreal, The Horrorist, Things to Come Records. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Recently I mentioned the Orwell Digital OR-1M analog style software sequencer (link). To create certain types of EBM or Giorgio Moroder stuff it really helps to have an analog sequencer. Being software I was surprised how well the OR-1M gets me “that sound”. I was on the Muffwiggler reading about the upcoming Intellijel Metropolis hardware sequencer. It’s based on the M-185 sequencer by “RYK” so I went searching for some demos. This lead me to a software version by Defective Records (also called the M-185). Having Daniel Miller’s photo on the page kept me reading and the M-185 is in partnership with RYK. To my delight Defective Records also has a software Klee and CycliC software sequencer. I can’t wait to try these out and the prices are good.
“Includes virtually all major functions from the hardware M185, and adds many new ones specific to the software version.” – defectiverecords.com
For more info: defectiverecords.com
This entry was written by plug-ins and tagged Defective Records, Intellijel Metropolis, Klee, M-185, sequencer, software. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Like many other electronic musicians lately I have been obsessed with my Eurorack modular. A few modules I own really stand out. Three of my favorites are from a company called Synthesis Technology. Synth-tech as people call them is Paul T. Schreiber. If you look at his resume you will see he is an experienced audio engineer. You can hear his expertise in his modules. Enjoy a one hour Wire to the Ear interview with Paul as we discuss Chris Randall, MOTM, an $18,000 home stereo, the end of Blackberry, Tandy Radio Shack, the power of digital, patents and stealing designs, Eurorack power issues, the upcoming E370 Quad Morphing VCO/E371, E102 Digital CV Processor/Quad Temporal Shifter and what would Paul eat as his death row meal.
“So a lot of people grew up drooling in music stores. I drooled in the stereo store and I wanted to have this stereo system that cost $18,000. So I told my wife…” – Paul T Schreiber
This entry was written by modular, synthesizer, Uncategorized and tagged Eurorack, modular, Paul Schreiber, synth-tech, Synthesis Technology. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
TC-11 takes a good synth engine and tosses it under a highly customizable and beautiful touch interface. As you play the apps different presets your fingers fire LFOs, sequencers, arpeggiators, waveshapers, phasers and more. This is really a wonderful app. I think it’s like the classic Bebot on mega steriods. Be warned if you watch the videos above there is a good chance you will drop the $29 is costs.
“TC-11 is a programmable modular synthesizer on the iPad, controlled by multi-touch and device motion controllers. All synthesis parameters can be controlled by these two sources, which allows the user to create countless unique patch configurations. TC-11 does not use on-screen objects like knobs or buttons for synthesis control. Instead, your touches are the controllers. Distances, angles, rotation, speeds, and timings created by the touches are used to push synthesis parameters in real-time. TC-11 opens up every inch of the screen for performance. Plus, the iPad’s device motion capabilities can be used as controllers. The accelerometer, gyroscope and compass can be assigned to synthesis parameters to turn your iPad into a expressive motion-controlled synth.” – bitshapesoftware.com
For more info: bitshapesoftware.com/instruments/tc-11
A few months ago the Intellijel Plog caught my attention. It’s a Logic module which I can’t actually explain but in very quick terms takes signals, changes them and outputs different signals/gates according to “logic” aka math. You can then use the outputs in interesting ways. The complexity of the module scared me a little so I moved on. The Abstract Data ADE-31 Logic Boss is another Logic type of module. Its creator Justin Owen from London emailed me yesterday and we have been chatting about the module. One thing I really like about the ADE-31 is it’s without any programming/preset buttons. It’s one I/O panel prime for simple experimentation. It’s modules like this that first really made me want to get into modulars. Watch the video above for more details. $225 available at Analogue Haven.
“Multi-stage, switchable logic and pattern-generation module combining utility and performance-oriented features. Up to 4 inputs and 12 simultaneous outputs in a unique cascading architecture with CV switching and linking between the 2 stages. Perform basic logic utility tasks, create complex patterns and create rhythmic variations via on-board or external CV control. LED status on all inputs and outputs for clear status indication. Power-supply protection. Shallow, skiff-friendly build.
Logic Types (Stage 1): NOR/OR, NAND/AND. Logic Types (Stage 2): NOR/OR, NAND/AND, XNOR/XOR. Inputs (Logic, CV, Audio): 4x AC/DC, Up to +/-10V Max. (3.5mm). Inputs (CV): 1x AC/DC, Up to +/-10V Max. (3.5mm). Outputs (Logic): 12x DC Logic +10V (3.5mm)” – abstractdata.biz
For more info: abstractdata.biz/ade31
Here’s a tip made for parents that could be very useful for stage musicians. The CNET video above shows how you can make it so you iPad will act as just one app using Guided Access. If you use your iPad on stage I think this is a great idea to ensure the home button and jestures won’t mess you up.
“Learn how to use Apple’s Guided Access feature in iOS to temporarily limit the use of your child’s iPad, iPod Touch, or iPhone to a single app.” – CNET
For more info: apple.com/ipad