I give credit where it’s due and Justice and the Ed Banger crew created something new in electronic music and I respect that. The massive club hits they create are a bit like crack cocaine though. They are awesome the first time you hear them then a few weeks later your not tapping your feet quite as hard. Still, I always press play when I see a new song or remix of anything that has the gold cross logo on it.
The French duo got some bad press this week when they were called out by residentadvisor.net for using unlicensed samples in their work. Remember Crystal Castles was also accused of similar action last May: click here. Honestly, both bands just should just claim Fair Use. Does anyone care if they take pieces of other music and make something new out of it? Isn’t that a good thing? I guess it all depends if they rock the house or not!
During a conversation regarding their production techniques, Justice’s Xavier de Rosnay had the audacity to tell the interviewer, “Say we use the In Da Club hand clap — not even 50 Cent would notice.” You might have thought that he would stop at this theoretical point, but then went on to explain that “if you listen to ‘Genesis,’ the first track (on †), there are samples of Slipknot, Queen and 50 Cent, but they are such short samples no one can recognise them. The ones from Slipknot, for example, are just tiny bits of the voice.” – residentadvisor.net
Now for a far more hilarious “I got ya!”. Check out the photo of Justice playing above. Um I didn’t know the MPD 24 worked without power. But again really people… it’s the show you go to see not some dork with his face planted deep into Ableton pressing little triangles. As long as the club is packed, everyone is moving and chicks are happy to chat thats all that matters. Never forget that.