“Finish what you start.” is a good saying. I agree with it. Last year when I released the album Joyless Pleasure I promised to go song by song and tell you the backstory and technical details. Honestly, I got cold feet realizing I would have to reveal more of myself than I may want to. This blog is useless if I don’t add a personal touch and although it’s 80% music tech it’s music itself that’s important right? In addition I’ve had more than a few readers ask I continue explaining each song. I’m already 6 songs into my next album and want to preview some of it soon. Therefore it’s now or never to get into the details of the remaining 8 songs on Joyless Pleasure. The first two songs are covered here: Modern and We Will Get Wicked.
Darkling Lullaby. If I could have written a song like this when I was 17 years old I would have. I didn’t have the skill or wisdom at that time so I wrote it now. It a lullaby to a beutifull young girl who is on top of the world. She breaks hearts. The song is from the scorned and obsessed. One day the girl will be old and struggle like everyone else. When I listen to the song sometimes I picture a father singing it to a daughter in her bedroom. It’s February so maybe this is fine for a Valentine’s day playlist. Especially if you’re single.
The vocals were written in one take but I changed the last verse a few days later. The main synth is a layer of Fairlight CMI choral samples and a Korg Poly 800 arpeggiated. There’s lots of Altiverb reverb washing over the entire track. The kick is a Jomox Mbase 01. The song took about a week to finish. Be sure to check out the Dom Dumoulin remix on the Joyless Pleasure Remixed album (link). The photos used for the Youtube video still (above) are indeed yours truly. I used to climb the slanted tree to the right of me in the photo almost everyday. Behind me you can see the stream that ran through my front yard.
“I am sorry for what the world will do to you. Darkling I am sad to tell you the truth. Love is a lie like a butterfly. Dear I wish it was different for you. You will cry like everyone cries. I am sorry it’s the truth. Darkling I am sad for for you. My sweet Darkling you will cry. You will cry and cry.” – The Horrorist
This entry was written by music, song writing and tagged Darkling Lullaby, sad, The Horrorist, Things to Come Records. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.
Today I received my latest eBay purchase in the mail: a Suzuki Omnichord OM-84. Add a star to my hipster cred wall. Nevertheless I love the (analog) sound and playability of these instruments. There were a few variations and you can buy new digital models with MIDI called Qchords. If you have an iPad and you want some Omnichordness download the very good Polychord app (link). There’s a good blog that covers old Omnis here: omnichords.blogspot.com. Any of you Wire to the Ear readers own an Omnichord?
“The Omnichord is an electronic musical instrument, introduced in 1981 and manufactured by the Suzuki Musical Instrument Corporation. It typically features a touch plate, and buttons for major, minor, and diminished chords. The most basic method of playing the instrument is to press the chord buttons and swipe the touch plate with a finger or guitar pick in imitation of strumming a stringed instrument.” – Wikipedia
For more info: qchord.net
This entry was written by drum machine, hardware and tagged Omnichord, Qchord, Suzuki Omnichord. Leave a comment or view the discussion at the permalink and follow any comments with the RSS feed for this post.