Even if you can’t totally understand this mod if you enjoy a pretty gear video your going to like this.
“I wired this all up on a breadboard before doing any permanent damage to my new pedal, and was quite surprised when it worked. Confidence flowing, I took the step of drilling six new holes into the aluminum case of the SMMH. This was rather thrilling in a DIY sort of way. There was no going back now.” – dancerobotdance.com
djay hits 1.2 with some nice features. We need a 12″ screened iPad ok Apple? By the way there’s no reason you shouldn’t load two copies of one of your own tracks in this thing and make a quick remix!
“Key Lock: Utilizing zplane.development’s advanced time-stretching technology, élastique efficient, Key Lock offers the ability to stretch the audio of each turntable individually in real-time, enabling users to change the speed of the song without affecting its pitch. Enhanced Audio Analysis: Features high precision beat-grid and onset extraction with a visual representation on the wave form; users can now beat-match songs with even greater precision. Loop / Cue Snapping: djay aligns loops and cue points to the song’s beat grid based on the enhanced accuracy of the audio analysis.” – synthtopia.com
I recently bought a new Macbook Pro. The new Thunderbolt port wasn’t a feature that had me excited. The only reason was I had no idea how fast it was. I was listening to Andy Ihnatko speak on the Macbreak Weekly podcast and in passing he mentioned it was 15 times faster than Firewire 800. It’s so fast it’s similar to having a PCI card or chip directly inserted into the motherboard of your computer. I know we don’t need more power but now I am looking forward to a new UAD, RME and large external SSD all with Thunderbolt.
“Thunderbolt I/O technology gives you two channels on the same connector with 10 Gbps of throughput in both directions.” – apple.com
I try almost any audio creation app for iOS. I definitely have a group of favorites and Polychord is one of them. If you make verse chorus type of music connect Polychord to your DAW and recording. The MIDI generated is a nice secret weapon. Polychord 2 was recently released so if you passed by the original I suggest taking a look at 2.0.
“Shoulda Woulda Coulda, Inc. is readying a major update to their iPad music composition tool, Polychord. The version 2 update brings a vast quantity of new exciting features to this highly-rated app including the ability to record your song data, a new graphical user interface, and Palettes.” – Future Music
I went to College at SUNY Purchase. Today the school has “normaled” out a bit but when I went there it was mostly art students. One of the required courses was called Social Sciences in the Arts. The professor spent a good amount of time explaining there were different types of artists. The curriculum suggested that obviously an artist creates and is heavily inspired by his surrounding. It also suggested that every artist is heavily influenced by his audience. I found that to be the interesting part. I do think of who will be listening when I make music. The professor explained that even artists who are complete hermits, who never show their work in their lifetime create it hoping or knowing someday someone will discover it. Do you agree? Below are some links to an early Italian review of my album and an interview I did with French electronic music photographer/blogger Morganistik:
“Everything is taken, with expansion into the New Wave of Joy Division in the funereal “Love Sick”. Halfway between the Rock and Synth Pop is Joyless Pleasure…” – technodisco.it
As I slept last night my new album Joyless Pleasure was moved from the iTunes staging area where new MP3s get prepared for their lives on people harddrives and marked available. Each song took more inspiration and effort than I care to share. You my dear listener are supposed to think it was effortless and that I possess some magic music making power. Truthfully I picked the times when I was feeling the most crazy, upset or happy and forced myself into the corner studio.
I love to talk about songwriting and music tech so it was difficult not to post each one of these songs here as I finished them and tell you the story behind the lyrics and what production techniques I used. In the following couple of weeks if you don’t mind I will go into detail on some of the songs. Of course this is part promotion but it’s also to keep the “I released an new album” feeling going a little longer. So as younger folk say plz leave comments and plz retweet! Buy it or steal it but whatever you do please help me spread it around.
“The Horrorist new album “Joyless pleasure” is out today on Things to Come records. Softer and surprisingly romantic but still full of energy and extremely tortured. You can’t put one style tag on the album. In the 1st track “Modern” the voice will make you think of Ian Curtis, Joy Division. “Joyless pleasure” has a high Depeche Mode feel with ultra pure and detailed synths sounds and effects. “Darkling Lullaby”, “Love sick” and “Lovely Sweet” are islands in The Horrorist universe as they are not dance tracks. “Hostage” takes us on an electroclash direction and “I stand with you” in pure EBM style with a Nitzer Ebb impression. An album more mature than ever, more melancholic. Even if we can compare some songs to other people’s sounds, there is one thing that will always belong to The Horrorist and be unique like this album: it’s his strange stories. Joyless Pleasure is like a jewelry piece but in electronic music.” – morganistik.com
I’ve done a quick interview for They Make Music. Everyday readers of this blog will know pretty much what my answers are like. Be sure to spend some time over there checking out some of the other good interviews!
“Make yourself a studio that’s fun to use. It’s important to be able to get your song down very fast without technology getting in the way.” – Me
Moog launched an awesome new website. It looks way better and is full of videos and artists using Moogs. Check out one of the first videos they posted appropriately showcasing the original Minimoog.
“Moog talks with one of Moog Music’s earliest engineers, Bill Hemsath, who recalls the process of the Minimoog’s birth and sheds some light on what sets the Moog synthesizer apart from other analog synths.” – futuremusic.com
Money no object I want to build a room of arc4s and monomes.
“I’ve always loved step sequencers and I see the monome as an opportunity to address some of the grey area between the one knob per function analog step sequencer and step sequencers with memory. The idea is to increase the available note range without sacrificing precision and increase the available sequence length range, without sacrificing direct manipulation and feedback. So, when the arc came around it seemed like a useful navigational tool to manipulate a large plane of data.” – stretta