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	<title>Comments on: Im Rhythmus Bleiben</title>
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		<title>By: Jason Duerr</title>
		<link>http://www.wiretotheear.com/2010/10/21/im-rhythmus-bleiben/comment-page-1/#comment-12914</link>
		<dc:creator>Jason Duerr</dc:creator>
		<pubDate>Thu, 21 Oct 2010 14:33:00 +0000</pubDate>
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		<description>Get a kick out of how much you talk about Front 242, because I am the same, never got over that era. I&#039;m still picking out new layers I havn&#039;t heard before. Considering a modern install of Ableton has more power than all of their former studios combined, the question always comes up, &#039;how did they get so much right at the time?&#039;   I believe part of the answer is the tactile nature of the instruments, which is why people like Doepfer will always have a market. As far as this sequencer goes, she looks fantastic. Speaking of analog and sequencing, I&#039;m wondering if the upcoming NAMM will have any surprises from Jared // Future-Retro?
THX, Jason // Chicago</description>
		<content:encoded><![CDATA[<p>Get a kick out of how much you talk about Front 242, because I am the same, never got over that era. I&#8217;m still picking out new layers I havn&#8217;t heard before. Considering a modern install of Ableton has more power than all of their former studios combined, the question always comes up, &#8216;how did they get so much right at the time?&#8217;   I believe part of the answer is the tactile nature of the instruments, which is why people like Doepfer will always have a market. As far as this sequencer goes, she looks fantastic. Speaking of analog and sequencing, I&#8217;m wondering if the upcoming NAMM will have any surprises from Jared // Future-Retro?<br />
THX, Jason // Chicago</p>
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