My studio in the early 90s was full of hardware mixers and long patch cable strung all over the place. Before computers with fast CPUs the way to get an original sound was simply plugging hardware boxes into each other. Electrocomp-101 synthesizer into a Boss Pedal into a Korg Digital Delay and so forth. I always felt like a pioneer pushing the equipment to unintended limits.
My favorite trick that I never actually heard anyone else do was something I called the “Wicked 106″. I created 16 slightly different patches on a Roland Juno-106. Next, I would create a 16th note pattern in Dr. Ts KCS. Here’s the trick: I would then put a different Program Change (number) on each of the steps. You never heard a Juno-106 sound so interesting. It really made the 106 sound like a modular going through a step sequencer.
“What most don’t know about the original TR-808, aside from it’s original voices (sounds) there is a “pulse” sound that you can hear when plugging a cable from the ACcent trigger out, it generates a metallic “zap” sound very similar to a Hi Q (sound from the Roland R-8) This sound was used in “Egypt Egypt” and “Funkbox” from Masterdon. THIS IS HOW THE SOUND IS DONE!!!!” – intromix
Do you remember an old hardware trick you used to do?